05/29/2017
At the start of this absorbing series launch set in East Texas from Edgar-finalist Locke (Pleasantville), Texas Ranger Darren Mathews is suspended from the force because he rushed, while off duty, to the aid of a friend in a dispute that turned violent. Then, against his family’s wishes and the law, he determines to check out a racially charged crime a few hours up the highway. In the desolate town of Lark, the bodies of a black lawyer from Chicago and a local white woman have surfaced in a bayou within a few days of each other. Darren discovers that the town revolves around two prominent figures: Wally Jefferson, proprietor of a white supremacist bar and close confidant to the county sheriff, and Wally’s neighbor Geneva Sweet, a black business owner with her own brand of authority. As Darren investigates the two murders, he becomes immersed in Lark’s fraught history. Darren must deal with his conflicting loyalties to his family and to Texas, as well as his identity as a black man, as he struggles for justice in this tale of racism, hatred, and, surprisingly, love. Agent: Richard Abate, 3 Arts Entertainment. (Sept.)
One of CrimeReads's 10 Best Novels of the Decade
Winner of the 2018 Edgar Award for Best Novel
A New York Times Book Review Editors' Choice
A Finalist for the Los Angeles Times Book Prize
A Washington Post 10 Best Thrillers and Mysteries of 2017
A Kirkus Best Mysteries and Thrillers of 2017
A Financial Times Best Book of the Year
Best book of the year from Vulture, The Strand Magazine, Southern Living, Bolo Books, Publisher's Weekly, Book Riot, The Guardian, Lit Hub, The Boston Globe, Dallas News, Milwaukee Journal Sentinel, Minnesota Public Radio, Texas Monthly, The Daily Beast, and the South Florida Sun Sentinel
"A quick course in plotting and nimble characterizations rooted in a vividly evoked setting"—Nicole Lamy, New York Times Book Review
"An emotionally dense and intricately detailed thriller, roiling with conflicting emotions steeped in this nation's troubled past and present. . . . A rich sense of place and relentless feeling of dread permeate Attica Locke's heartbreakingly resonant new novel about race and justice in America. . . . Bluebird, Bluebird is no simple morality tale. Far from it. It rises above "left and right" and "black and white" and follows the threads that inevitably bind us together, even as we rip them apart."—James Endrst, USA Today
"Gripping, suspenseful and gut-wrenching . . . I've never bought the notion of the Great American Novel. I think when literary historians look back, they'll realize this time had many, but if Attica Locke's Bluebird Bluebird isn't on the list, I'm coming back to haunt them. . . . This is a layered portrait of a black man confronting his own racial ambivalence and ambition told with a pointed and poignant bluesy lyricism. . . . Locke's novel is America 'telling on itself.' Listen up."—Carole Barrowman, Milwaukee Journal Sentinel
"Attica Locke's terrific Bluebird, Bluebird (Mulholland) simmers with racial tensions . . . a story told with Locke's crystal-clear vision and pleasurably elemental prose."—Seattle Times
"Few contemporary writers have portrayed black Southern life with as much wit and heart-pounding drama as Attica Locke. . . . A dazzling work of rural noir that throws into question whether justice can be equally served on both sides of the race line."—Amy Brady, Los Angeles Times
"Locke pens a poignant love letter to the lazy red-dirt roads and Piney Woods that serve as a backdrop to a noir thriller as murky as the bayous and bloodlines that thread through the region. . . . Locke shows off her chops as a superb storyteller. . . . She is adept at crafting characters who don't easily fit the archetypes of good and evil, but exist in the thick grayness of humanness, the knotty demands of loyalties and the baseness of survival. Locke holds up the mirror of the racial debate in America and shows us how the light bends and fractures what is right, wrong and what simply is the way it isbut perhaps not as it should be."—Jaundréa Clay, Houston Chronicle
"Powerful . . . Locke is a master of plot who's honed her craft. . . . The deepest pleasures to be found in Bluebird, Bluebird, though, are in her renderings of those who've loved and lost but still want to believe in the world's benevolence."—Leigh Haber, O., The Oprah Magazine
"I've never bought the notion of the Great American Novel. I think when literary historians look back, they'll realize this time had many, but if Attica Locke's"Bluebird Bluebird" (Mulholland) isn't on the list, I'm coming back to haunt them."—Carole E. Barrowman, The Milwaukee Journal Sentinel
"Brooding, timely, gripping"—Family Circle
"Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism."
