Beyond The Chinese Connection: Contemporary Afro-Asian Cultural Production

by Crystal S. Anderson

Overview

From Bruce Lee to Samurai Champloo, how Asian fictions fuse with African American creative sensibilities In this study, Crystal S. Anderson explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, Anderson examines such cultural productions as novels (Frank Chin's Gunga Din Highway [1999], Ishmael Reed's Japanese by Spring [1992], and Paul Beatty's The White Boy Shuffle [1996]); films (Rush Hour 2 [2001], Unleashed [2005], and The Matrix trilogy [1999-2003]); and Japanese animation (Samurai Champloo [2004]), all of which feature cross-cultural conversations. In exploring the ways in which writers and artists use this transferral, Anderson traces and tests the limits of how Afro-Asian cultural production interrogates conceptions of race, ethnic identity, politics, and transnational exchange. Ultimately, this book reads contemporary black/Asian cultural fusions through the recurrent themes established by the films of Bruce Lee, which were among the first--and certainly most popular--works to use this exchange explicitly. As a result of such films as Enter the Dragon (1973), The Chinese Connection (1972), and The Big Boss (1971), Lee emerges as both a cross-cultural hero and global cultural icon who resonates with the experiences of African American, Asian American, and Asian youth in the 1970s. Lee's films and iconic imagery prefigure themes that reflect cross-cultural negotiations with global culture in post-1990 Afro-Asian cultural production. Crystal S. Anderson, Elon, North Carolina, is an associate professor of English at Elon University. Her work has been published in African American Review, MELUS, Extrapolation, and Ethnic Studies Review.

Product Details

ISBN-13:	9781617037559
Publisher:	University Press of Mississippi
Publication date:	05/14/2013
Pages:	240
Product dimensions:	6.30(w) x 9.10(h) x 0.60(d)

About the Author

Crystal S. Anderson, Elon, North Carolina, is an associate professor of English at Elon University. Her work has been published in African American Review, MELUS, Extrapolation, and Ethnic Studies Review.

Table of Contents

Acknowledgments vii

Introduction 3

1 Afro-Asian Cultural Production and the Rise of the Global Culture 11

2 "You Can Stay at My Crib, I Will Show You My 'Hood": Interethnic Male Friendship 40

3 "Scheming, Treacherous, and Out for Revenge": Ethnic Imperialism 94

4 "Some Things Never Change, and Some Things Do": Interethnic Conflict and Solidarity 137

Notes 187

Bibliography 207

Index 217

Editorial Reviews

"The 1955 Bandung conference dream of Pan-African and Pan-Asian unity has a sequel, writes Crystal S. Anderson, in the rise of post-1970s Afro-Asian cultural production. She ably shows us how Bruce Lee, Frank Chin and Ishmael Reed novels, Hollywood remakes and the political panavision of kung-fu cinema all embody the aspirations and contradictions entailed in forging Black-Asian identification and solidarity. This polycultural multimedia study puts political pop into popular culture."

—Bill V. Mullen, professor of English and American studies at Purdue University

"In this tightly argued, sophisticated work, Crystal Anderson takes us Beyond 'The Chinese Connection' to a capacious world of imperialism, transnational capital, and global culture. Close readings of the iconic, anti-colonial and anti-capitalist Bruce Lee and Afro-Asian films, novels, and anime of the post-1990 period reveal the processes of 'cultural emulsion' and 'cultural translation' that produce subject positions, male friendships, and group conflicts and solidarities. Those crossings stir the imagination and induce a liberating consciousness."

—Gary Y. Okihiro, author of Pineapple Culture: A History of the Tropical and Temperate Zones

From the Publisher