Publishers Weekly
07/08/2024
In Ibeh’s engrossing debut, a gay Nigerian man is ostracized by his family and society as he struggles to be himself. As a boy, Obiefuna is close with his mother, Uzoamaka, but feels distant from his father, Anozie, who invites another young boy to live with their family and work in his building supply store. Obiefuna develops a crush on the boy, and when Anozie witnesses them acting on their shared feelings, he sends Obiefuna away to a religious boarding school, much to Uzoamaka’s dismay. Anozie continues to isolate Obiefuna from the family, banning him from returning for holidays, prompting Uzoamaka to vigorously object. As the years go by at school, Obiefuna carries on various sexual relationships despite the country’s prohibition of homosexuality, while his mother continues to protest his father’s choice to send him away (“It’s one thing to love a child, but it’s an entirely different thing for the same child to feel loved”). When Uzoamaka is diagnosed with cancer, she hides the news from Obiefuna, fearful of how he’ll be affected and hopeful she’ll be cured before they see each other again. Ibeh incisively portrays the family members’ conflicting emotions and strife, and offers a bracing depiction of queer life in Nigeria. Readers won’t want to miss this. Agent: Emma Leong, Janklow & Nesbit Assoc. (June)
From the Publisher
A BBC, Bustle, Betches, Electric Literature Best Book of 2024 • Named one of USA Today, Esquire, & Cosmopolitan's most anticipated books of 2024 • Shortlisted for the 2024 Wilbur Smith Prize
“Lovely… Ibeh sets his story in the years leading up to the country’s 2014 anti-gay law, and, intriguingly, connects the dots of queer persecution and the everyday tragedies that are woven into the fabric of Nigerian life… Moving… Revelatory yet unresolved, simple yet polyphonic, hopeful yet full of heartbreak.”
—New York Times
“A sublime coming-of-age tale… An extraordinarily composed and deeply felt debut.”
—The Guardian
"Magnificent... Complex and generationally driven... Ibeh has the ability to ensure his political positions inform, rather than overwhelm, the intimate dramas at the heart of his fiction. He's vocal about the writers he admires - among them, Buchi Emecheta, Jhumpa Lahiri, Zadie Smith, and Chimamanda Ngozi Adichie - and clearly ambitious. With writing this good, it's to be hoped he'll soon find his name among their ranks."
—The Telegraph
“A moving story about truths that can’t be hidden and finding a way to live freely when it’s against the law.”
—USA Today
“Chukwuebuka Ibeh’s writing has a certain delicacy to it, so wonderfully observant, and so beautiful.”
—Chimamanda Ngozi Adichie, author of Americanah and Purple Hibiscus
“Blessings is a stunning and exceptionally moving story of love, shame, redemption and fierce familial bonds. In sublime, evocative prose and from alternating points of view, Ibeh tells the story of Uzoamaka and Obiefuna as mother and son come to transformative realizations about themselves and each other. Ibeh has an elegant and passionate way with language, from the depictions of the Nigerian cultural landscape and its tense reckonings with queerness to the gorgeous mundanities of the protagonists’ home lives and the various dynamics of religion, class, and schoolboyhood. I’m grateful that this beautiful book exists, and I will return to it again and again as if for the first time.”
—Francesca Ekwuyasi, author of Butter Honey Pig Bread
“Blessings is as raw and heart-wrenching as it is beautiful and delicate. A masterfully executed story about love, faith and sexuality that clenches your heart and doesn’t let go until the very last page. Ibeh is a once in a lifetime talent!”
—Elvin James Mensah, author of Small Joys
"A wonderful, vivid debut."
—Patrick Gale, author of A Place Called Winter
"A tender, yet powerful story, poetic and wise. Ibeh draws such beautiful characters, and through their eyes, teaches us that love cannot be beaten or threatened from the human heart. From the first chapter, this book won't let you go."
—AJ West, author of The Spirit Engineer
“There is music to the way Chukwuebuka Ibeh writes. There is balance. Blessings pulled me into a world I’m extremely unfamiliar with, yet somehow made it comfortable, even resonant. The intimate storytelling, the powerful dialogue, and the well-paced narrative all made it one hell of a heartbreakingly joyous read. Each chapter of this debut novel enthralled me, pushing me to the next, eager to share the road with its unforgettable protagonist right up to the ending, which made me want to start from the beginning again. On top of it all, Ibeh has provided a meaningful representation of queer Nigerians—one that opens borders and breaks barriers. An opportunity for many not only to see what Obiefuna and his mother see, but also to feel what they feel. Run, don’t walk, to get this book.”
—Danny Ramadan, author of The Foghorn Echoes
"Wow—what a debut! I was left feeling heartbroken yet hopeful. Chukwuebuka Ibeh is a beautiful writer."
—Taylor-Dior Rumble, author of The Situationship
"An excellent debut."
