Table of Contents
List of figures
List of tables
Series editors’ preface
Notes on contributors
1 Introduction: structured sounds in bodily and spatial dimensions
Clemens Wöllner
Part I
Bodily movements, gestures and sonification
2 The empowering effects of being locked into the beat of the music
Marc Leman, Jeska Buhmann and Edith Van Dyck
3 Exploring music-related micromotion
Alexander Refsum Jensenius
4 Cross-modal experience of musical pitch as space and motion: current research and future challenges
Zohar Eitan
5 Gestural qualities in music and outward bodily responses
Clemens Wöllner and Jesper Hohagen
6 Aesthetics of sonification: taking the subject-position
Paul Vickers, Bennett Hogg and David Worrall
Part II
Sound design, instrumental affordances and embodied spatial perception
7 Instruments, voices, bodies and spaces: towards an ecology of performance
W. Luke Windsor
8 Sonic spaces in movies: audiovisual metaphors and embodied meanings in sound design
Kathrin Fahlenbrach
9 The colourful life of timbre spaces: timbre concepts from early ideas to meta-timbre space and beyond
Christoph Reuter and Saleh Siddiq
10 ‘Music as fluid architecture’: investigating core regions of the spatial brain
Christiane Neuhaus
Part III
Presence and immersion in networked and virtual spaces
11 Music as artificial environment: spatial, embodied multimodal experience
Peter Lennox
12 Music perception and performance in virtual acoustic spaces
Jude Brereton
13 Space and body in sound art: artistic explorations in binaural audio augmented environments
Martin Rumori
14 Embodiment and disembodiment in networked music performance
Georg Hajdu
15 Presence through sound
Mark Grimshaw
Index