Blaze Me a Sun: A Novel About a Crime

by Christoffer Carlsson Narrated by Peter Noble

Overview

One of the New York Times's Best Crime Novels of the Year ¿ A Good Morning America Buzz Pick
*
#1 INTERNATIONAL BESTSELLER ¿ A*serial killer in a small Swedish town commits his first murder the same night the prime minister is assassinated-a “thrilling and profoundly poignant” (Angie Kim) novel by*one of the country's top criminologists, hailed as*“the finest crime writer we have in Sweden” (David Lagercrantz, author of The Girl in the Spider's Web and other novels in Stieg Larsson's Millennium Series)

“Christoffer Carlsson is to the police procedural what Cormac McCarthy is to the Western.”-Anthony Marra, author of Mercury Pictures Presents and A Constellation of Vital Phenomena

A CRIMEREADS AND KIRKUS REVIEWS BEST BOOK OF THE YEAR

In February 1986, the Halland police receive a call from a man who claims to have attacked his first victim. I'm going to do it again, he says before the line cuts off. By the time police officer Sven Jörgensson reaches the crime scene, the woman is taking her last breath. For Sven, this will prove a decisive moment. On the same night, Sweden plunges into a state of shock after the murder of the prime minister. Could there possibly be a connection?

As Sven becomes obsessed with the case, two more fall victim. For years, Sven remains haunted by the murders he cannot solve, fearing the killer will strike again. Having failed to catch him, Sven retires from the police, passing his obsession to his son, who has joined the force to be closer to his father.

Decades later, the case unexpectedly resurfaces when a novelist returns home to Halland amid a failed marriage and a sputtering career. The writer befriends the retired police officer, who helps the novelist-our narrator-unspool the many strands of this engrossing tale about a community confronting its shames and legacies.

A #1 bestseller in Sweden, Blaze Me a Sun marks the American debut of the youngest winner of the Best Swedish Crime Novel of the Year award, the top prize for Swedish crime writers whose past winners include Stieg Larsson and Henning Mankell.

Editorial Reviews

JANUARY 2023 - AudioFile

Narrator Peter Noble perfectly matches the pace and tone of Carlsson’s complex tale of a serial killer who first strikes on the same day as the assassination of Swedish Prime Minister Olof Palme. Patient listeners will be treated to much more than typical Scandi noir. Criminologist Carlsson pours into his story his knowledge of Swedish police procedures, criminal psychology, and the emotional impact of crimes on the police, victims, their families, and communities. Carlsson’s rich descriptions paint vivid pictures, drawing listeners into a dark crime story spanning decades. Noble’s narration keeps listeners engaged as the story moves through time and multiple points of view. Noble’s differentiation of characters and ease with Swedish people and place names enhance the overall listening experience. E.Q. © AudioFile 2023, Portland, Maine

Publishers Weekly

11/07/2022

In 2019, Moth, the protagonist of this intriguing if flawed crime novel from Carlsson (The Invisible Man from Salem), returns to his hometown of Tofta, Sweden, to write a novel about Sven Jörgensson, a police officer plagued until his death in 1991 with frustration about his failure to catch a serial murderer. Flashbacks to Sven’s point of view at the time of the first two murders in 1986, and to the perspective of his son, Vidar, both as a child and a young officer following in Sven’s footsteps without knowing his secrets, add real-time drama and psychological authenticity, both in Sven’s palpable anguish and Vidar’s struggles to understand Sven after his death. But in the present-day part of the story, in which Moth seeks to engage both Vidar and Evy Carlén, Sven’s partner on the force, Moth never feels like a convincing character, despite his local connections being a resolution-driving source of previously unrevealed information. Nonetheless, Scandi noir fans will want to check this out. Agent: Christine Edhäll, Ahlander Agency (Sweden). (Jan.)

From the Publisher

The first great crime novel of 2023 is Blaze Me a Sun by the decorated Swedish crime writer Chrisoffer Carlsson, who twines together national and personal trauma to devastating effect... What I most loved is how Carlsson plumbs what can and cannot be known about human lives and criminal investigations . . . how familial love can blind people to difficult truths, and how 'closure' often never happens.”—New York Times Book Review (Editors’ Choice)

“While this riveting work shares many aspects of the traditional police procedural, it also overflows genre boundaries to present the effects of fatal violence on the minds and lives of various characters across several generations...a gripping psychological study of the perils of forcing facts into preconceived patterns, and a reminder of how devastating learning the truth can be.”—Wall Street Journal

“Blaze Me a Sun cements Christoffer Carlsson as one of Sweden’s new crime fiction stars…[and] is further proof that he is a worthy heir to titans such as Henning Mankell, Stieg Larsson and Håkan Nesser.”—Bookpage

“A brainy page-turner from a rising star in Scandinavian crime fiction.”—Kirkus Reviews (starred review)