—John Boyne, author of The Heart's Invisible Furies
“A spirited, heart-on-its-sleeve debut novel . . . there is a literary blessing in seeing Ibeh's exuberant talent ushered into the world.”
—Star Tribune
"The LGBTQ community — like every community — is not a monolith, and Blessings is a necessary reminder that the lives and experiences of the individuals within these groups can be drastically different... It’s absolutely stunning; I fell in love with Obiefuna completely."
—Bustle
“[G]raceful and poignant.”
—Electric Literature
“Are you ready for a firm whack in the feels? . . . This is a stunning tale of love and loneliness, freedom and politics, and the queer experience from different angles. Enjoy crying so hard your contact lens falls out!!”
—Screen Rant
"There is an unparalleled pleasure in something short and searing. Chukwuebuka Ibeh’s debut is set in modern-day Nigeria, where the country’s criminalisation of same-sex marriage has created a hostile atmosphere for the LGBTQ+ population. After an intimate moment with the family apprentice, Obiefuna is sent to a Christian boarding school by his father. So begins a process of self-discovery. Blessings is told from Obiefuna and his mother’s perspective, a dynamic which has plenty of potential for the profound."
—Esquire
“This glittering queer coming-of-age novel is set in Nigeria, just before the Same-Sex Marriage Prohibition Act of 2014 would make queerness officially illegal. The sensitive and creative Obiefuna develops a sweet connection with a boy from a neighboring village, but when his father catches the two of them together, he sends him away to boarding school. There, his fight for survival entails hiding who he really is and trying to navigate random violence. Meanwhile, his mother, Uzoamaka, wonders why her son was sent away since his father won’t say and is left to reckon with long-avoided truths.”
—Book Riot
"A moving debut about love and loneliness."
—Sunday Times
"A tender and enraging queer novel...A story about the brutality of Nigerian law, under which homosexuality remains illegal today...This marks the arrival of Chukwuebuka Ibeh as a significant new moral, literary talent."
—iNews
"Stark yet tender, balancing passages of hope with episodes of gutplummeting sadness, this is an accomplished novel, distinguished by sensitive prose and taut scene-making."
—The Daily Mail
“The coming-of-age queer novel that will pierce your heart.”
—QUEERTY
“Chukwuebuka Ibeh enters the literary world with a searing debut about self, family, and community. . . In the tradition of the great Nigerian writers who have come before him, such as Buchi Emecheta and Wole Soyinka, Ibeh expresses a quiet, transcendent truth. . . Blessings is gripping, multifaceted, and poignant.”
—Booklist (starred)
“Chukwuebuka Ibeh’s debut novel is a quiet but profoundly moving coming-of-age story about a young gay man in mid-2000s Nigeria . . . Blessings is an excellent work of queer fiction . . . He offers us a precious glimpse of the world as it truly is for so many queer people: not tragic, not perfect, not all suffering or all joy—but worth living in and telling stories about.”
—BookPage
“Ibeh incisively portrays the family members’ conflicting emotions and strife, and offers a bracing depiction of queer life in Nigeria. Readers won’t want to miss this.”
—Publishers Weekly
"Potent... striking and original. A sensitive, quietly powerful coming-of-age tale."
—Kirkus Reviews
Kirkus Reviews
2024-04-05
A young gay man navigates a family, school, and an entire country that holds him in contempt.
Ibeh’s potent debut novel centers on Obiefuna, who in 2006 is 15 years old and living with his family in the Nigerian city of Port Harcourt. His father, a tradesman, brings home a young male apprentice, Aboy. Obiefuna and the new houseguest share little more than flirtatious looks and smiles, but that’s enough to prompt Obiefuna’s father to evict Aboy and send his son to a religious boys’ school. Obiefuna is bright, but the school is more like a physical and sexual proving ground; one classmate draws Obiefuna into a dominant relationship, complete with belt whippings, while another, more overtly gay classmate faces the abuse of his peers. Like any young gay man without a support group, Obiefuna is consumed by feelings of guilt that commingle with sexual desire; the distinction in Nigeria, as Ibeh makes clear, is that cultural homophobia is more acculturated and more pervasively dangerous. Ibeh ably captures Obiefuna’s path from terror to a relatively more open feeling of sexual freedom in his mid-20s, but he’s careful to make his story neither a tragedy nor a liberation tale. If Obiefuna can’t shed a society’s disdain, he can attempt to project kindness, an effort symbolized by his mother’s quiet but consistent support for him. And he can attempt to see the bigotry clearly, symbolized by his choice to pursue a career in optometry. The book has its share of overly melodramatic moments, particularly when Obiefuna’s mother is involved, and some of the protagonist’s experiences are well worn in American gay fiction. But the latter chapters, focused on Nigeria’s specific political, religious, and cultural bigotry—and its painful consequences in the 2010s—are striking and original.
A sensitive, quietly powerful coming-of-age tale.