—Kirkus (Starred Review)
"Attica Locke's Bluebird, Bluebird reads like a blues song to East Texas with all its troubles over property, race, and love. Taut where it has to be to keep a murder investigation on its toes, this novel is also languid when you need to understand just what would keep a black woman or man in a place where so much troubled history lies. This novel marks Love's (and Hatred's) comings and goings amongst black and white, and all the shades between. Locke's small town murder investigation reveals what lies at the heart of America's confusion over race."—Walter Mosley, author of Down the River unto the Sea
"In Bluebird, Bluebird Attica Locke had both mastered the thriller and exceeded it. Ranger Darren Mathews is tough, honor-bound, and profoundly alive in corrupt world. I loved everything about this book."—Ann Patchett
"A tale of racism, hatred, and, surprisingly, love . . . [An] absorbing series launch"—Publishers Weekly
"Attica Locke's stupendous fourth novel is suffused with the blues. Pushing her classic noir plot deep into history and culture, the Houston native sings her own unshakable, timeless lament. Streaked with wit and hard-earned wisdom, 'Bluebird, Bluebird' soars."—Chicago Tribune
"Lyrical, elemental, and pulls no punches, exposing racial tensions past and present while a killer blues soundtrack plays perpetually in the background."—Boston Globe
"Attica Locke is a must-read author who writes with power, grace, and heart, and Bluebird, Bluebird is a remarkable achievement. This is a rare novel that thrills, educates, and inspires all at once. Don't miss it."—Michael Koryta, author of Rise the Dark
"With Bluebird, Bluebird Attica Locke brings freshness and vitality to a beloved form. Her storytelling touch is just so strong! From the first beautifully done scene until the finale, this is a very propulsive novel concerning old deeds that keep influencing the present, injustice and couragea powerful and dramatic look at contemporary black life in rural America."—Daniel Woodrell, author of The Maid's Version
"This page-turner combines heart and heat."—Patrik Henry Bass, Essence
"Bluebird, Bluebird has the impeccable pacing, memorable characters, and deepening sense of mystery and dread we expect in the finest noir thrillers. But this novel is so much more. Darren Mathews, the black Texas Ranger at the story's center, is a man caught up in the complex and at times contradictory loyalties of geography, profession, race, and family. He is a brilliantly realized character and in his refusal to settle for easy answers, he leads himself and the reader toward the most elemental of contradictions: the inextricable link between hate and love. Attica Locke has written a marvelous novel."—Ron Rash, author of Serena and The Risen
"Attica Locke knows Texas, a place that has shaped both her characters and her life. Locke's new book, Bluebird, Bluebird, is evidence of her deep knowledge and love of her community and a deep talent for writing hype thrillers that also manage to be timely, relevant and keenly insightful."—Joe Ide, author of IQ and Righteous
"Attica Locke knows how to tell a tale, her voice so direct and crisp that the dust from the side of Highway 59 will settle on your hands as you hold Bluebird, Bluebird. Nothing comes easy in Shelby County, where the lines between right and wrong blur a little more with each heartfelt page, and love and pain live together as one under the big Texas sun."—Michael Farris Smith, author of Desperation Road and Rivers
"This is Attica Locke's best work yet-and if you've read Pleasantville you know that's saying something. Just by her choice of protagonist (an African American Texas Ranger, tacking between two worlds as he solves a double homicide) you know Locke is a writer who makes bold choices, and whose fiction is powerfully connected to our troubled world."
—Ben Winters, author of Underground Airlines
"Locke's writing is both sharp-edged and lyrical. This is thoughtful, piercing storytelling with the power to transport."—Diana Evans, Financial Times
"Locke's latest is steeped in the blood of history but alive with the racial tensions of today. It's a twisty, carefully plotted thriller."—Chris Vognar, The Dallas Morning News
"A great new book series . . . Entertaining"—Charles Ealy, Austin American-Statesman
"Locke creates a town that breathes blues and beats with familiar warmth between those whose lives have been intertwined for generations."—Las Vegas Weekly
"Attica Locke's incisive look at racial issues reaches another milestone in the gripping Bluebird, Bluebird. . . . The author packs the excellent novel with believable characters whose motives often are tied up in the complex morass of history and family. . . . Locke's superior storytelling excels in Bluebird, Bluebird."—Wisconsin Gazette
★ 2017-06-20
What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle's lead to become a Texas Ranger. "What is it about that damn badge?" his estranged wife, Lisa, asks. "It was never intended for you." Darren often wonders if she's right but nonetheless finds his badge useful "for working homicides with a racial element—murders with a particularly ugly taint." The East Texas town of Lark is small enough to drive through "in the time it [takes] to sneeze," but it's big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he'd stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town's white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer's moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state's musical and social history, the more he begins to distrust his professional—and personal—instincts. Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.