Bigfoot Film Journal
Bigfoot Film Journal provides a detailed account and analysis of the circumstances and aftermath of one of the most controversial motion picture films in world history—the Patterson/Gimlin film. In October 1967, Roger Patterson and Robert Gimlin filmed what many people believe was an actual sasquatch or bigfoot on a shore of Bluff Creek in Northern California. The one-minute film they took of the creature has been vigorously debated for over 40 years, and it continues to reside in the annals of the “unexplained.” The creature filmed cannot be proven to be either an actual primate of some sort or a fabrication. Much has been written about the film in the past, but the details of the filming and its aftermath have not been thoroughly researched and subjected to in-depth critical analysis. With the assistance and cooperation of Robert Gimlin and several major sasquatch/bigfoot researchers, the author has methodically detailed the fascinating story of the filming and the subsequent events. Many little known (or indeed previously unknown) facts are presented that dismiss, or at the very least challenge, current beliefs and understandings. For those interested in the bigfoot/sasquatch issue, here is the “behind the scene” account of what has become to many people the most compelling evidence of the creature's existence.
"1102791671"
Bigfoot Film Journal
Bigfoot Film Journal provides a detailed account and analysis of the circumstances and aftermath of one of the most controversial motion picture films in world history—the Patterson/Gimlin film. In October 1967, Roger Patterson and Robert Gimlin filmed what many people believe was an actual sasquatch or bigfoot on a shore of Bluff Creek in Northern California. The one-minute film they took of the creature has been vigorously debated for over 40 years, and it continues to reside in the annals of the “unexplained.” The creature filmed cannot be proven to be either an actual primate of some sort or a fabrication. Much has been written about the film in the past, but the details of the filming and its aftermath have not been thoroughly researched and subjected to in-depth critical analysis. With the assistance and cooperation of Robert Gimlin and several major sasquatch/bigfoot researchers, the author has methodically detailed the fascinating story of the filming and the subsequent events. Many little known (or indeed previously unknown) facts are presented that dismiss, or at the very least challenge, current beliefs and understandings. For those interested in the bigfoot/sasquatch issue, here is the “behind the scene” account of what has become to many people the most compelling evidence of the creature's existence.
29.95 In Stock
Bigfoot Film Journal

Bigfoot Film Journal

by Christopher L. Murphy
Bigfoot Film Journal

Bigfoot Film Journal

by Christopher L. Murphy

Paperback

$29.95 
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Overview

Bigfoot Film Journal provides a detailed account and analysis of the circumstances and aftermath of one of the most controversial motion picture films in world history—the Patterson/Gimlin film. In October 1967, Roger Patterson and Robert Gimlin filmed what many people believe was an actual sasquatch or bigfoot on a shore of Bluff Creek in Northern California. The one-minute film they took of the creature has been vigorously debated for over 40 years, and it continues to reside in the annals of the “unexplained.” The creature filmed cannot be proven to be either an actual primate of some sort or a fabrication. Much has been written about the film in the past, but the details of the filming and its aftermath have not been thoroughly researched and subjected to in-depth critical analysis. With the assistance and cooperation of Robert Gimlin and several major sasquatch/bigfoot researchers, the author has methodically detailed the fascinating story of the filming and the subsequent events. Many little known (or indeed previously unknown) facts are presented that dismiss, or at the very least challenge, current beliefs and understandings. For those interested in the bigfoot/sasquatch issue, here is the “behind the scene” account of what has become to many people the most compelling evidence of the creature's existence.

Product Details

ISBN-13: 9780888396587
Publisher: Hancock House Publishers
Publication date: 09/01/2008
Pages: 106
Product dimensions: 8.50(w) x 11.00(h) x 0.00(d)

About the Author

Christopher L. Murphy retired in 1994 after 36 years of service with the British Columbia Telephone Company (now Telus). During his career, he authored four books on business processes. After retirement he taught a night school course on vendor quality management at the B.C. Institute of Technology. An avid philatelist, Chris has written several books on Masonic Philately. Chris got involved in the sasquatch mystery when he met Rene Dahinden, who lived nearby, in 1993. He then worked with Rene in producing posters from the Patterson/Gimlin film and marketing sasquatch footprint casts. In 1996, Chris republished Roger Patterson's 1966 book, Do Abominable Snowmen of America Really Exist?, and Fred Beck's book, I Fought the Apemen of Mt. St. Helens. In 1997, Chris published Bigfoot in Ohio: Encounters with the Grassman, a book he authored in association with Joedy Cook and George Clappison of Ohio. In 2000, Chris embarked on a project to assemble a comprehensive pictorial presentation on the sasquatch. This initiative led to his 2004 sasquatch exhibit at the Vancouver (BC) Museum and the publication of Meet the Sasquatch, the first edition of this book. In due course, Chris wrote a supplemental section to Roger Patterson's book, which was republished in 2005 by Hancock House Publishers under the title, The Bigfoot Film Controversy. The following year, Chris updated his Ohio book, again with his two previous associates, and it was published in 2006 by Hancock House under the titl

Table of Contents

Acknowledgements. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6

Foreword . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

1. Background and Insights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

2. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9

3. Prelude to the Encounter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12

4. The Encounter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18

5. Crucial Decisions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34

6. Credibility of the Source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

7. The Scientific Community and the Press . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59

8. The Canadian Controversy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67

9. Patterson and Gimlin in Hollywood and New York . . . . . . . . . . . . . . . . . . . . . . . 72

10. European Scientific Reviews. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80

11. Current Findings and Insights . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83

12. The Major Issues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86

13. The Major Hoax Claims . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89

14. Taking Stock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97

Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99

Photograph Credits/Copyrights. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100

General Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103

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