“[An] audacious mix of procedural and psychological thriller.”—Booklist

“Carlsson is to the police procedural what Cormac McCarthy is to the Western…If you read crime fiction, you’ll find yourself gripped by the ingenious plotting…If you read literary fiction, you’ll find yourself moved by the gorgeous writing…Blaze Me a Sun is the perfect novel.”—Anthony Marra

“Blaze Me a Sun thrums with a relentless tension that culminates in one of the most satisfying and devastating endings I’ve read in a long time.”—Angie Kim

“A Russian doll of a mystery…you think you know where this book is going. You don’t. Carlsson’s American debut is a wonder.”—Joseph Finder

“Blaze Me a Sun is at once a crime novel and a gripping study in how we struggle to understand our own lives.”—Flynn Berry

“A gripping, powerful story about an obsessive quest for truth.”—Chris Pavone

“Carlsson is the finest crime writer we have in Sweden. His writing is a perfect combination of crystal clear prose and exact knowledge.”—David Lagercrantz

“A sinister joyride.”—Adam White

“The most gripping novel I've read this year.”—Grant Ginder

“That rare crime novel that had me turning the pages in suspense, while also nearly moving me to tears.”—Christopher Bollen

JANUARY 2023 - AudioFile

Narrator Peter Noble perfectly matches the pace and tone of Carlsson’s complex tale of a serial killer who first strikes on the same day as the assassination of Swedish Prime Minister Olof Palme. Patient listeners will be treated to much more than typical Scandi noir. Criminologist Carlsson pours into his story his knowledge of Swedish police procedures, criminal psychology, and the emotional impact of crimes on the police, victims, their families, and communities. Carlsson’s rich descriptions paint vivid pictures, drawing listeners into a dark crime story spanning decades. Noble’s narration keeps listeners engaged as the story moves through time and multiple points of view. Noble’s differentiation of characters and ease with Swedish people and place names enhance the overall listening experience. E.Q. © AudioFile 2023, Portland, Maine

Kirkus Reviews

★ 2022-11-29
A serial killer in the Swedish town of Tiarp eludes the cop trying to track him down, then the cop's policeman son—and, 30 years after the unsolved murders, a successful novelist investigating them.

It's 1986. The first victim, 20-year-old Stina Franzén, is found beaten and barely breathing in the back seat of an abandoned car by policeman Sven Jörgensson, who must live not only with his failure to find her killer, but also the accusation that he hastened her demise by improperly handling her body. Taunted on the phone by the so-called Tiarp Man—“I’m going to do it again”—Sven is further shaken by his inability to find the body of a second young murdered woman. Even as the killings are overshadowed by the shocking assassination of Swedish Prime Minister Olof Palme on the same night as Stina’s demise, Sven becomes obsessed with the local cases—an obsession that will lead him down the darkest paths. His neglected son, Vidar, having failed to heed his father’s warning that becoming a cop will make him cold and distant like his old man, discovers troublesome details about Sven’s pursuit of the killer. The novelist, who narrates Carlsson’s book, uncovers more disturbing secrets after meeting up with Vidar, a one-time schoolmate of his, and Evy Carlén, Sven’s one-time partner on the force and would-be lover. The plot unfolds slowly but masterfully, with serial surprises. But what makes Carlsson’s American debut so impressive is its close examination of “truth,” the way trauma is passed from one generation to the next, the distractions we create to avoid our contributions to the “rot” of our violent age. Pain can be so deep, Carlsson writes, “maybe it’s not even pain anymore. It’s a way of being.”

A brainy page-turner from a rising star in Scandinavian crime fiction.

Product Details

BN ID:	2940175494892
Publisher:	Penguin Random House
Publication date:	01/03/2023
Series:	Halland Suite
Edition description:	Unabridged
Sales rank:	505,971

Read an Excerpt

1

It was the summer Evy Carlén got very sick, realized she didn’t have long to live, and confided in me that she knew what had happened to Sven Jörgensson and his son, Vidar, up in Tiarp.

We hadn’t known each other very long. I knew Evy had been a police officer and had moved to the house near Tofta a few years after retiring. Her husband, Ronnie, had died, and in her widowhood she devoted her days to the beautiful garden surrounding their house. It was situated a few kilometers up in the woods. That was how we met.

Ever since my return, I’ve lived a relatively quiet life. That’s how I like it. I’m over forty now, and my days don’t include any children, women, or other distractions. I spend my time writing or reading. Once or twice a week I take the car and go grocery shopping, drop by the bookstore, or visit my parents. They’re in their seventies now. On occasion I drive down to Lund, where my brother works and where my editor spends half his time. I don’t do much else. If I like I can walk down to the bus stop on Växjövägen and ride into town to see an old friend over a cup of coffee or a beer. Those trips are increasingly scarce now.

