Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna

Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna

Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna

Billy Wilder on Assignment: Dispatches from Weimar Berlin and Interwar Vienna

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Overview

A Times Literary Supplement Book of the Year, chosen by Tom Stoppard

"A revelation."—Marc Weingarten, Washington Post

Acclaimed film director Billy Wilder’s early writings—brilliantly translated into English for the first time


Before Billy Wilder became the screenwriter and director of iconic films like Sunset Boulevard and Some Like It Hot, he worked as a freelance reporter, first in Vienna and then in Weimar Berlin. Billy Wilder on Assignment brings together more than fifty articles, translated into English for the first time, that Wilder (then known as "Billie") published in magazines and newspapers between September 1925 and November 1930. From a humorous account of Wilder's stint as a hired dancing companion in a posh Berlin hotel and his dispatches from the international film scene, to his astute profiles of writers, performers, and political figures, the collection offers fresh insights into the creative mind of one of Hollywood’s most revered writer-directors.

Wilder’s early writings—a heady mix of cultural essays, interviews, and reviews—contain the same sparkling wit and intelligence as his later Hollywood screenplays, while also casting light into the dark corners of Vienna and Berlin between the wars. Wilder covered everything: big-city sensations, jazz performances, film and theater openings, dance, photography, and all manner of mass entertainment. And he wrote about the most colorful figures of the day, including Charlie Chaplin, Cornelius Vanderbilt, the Prince of Wales, actor Adolphe Menjou, director Erich von Stroheim, and the Tiller Girls dance troupe. Film historian Noah Isenberg's introduction and commentary place Wilder’s pieces—brilliantly translated by Shelley Frisch—in historical and biographical context, and rare photos capture Wilder and his circle during these formative years.

Filled with rich reportage and personal musings, Billy Wilder on Assignment showcases the burgeoning voice of a young journalist who would go on to become a great auteur.


Product Details

ISBN-13: 9780691194943
Publisher: Princeton University Press
Publication date: 04/27/2021
Pages: 224
Sales rank: 1,131,542
Product dimensions: 5.80(w) x 8.60(h) x 1.10(d)

About the Author

Billy Wilder (1906–2002) wrote and directed Double Indemnity, The Lost Weekend, Sunset Boulevard, Some Like It Hot, and The Apartment, among other films. Over the course of his career, he won seven Academy Awards. Noah Isenberg is the George Christian Centennial Professor and Chair of the Department of Radio-Television-Film at the University of Texas at Austin. His many books include We'll Always Have “Casablanca” and Weimar Cinema. Twitter @NoahIsenberg Instagram @noah.isenberg1967 Shelley Frisch is the award-winning translator of Dietrich & Riefenstahl and the three-volume Kafka (Princeton), among other books. Twitter @shelfrisch

Table of Contents

Editor's Introduction: A Roving Reporter, a Tale of Two Cities, and the Making of Billy Wilder 1

