Blood and Irony: Southern White Women's Narratives of the Civil War, 1861-1937

During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. Gardner considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. In fiction, biographies, private papers, educational texts, historical writings, and through the work of the United Daughters of the Confederacy, southern white women sought to tell and preserve what they considered to be the truth about the war. But this truth varied according to historical circumstance and the course of the conflict. Only in the aftermath of defeat did a more unified vision of the southern cause emerge. Yet Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience.In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. She considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience. In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.—>

1118398364
Blood and Irony: Southern White Women's Narratives of the Civil War, 1861-1937

During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. Gardner considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. In fiction, biographies, private papers, educational texts, historical writings, and through the work of the United Daughters of the Confederacy, southern white women sought to tell and preserve what they considered to be the truth about the war. But this truth varied according to historical circumstance and the course of the conflict. Only in the aftermath of defeat did a more unified vision of the southern cause emerge. Yet Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience.In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. She considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience. In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.—>

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Blood and Irony: Southern White Women's Narratives of the Civil War, 1861-1937

Blood and Irony: Southern White Women's Narratives of the Civil War, 1861-1937

by Sarah E. Gardner
Blood and Irony: Southern White Women's Narratives of the Civil War, 1861-1937

Blood and Irony: Southern White Women's Narratives of the Civil War, 1861-1937

by Sarah E. Gardner

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Overview

During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. Gardner considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. In fiction, biographies, private papers, educational texts, historical writings, and through the work of the United Daughters of the Confederacy, southern white women sought to tell and preserve what they considered to be the truth about the war. But this truth varied according to historical circumstance and the course of the conflict. Only in the aftermath of defeat did a more unified vision of the southern cause emerge. Yet Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience.In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.During the Civil War, its devastating aftermath, and the decades following, many southern white women turned to writing as a way to make sense of their experiences. Combining varied historical and literary sources, Sarah Gardner argues that women served as guardians of the collective memory of the war and helped define and reshape southern identity. She considers such well-known authors as Caroline Gordon, Ellen Glasgow, and Margaret Mitchell and also recovers works by lesser-known writers such as Mary Ann Cruse, Mary Noailles Murfree, and Varina Davis. Gardner reveals the existence of a strong community of Confederate women who were conscious of their shared effort to define a new and compelling vision of the southern war experience. In demonstrating the influence of this vision, Gardner highlights the role of the written word in defining a new cultural identity for the postbellum South.—>


Product Details

ISBN-13: 9780807861561
Publisher: The University of North Carolina Press
Publication date: 07/21/2004
Sold by: Barnes & Noble
Format: eBook
Pages: 352
File size: 3 MB

About the Author

Sarah E. Gardner is associate professor of history at Mercer University in Macon, Georgia.

Table of Contents

Acknowledgmentsix
Introduction: Everywoman Her Own Historian1
Chapter 1.Pen and Ink Warriors, 1861-186513
Chapter 2.Countrywomen in Captivity, 1865-187739
Chapter 3.A View from the Mountain, 1877-189575
Chapter 4.The Imperative of Historical Inquiry, 1895-1905115
Chapter 5.Righting the Wrongs of History, 1905-1915159
Chapter 6.Moderns Confront the Civil War, 1916-1936209
Epilogue: Everything That Rises Must Converge251
Notes265
Bibliography305
Index337

What People are Saying About This

From the Publisher

A prodigious work of scholarship.—American Historical Review

An important addition to what is, in many ways, a thin literature on the culture of the New South. . . . Instructors will find it a useful text in courses on the New South, southern women's history, and southern literature.—Journal of American History

Should prove attractive to scholars representing a wide range of academic interests. . . . Should be added to all library collections and support courses on or research about the Civil War, women's history, or public history.—South Carolina Historical Magazine

The great strength of Blood and Irony is Gardner's analysis of the development of the Lost Cause myth, and she certainly succeeds in demonstrating how postwar reality informed interpretations of the past. Her focus on women's contribution to the creation of a new southern identity, and their active involvement in writing and publishing war stories throws up interesting questions about how women viewed themselves and their role in the postwar South. . . . Blood and Irony is a welcome addition to a new body of scholarship that explores the important contribution that women made to the creation of a cultural identity in the postwar South.—Civil War Book Review

Gardner provides a thoughtful explanation of white women's efforts to shape the story of our nation's past.—Arkansas Historical Quarterly

Gardner's encyclopedic survey and extensive archival work bring together better-known texts of the era, such as writings by Margaret Mitchell and Ellen Glasgow, with unpublished and lesser-known works, including diaries and journals of Confederate widows.—American Literature

Cogently argued and beautifully written. . . . Blood & Irony is an important book that will undoubtedly stimulate much debate in the years to come.—Georgia Historical Quarterly

[Gardner goes] beyond the overtly racist implications of white women's literature to reveal subtleties in their critiques of the region. White women writers raised questions not only about the place of women in the South but also about social relations more generally. Gardner accomplishes her task with remarkable sensitivity, examining the complexities of women's writings without losing sight of their reactionary tendencies, particularly the whitewashing of the region's history of slavery and the justification for racial inequality and white supremacy.—Laura F. Edwards, The North Carolina Historical Review

Gardner's work clearly illuminates the ways in which myriad women writers built the edifice upon which Scarlett O'Hara eventually stood. . . . A welcome addition to the growing scholarship on women and the creation of historical memory.—Civil War History

A very readable account of the Southern female writers who for decades after the Civil War entertained American readers.—Washington Times

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