Between Pen and Pixel: Comics, Materiality, and the Book of the Future

Between Pen and Pixel: Comics, Materiality, and the Book of the Future

by Aaron Kashtan
Between Pen and Pixel: Comics, Materiality, and the Book of the Future

Between Pen and Pixel: Comics, Materiality, and the Book of the Future

by Aaron Kashtan

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Overview

2019 Will Eisner Comic Industry Award Nominee, Best Academic/Scholarly Work

In Between Pen and Pixel: Comics, Materiality, and the Book of the Future, Aaron Kashtan argues that paying attention to comics helps us understand the future of the book. Debates over the future of the book tend to focus on text-based literature, particularly fiction. However, because comics make the effects of materiality visible, they offer a clearer demonstration than prose fiction of how the rise of digital reading platforms transforms the reading experience. Comics help us see the effects of alterations in features such as publication design and typography, whereas in print literature, such transformations often go unnoticed.
  
With case studies of the work of Alison Bechdel, Matt Kindt, Lynda Barry, Carla Speed McNeil, Chris Ware, and Randall Munroe, Kashtan examines print comics that critique digital technology, comics that are remediated from print to digital and vice versa, and comics that combine print and digital functionality. Kashtan argues that comics are adapting to the rise of digital reading technologies more effectively than print literature has yet done. Therefore, looking at comics gives us a preview of what the future of the book looks like. Ultimately, Between Pen and Pixel argues that as print literature becomes more sensitive to issues of materiality and mediacy, print books will increasingly start to resemble to comic books. 

Product Details

ISBN-13: 9780814213643
Publisher: Ohio State University Press
Publication date: 04/14/2018
Series: Studies in Comics and Cartoons
Edition description: 1
Pages: 224
Product dimensions: 6.00(w) x 9.00(h) x 0.50(d)

About the Author

Aaron Kashtan is a Lecturer in the University Writing Program at the University of North Carolina at Charlotte.
 

 

Table of Contents

List of Illustrations vi

Acknowledgments ix

Introduction Comics, Materiality, and the Future of the Book 1

Chapter 1 My Mother Was a Typewriter: Fun Home and the Relevance of Materiality to Comics Studies 23

Chapter 2 Talismans: How Print Comics Have Responded to the Crisitunity of Digital Media 54

Chapter 3 Click and Drag: The Continuing Relevance of Print to Digital Comics 91

Chapter 4 Guided View: How Comics Move from Print to Digital and Back 111

Chapter 5 Between Panel and Screen: Comics That Are Print and Digital at Once 137

Conclusion Applications for Studying and Teaching Comics 185

Works Cited 195

Index 205

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