The only truly regular facet of my existence, beyond writing and reading, is taking walks. I hardly ever took walks during my years in Stockholm, unless I had some destination in mind, but down here I walk a few kilometers almost every day. I don’t know quite why I need it, but I do. Alongside the treat of a glass of whiskey a few times a week, after an especially productive workday, my walks are one of the few rewards I allow myself.

The first time I met her was in late June. The old woman was in her garden next to an open bag of potting soil. The quiet nature of her surroundings meant that she noticed me right away as I came walking by. She looked up, spotted me, nodded, and smiled.

“Aren’t you the one who moved in down by the road? Into the yellow house?”

“Yes, that’s me, I moved here recently,” I said.

“Where did you live before?”

“Stockholm. But I’m from here originally.”

“I’ve seen you on walks in the neighborhood.”

“It’s become a habit. This is a beautiful stretch.”

“Oh. Maybe it is. It’s like I don’t see it myself anymore.” She strode over to the fence and put out her hand. “I’m Evy.”

Once I’d introduced myself, she said, “That’s right. You’re the one who writes books. Aren’t you?”

“Yes,” I said, even though I hadn’t been able to write a word since I came back. “I suppose I am.”

“I haven’t read any of them, I have to confess.”

“There’s no need to. Have you lived here long?”

“For almost fifteen years. My husband and I bought the house. Now it’s just me. I’ve thought about selling it, of course,” she went on, as if anticipating a question she heard often, “but I don’t know, where would I go? I’m eighty years old. I guess I’ll just keep living.”

The next time we met, a week or so later, she invited me in for a cup of coffee and we exchanged phone numbers. We sat in her kitchen. Evy had a new cellphone, which she’d received from one of her grandchildren, and I showed her how the alarm clock worked.

She visited me sometimes. We drank wine, chatted, played cards, and kept each other company. She told me stories from her life as a police officer, hilarious and tragic stories of criminals and addicts, victims and next of kin. How it had been different, being a woman on the force at the time, and yet not. She showed me pictures from a photo album and spoke about her late husband, Ronnie, about her children and grandchildren, about her brother, Einar. I told her I’d moved back to my childhood home, that I was trying to get it in order but didn’t know how, that I hadn’t been able to write, and hadn’t even had anything to write about, in ages.

“That sounds lonely. You, I mean. You sound lonely.”

“So do you,” I said.

She chuckled. “It’s not the same.”

Her eyes were alert and disarming in a way I wasn’t used to, as if her gaze were an art she had perfected and used to great advantage during years’ worth of encounters with those who found themselves in the clutches of law enforcement. It would take time for me to realize that, despite her austere background, there were years when she’d relied on cigarettes and gin to calm her nerves and make it through.

Then one day in early August, something went wrong. Evy had gotten up early that morning and felt strange. Her equilibrium was off; she felt dizzy as she brewed her morning coffee, and when she walked into her front hall she had to grab the wall for support because everything was tilting weirdly. Her stomach began to churn. Standing before the mirror, she straightened up and tried to smile, even though she didn’t feel like smiling. One side of her mouth didn’t move. She looked off-kilter. She raised her arms and began to count to ten, but stopped when she saw her left arm fall back down. She made her way to an easy chair and called the emergency number.

“My name is Evy Carlén. It’s a lovely morning. Can you hear what I’m saying?”

“I’m sorry,” said the operator on the other end. “Can you repeat that? I didn’t hear you. What’s your name?”

“My name is Evy Carlén, and I said: It’s a lovely morning. Can you hear what I’m saying?”

“I see you’re calling from Norteforsen near Tofta. Is it Norteforsen 195? What’s your name? I’m having trouble hearing you.”

“Okay,” Evy said with a sigh. “I understand. Well, I suppose you’d better come over here, then.”

She struggled to walk to the front door, phone in hand, and turned the lock so they could get in. She collapsed on the floor, because the living room was too far away. By the time the ambulance arrived, she was unconscious.

I heard that she’d had a stroke. And when she woke up in the hospital bed she seemed to have lost her speech. All she did was burst into tears. Days went by before she could say much of anything, and when she did, what she said was a name. But it wasn’t the name of her late husband or the friend she sometimes met at Kupan; it wasn’t her brother, Einar, or her children or grandchildren. She said: “Sven Jörgensson.”

And burst into tears again.

By that point, she’d probably realized that I hadn’t been completely honest with her, that in fact I had basically deceived her. But what was I supposed to do? In the time leading up to Evy’s stroke, my life had slowly begun to revolve around what happened up in Tiarp, in that early spring long ago.

Moral suffering is strange. It can strike the strong as easily as the weak, and no surgery, painkillers, or artificial respirations can help. Moral pain is a different beast. The only solution is to let yourself be slowly consumed, or to resort to drastic measures to free yourself.

That was what she would come to teach me.

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