Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation

Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation

by Julius B. Fleming Jr.
Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation

Black Patience: Performance, Civil Rights, and the Unfinished Project of Emancipation

by Julius B. Fleming Jr.

Paperback

$30.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

2024 College Language Association Book Award Winner
2023 Hooks National Book Award Winner (Benjamin L. Hooks Institute for Social Change)
Honorable Mention, Association for the Study of the Arts of the Present 2023 Book Prize
Honorable Mention, 2023 John W. Frick Book Award (American Theatre and Drama Society)
Finalist, 2022 George Freedley Memorial Award of the Theatre Library Association.


A bold rethinking of the Civil Rights Movement through the lens of Black theater

“Freedom, Now!” This rallying cry became the most iconic phrase of the Civil Rights Movement, challenging the persistent command that Black people wait—in the holds of slave ships and on auction blocks, in segregated bus stops and schoolyards—for their long-deferred liberation.

In Black Patience, Julius B. Fleming Jr. argues that, during the Civil Rights Movement, Black artists and activists used theater to energize this radical refusal to wait. Participating in a vibrant culture of embodied political performance that ranged from marches and sit-ins to jail-ins and speeches, these artists turned to theater to unsettle a violent racial project that Fleming refers to as “Black patience.” Inviting the likes of James Baldwin, Lorraine Hansberry, Alice Childress, Douglas Turner Ward, Duke Ellington, and Oscar Brown Jr. to the stage, Black Patience illuminates how Black artists and activists of the Civil Rights era used theater to expose, critique, and repurpose structures of white supremacy. In this bold rethinking of the Civil Rights Movement, Fleming contends that Black theatrical performance was a vital technology of civil rights activism, and a crucial site of Black artistic and cultural production.


Product Details

ISBN-13: 9781479806843
Publisher: New York University Press
Publication date: 03/29/2022
Series: Performance and American Cultures
Pages: 312
Sales rank: 862,874
Product dimensions: 6.00(w) x 9.00(h) x (d)

About the Author

Julius B. Fleming Jr. is Assistant Professor of English at the University of Maryland, College Park, where he specializes in African American literary and cultural production and performance studies.

Table of Contents

Introduction: Impatient to Be Free 1

1 One Hundred Years Later: The Unfinished Project of Emancipation 39

2 Black Time, Black Geography: The Free Southern Theater 86

3 Black Queer Time and the Erotics of the Civil Rights Body 132

4 Picturing White Impatience: Theatre and Visual Culture 181

5 Lunch Counters, Prisons, and the Radical Potential of Black Patience 216

Acknowledgments 257

Notes 261

Index 293

About the Author 301

From the B&N Reads Blog

Customer Reviews