I Extra! Extra! Reportage, Opinion Pieces, and Features from Real Life 19

"Waiter, A Dancer, Please!" 23

Promenaden-Café 42

That's Some Cold Weather-in Venice! 43

This Is Where Christopher Columbus Came into the Old World 47

The Art of Little Ruses 50

Naphthalene 52

Anything but Objectivity! 54

When It's Eighty-four Degrees 56

Day of Destiny 58

Wanted: Perfect Optimist 60

Renovation: An Ode to the Coffeehouse 63

Why Don't Matches Smell That Way Anymore? 65

The Rose of Jericho 68

Little Economics Lesson 69

Film Terror: On the Threat of Being Photographed 72

Berlin Rendezvous 74

Night Ride over Berlin 76

The Business of Thirst: What People Are Drinking Nowadays 78

Here We Are at Film Studio 1929 80

How We Shot Our Studio Film 83

Getting Books to Readers 87

How I Pumped Zaharoff for Money 90

II Portraits of Extraordinary and Ordinary People 95

Asta Nielsen's Theatrical Mission 97

My "Prince of Wales" 100

Lubitsch Discovers: A Casting by America's Great Director 103

The Tiller Girls Are Here! 105

The Tiller Girls' Boarding School at the Prater 107

Girardi's Son Plays Jazz at the Mary Bar 110

Paul Whiteman, His Mustache, the Cobenzl, and the Taverns 111

Whiteman Triumphs in Berlin 115

I Interview Mr. Vanderbilt 118

The Prince of Wales Goes on Holiday 121

Chaplin II and the Others at the Scala 124

The Lookalike Man: Tale of a Chameleon Named Erwin 126

A Minister on Foot 129

Interview with a Witch: Women's Newest Profession 131

Grock, the Man Who Makes the World Laugh 134

Ten Minutes with Chaliapin 137

Claude Anet in Berlin 139

At the Home of the Oldest Woman in Berlin 140

Felix Hollander 141

The Elder Statesman of Berlin Theater Critics 143

The B. Z. Lady and the German Crown Prince 145

Stroheim, the Man We Love to Hate 148

A Poker Artist: The Magic of Fritz Herrmann 152

"Hello, Mr. Menjou?" 157

Klabund Died a Year Ago 161

III Film and Theater Reviews 165

Broken Barriers (1924) 167

Marital Conflicts (1927) 168

Eichberg Shoots a Film 169

The Beggar from Cologne Cathedral (1927) 170

Ole and Axel at the North Sea Shore (1927) 171

Radio Magic (1927) 172

Frost in the Studio: A Bath at Twenty Degrees Fahrenheit 173

Ole and Axel at Beba Palace 173

His Wife's Lover (1928) 174

From the Studios 175

Greed (1924) 176

A Blonde for a Night (1928) 176

The Valley of the Giants (1927) 177

The Last Night (1928) 177

In the Name of the Law (1922) 178

Sounds Are Recorded: The Studio Shots 179

The Threepenny Opera, for the Fiftieth Time 181

Springtime in Palestine (1928) 181

First Silhouette Sound Film 182

What a Woman Dreams in Spring (1929) 183

"Youth Stage"? 184

Stroll through the Studios-They're Shooting Silent Films 185

The Missing Will (1929) 188

The Winged Horseman (1929) 188

Men without Work (1929) 189

The Merry Musicians (1930) 190

Susie Cleans Up (1930) 190

Translator's Note 193

Index 197

What People are Saying About This

From the Publisher

"Among the gems of Billy Wilder on Assignment is the famous backstory about young Billie working as a dancer for hire, chronicled with sheepishness and brio by the man himself. In this enticing collection of Wilder’s journalism, we find him on the make, insatiably curious, unhampered by snob values, and finding plenty of nourishment in prewar Berlin for his famous sardonic streak. The reviews and interviews show the future director learning the trade, always with an eye to what works."—Molly Haskell, author of Frankly, My Dear: “Gone with the Wind” Revisited

"While it’s a given that Billy Wilder’s Weimar film reportage would be of great historical interest, his appreciations of such figures as Asta Nielsen and Erich von Stroheim are gems among many. Wilder’s youthful journalism proves to be as brash and cynical as—and even more entertaining than—one would expect."—J. Hoberman, author Film After Film: Or, What Became of 21st Century Cinema?

"Who was Billy Wilder before he became the director of brilliant, lasting films like Some Like It Hot, Sunset Boulevard, and The Apartment? He was a journalist, essayist, and critic for newspapers in Vienna and Weimar Berlin, serving up spry profiles and elegant, witty essays. These newly translated works are a delight, and editor Noah Isenberg is an equally charming guide, bringing to life the early career of a man who would turn into one of Hollywood’s funniest and most observant filmmakers."—Stephanie Zacharek, film critic for Time

"Billy Wilder’s background as a journalist had a direct relationship with his subsequent career as a celebrated director and screenwriter. This timely book—an eclectic mix of Wilder’s reviews, interviews, and glosses on metropolitan life—will interest his many fans and those fascinated with the Weimar Republic."—Gerd Gemünden, author of A Foreign Affair: Billy Wilder’s American Films

"Billy Wilder on Assignment offers a selection of charming prose pieces from the early years of the legendary movie director and screenwriter. These brilliant vignettes present a unique window into the fascinating and turbulent culture of Weimar-era Berlin, written by one of its wittiest observers. A pleasure to read."—Christian Rogowski, Amherst College

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