"I cannot tell you how much I appreciate and really love this book. So many stories, our stories, Mom's, Bricktop Valda Grey...so many of us NEED to know these stories. Brava, Bravo!" — Whoopi Goldberg
"Black Bottom Saints offers Randall's multihued genius — as author of country music compositions, historical fiction, magazine profiles, essays, editorials, children's books, and screenplays — a splendid venue to shine as she creates a magical world worthy of her magnificent gifts." — Michael Eric Dyson
"Lively, engaging, and often wise." — New York Times Book Review
“Alice Randall's magical Black Bottom Saints evokes Detroit’s legendary Black Bottom, one of America’s most influential, artful Black communities. Her “Caramel Camelot” comes alive in the voice of Ziggy Johnson, whose School of the Theater extravaganzas were actually “citizenship schools” of self discovery, performance and celebration for Black girls. Ziggy’s decades of who's who and what's what weekly columns for the Michigan Chronicle document the “Saints” whose lives and talents created “fifty-two paths from trauma to transcendence.” Effervescent, tragic, proud, and immensely compelling, Black Bottom Saints is a must-read-now triumph.” — Jayne Anne Phillips, National Book Award/NBCC Finalist, author of Black Tickets, Machine Dreams, Shelter, Lark and Termite & Quiet Dell
"Black Bottom Saints is easily the most inventive and musical novel I've read in a decade. Alice Randall has rewritten and re-energized the rules of the American novel!" — Kiese Laymon, author of Long Division and Heavy, Professor of English and Creative Writing, University of Mississippi
“Alice Randall’s Black Bottom Saints arrives at a critical moment in our nation’s history, and it’s exactly the right book for our times—an entertaining and necessary act of hagiography and a singular hybrid of fiction, biography and history. I wish I could have seen Black Bottom in its heyday—and thrown back a cocktail with Ziggy Johnson—but reading Randall’s latest novel makes me feel that, actually, I have.” — Jay McInerney, author of Bright Lights, Big City and The Good Life
"Alice Randall has done it again! Black Bottom Saints sneaks up on you—telling you the rich story of Black Michigan and Black Detroit in a way that has never been told before. Detroit is not just Motown. Detroit is a stronghold of black America and black culture. This book tells the story. The characters, so rich, the story so strong, so complex. This book is instantly an American classic. Randall is at the top of her form." — Randall Kenan, author of A Visitation of Spirits, Professor of English and Comparative Literature, University of North Carolina
"Black Bottom Saints is a tour-de-force; a toast to a mystical, gritty place; a tableau of Black arts and culture centering on Detroit City. Within these finely crafted and luminous pages that readers will never want to leave, Randall has resurrected a lost glitter world. Here, Detroit’s original and best Black neighborhood, with its brilliant, yearning, brave, maddening, and ultimately mortal residents, bursts to colorful life in a flash of incomparable style. This is a ritual calling forth of the blazing spirits of bygone breadwinners, reminding Detroiters, and all Black Americans, that 'Once upon a time, we did it.'" — Tiya Miles, author of The Dawn of Detroit and Professor of History, Harvard University
“A rambunctious portrait of the “caramel Camelot” that was Detroit’s Black Bottom neighborhood from the late 1930s to the late 1960s." — New York Times
“Alluring cocktail of a novel." — O, the Oprah Magazine
“…no book has ever brought Detroit’s Black Camelot as radiantly to life as Alice Randall’s Black Bottom Saints." — New York Journal of Books
“Intriguing and beguiling." — BookPage
“…a gorgeous swirl of fiction." — NPR's Fresh Air
“This works as a memorable love letter to Detroit, as well as a remarkable tableau.” — Publishers Weekly
“an exuberant celebration of the arts…” — Booklist
"Rave." — Literary Hub
“Randall writes this genre-bending story of black achievement with all the zing and fizz of the cocktail recipes sprinkled among the prose profiles of the community’s 'saint' figures – all of whom, including the narrator, are fictionalised versions of real people.” — Monocle Magazine
“The novel's considerable power lies in Randall's vivid conjuring of 20th-century Black lives, Black genius and unforgettable dish. This joyous novel is an act of collective memory.” — Shelf Awareness
"This is the way it was." — Artis Lane
