Being Property Once Myself: Blackness and the End of Man

by Joshua Bennett

Overview

Winner of the William Sanders Scarborough Prize

A prizewinning poet argues that Blackness acts as the caesura between human and nonhuman, man and animal.

Throughout US history, Black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of Black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find Black and animal life in fraught proximity.

Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of Black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the Black radical tradition to challenge the pervasiveness of anti-Blackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.

Product Details

ISBN-13:	9780674980303
Publisher:	Harvard University Press
Publication date:	05/12/2020
Pages:	224
Product dimensions:	5.60(w) x 8.30(h) x 1.10(d)

About the Author

Joshua Bennett is Professor of Literature and Distinguished Chair of the Humanities at Massachusetts Institute of Technology. He is the author of Spoken Word: A Cultural History, which was named one of The New York Times’s 100 Notable Books of 2023,The Study of Human Life, which is currently being adapted for television in partnership with Warner Brothers Television, Owed and The Sobbing School, winner of the National Poetry Series and a finalist for the NAACP Image Award. His writing has been published in The Best American Poetry, The New York Times, The New Yorker, and the Paris Review.

Table of Contents

Introduction Horse 1

1 Rat 18

2 Cock 66

3 Mule 114

4 Dog 140

5 Shark 169

Notes 191

Acknowledgments 205

Index 209

Editorial Reviews

A tremendously illuminating study of how black writers wrestle with black precarity. Bennett’s refreshing and field-defining approach shows how both classic and contemporary African American authors undo long-held assumptions of the animal–human divide.

Salamishah Tillet

By turns leading-edge and unaffected, revelatory and understated, Bennett appears much less concerned to prove that his chops as a critic and theorist are equal to his poetic abilities…By way of close readings of some well-established, and a few wholly unnoticed, scenes of black/Animal apposition or relationality, Bennett’s Being Property shares in the ensemblic turn toward black ecological criticism and theory exploring blackness, animality, ground-life, and philosophical posthumanism…Bennett stands to add many more fans to the crowd of us who’ve relished his poetic talents over many years.

S-USIH: Society for U.S. Intellectual History - Maurice Wallace

A gripping work…Bennett’s lyrical lilt in his sharp analyses makes for a thorough yet accessible read…Adds to a growing body of critical work that tackles social issues in relation to the realm of ‘nature,’ pushing back simultaneously against the whiteness of both literary studies and ecocriticism.

LSE Review of Books - Lydia Ayame Hiraide

This trenchant work of literary criticism examines the complex ways 20th- and 21st-century African American authors have written about animals. In Bennett’s analysis, Richard Wright, Toni Morrison, Jesmyn Ward, and others subvert the racist comparisons that have ‘been used against them as a tool of derision and denigration.’…An intense and illuminating reevaluation of black literature and Western thought.

Washington Post - Ron Charles

This trenchant work of literary criticism examines the complex ways 20th- and 21st-century African American authors have written about animals. In Bennett’s analysis, Richard Wright, Toni Morrison, Jesmyn Ward, and others subvert the racist comparisons that have ‘been used against them as a tool of derision and denigration.’…An intense and illuminating reevaluation of black literature and Western thought.

Ron Charles

Being Property Once Myself is destined to be an event. Exhilarating and original, it is as much a work of literary history as it is of literary theory, as much a poetic invocation as it is critical intervention, and as much about animals as it is about people, elegantly uniting the many singularities that constitute, collectively, black literary culture.

Akira Mizuta Lippit

Bennett writes so beautifully that it hurts. Imagine a world of animals—rats, cocks, mules, and dogs—that prompt renewed ways of seeing, thinking, and living beyond cages or chains. These absorbing, deeply moving pages bring to life a newly reclaimed ethics, and black feeling beyond the claims of property or propriety.

Colin Dayan

Bennett makes an important contribution to the fields of Black studies and critical animal studies while offering a uniquely lyrical voice of literary criticism.

Bénédicte Boisseronn Literary History

A gripping work…Bennett’s lyrical lilt in his sharp analyses makes for a thorough yet accessible read…Adds to a growing body of critical work that tackles social issues in relation to the realm of ‘nature,’ pushing back simultaneously against the whiteness of both literary studies and ecocriticism.

Lydia Ayame Hiraide

Bennett makes an important contribution to the fields of Black studies and critical animal studies while offering a uniquely lyrical voice of literary criticism.

American Literary History - Bénédicte Boisseron