Being Musically Attuned: The Act of Listening to Music
Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Erik Wallrup explores this vague and elusive phenomenon, which is held to be fundamental to musical hearing. He unfolds the untold musical history of the German word for ‘mood’, Stimmung. Heidegger’s philosophy of Stimmung is introduced into the field of music, allowing Wallrup to realise fully the potential of the concept. Mood in music, or musical attunement, should not be seen as a peculiar kind of emotionality, but that which constitutes fundamentally the relationship between listener and music.
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Being Musically Attuned: The Act of Listening to Music
Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Erik Wallrup explores this vague and elusive phenomenon, which is held to be fundamental to musical hearing. He unfolds the untold musical history of the German word for ‘mood’, Stimmung. Heidegger’s philosophy of Stimmung is introduced into the field of music, allowing Wallrup to realise fully the potential of the concept. Mood in music, or musical attunement, should not be seen as a peculiar kind of emotionality, but that which constitutes fundamentally the relationship between listener and music.
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Being Musically Attuned: The Act of Listening to Music

Being Musically Attuned: The Act of Listening to Music

by Erik Wallrup
Being Musically Attuned: The Act of Listening to Music

Being Musically Attuned: The Act of Listening to Music

by Erik Wallrup

eBook

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Overview

Listening according to mood is likely to be what most people do when they listen to music. We want to take part in, or even be part of, the emerging world of the musical work. Erik Wallrup explores this vague and elusive phenomenon, which is held to be fundamental to musical hearing. He unfolds the untold musical history of the German word for ‘mood’, Stimmung. Heidegger’s philosophy of Stimmung is introduced into the field of music, allowing Wallrup to realise fully the potential of the concept. Mood in music, or musical attunement, should not be seen as a peculiar kind of emotionality, but that which constitutes fundamentally the relationship between listener and music.

Product Details

ISBN-13: 9781472429926
Publisher: Ashgate Publishing Ltd
Publication date: 02/28/2015
Sold by: Barnes & Noble
Format: eBook
File size: 4 MB

About the Author

Erik Wallrup is Postdoctoral Research Fellow at Stockholm University, Sweden. His fields of research are the philosophy of music and artistic research. Previously, he has published a book on Nietzsche’s philosophy of listening and two novels. He is also co-editor of the Swedish Journal of Music Research and editor at the Royal Swedish Academy of Music.

Table of Contents

Part 1 The Concept: Stimmung in music: vicissitudes of a concept 1770-1930. The philosophy of Stimmung: upheaval and continuity. Playing in between. Part 2 Elucidation: History. Duration. Aftersong.

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