AUG/SEP 04 - AudioFile
Twelve-year-old Anita is growing up in the Dominican Republic. It is a bounteous tropical paradise replete with a loving extended family and many friends. Yet, as Anita tells her diary, she is increasingly aware of her world’s dangers for adults who disagree with the island’s dictatorial leader. When her own family escapes to safety in New York, the situation of those left behind becomes even more perilous. Julia Alvarez offers an informative, personal introduction at the beginning of the audiobook, and goes on to do a fine job narrating her own fact-based young adult novel, which is an involving book for adults as well as young adults. She doesn’t try to create many different voices but does make the men sound different from the women and the old different from the young. She reads with emotion and clarity, and her warm Latin accent is a pleasure to listen to. A.C.S. © AudioFile 2004, Portland, Maine
Publishers Weekly
In what PW called "pitch-perfect narration," in a starred review, a 12-year old girl living in the Dominican Republic in 1960 relates the terrors of her country's regime and the attempt to overthrow Trujillo's dictatorship. Ages 12-up. (Apr.) Copyright 2004 Reed Business Information.
School Library Journal
Gr 6-10-By the morning of her 12th birthday, in December, 1960, Anita de la Torre's comfortable childhood in her home in the Dominican Republic is a thing of the past. The political situation for opponents of the dictator Rafael Trujillo has become so dangerous that nearly all of her relatives have emigrated to the U.S., leaving only her uncle, T'o Toni, somewhere in hiding, and her parents, still determined to carry on the resistance. Over the next year, the girl becomes increasingly aware of the nature of the political situation and her family's activities. Once her father's cotorrita, or talkative parrot, she grows increasingly silent. When the dictator is assassinated, her father and uncle are arrested, her older brother is sheltered in the Italian Embassy, and Anita and her mother must go into hiding as well. Diary entries written by the child while in hiding will remind readers of Anne Frank's story. They will find Anita's interest in boys and her concerns about her appearance, even when she and her mother can see no one, entirely believable. Readers will be convinced by the voice of this Spanish-speaking teenager who tells her story entirely in the present tense. Like Anita's brother Mund'n, readers will bite their nails as the story moves to its inexorable conclusion.-Kathleen Isaacs, Edmund Burke School, Washington, DC Copyright 2002 Cahners Business Information.
Kirkus Reviews
A 12-year-old girl bears witness to the Dominican Revolution of 1961 in a powerful first-person narrative. The story opens as Anita's cousins (the Garcia girls of Alvarez's 1991 adult debut, How the Garcia Girls Lost Their Accents), hurriedly pack to leave the country. This signals the end of childhood innocence for Anita. In short succession, her family finds the secret police parked in their driveway; the American consul moves in next door; and her older sister Lucinda is packed off to join her cousins in New York after she attracts the unwelcome attention of El Jefe Trujillo, the country's dictator. Anita's family, it seems, is intimately involved with the political resistance to Trujillo, and she, perforce, is drawn into the emotional maelstrom. The present-tense narrative lends the story a gripping immediacy, as Anita moves from the healthy, self-absorbed naïveté of early adolescence to a prematurely aged understanding of the world's brutality. Her entree into puberty goes hand in hand with her entree into this adult world of terror: "I don't want to be a se-orita now that I know what El Jefe does to se-oritas." According to an author's note, Alvarez (How T'a Lola Came to Visit Stay, 2001, etc.) drew upon the experiences of family members who stayed behind in the Dominican Republic during this period of political upheaval, crafting a story that, in its matter-of-fact detailing of the increasingly surreal world surrounding Anita, feels almost realer than life. The power of the narrative is weakened somewhat by the insertion of Anita's diary entries as she and her mother take shelter in the Italian Embassy after her father's arrest. The first-person, present-tense construction of thediary entries are not different enough from the main narrative to make them come alive as such; instead, the artifice draws attention to itself, creating a distraction. This is a minor quibble with a story that imagines so clearly for American readers the travails of all-too-many Latin nations then and now. (Fiction. 10-14)
AUG/ SEP 04 - AudioFile
Twelve-year-old Anita is growing up in the Dominican Republic. It is a bounteous tropical paradise replete with a loving extended family and many friends. Yet, as Anita tells her diary, she is increasingly aware of her world’s dangers for adults who disagree with the island’s dictatorial leader. When her own family escapes to safety in New York, the situation of those left behind becomes even more perilous. Julia Alvarez offers an informative, personal introduction at the beginning of the audiobook, and goes on to do a fine job narrating her own fact-based young adult novel, which is an involving book for adults as well as young adults. She doesn’t try to create many different voices but does make the men sound different from the women and the old different from the young. She reads with emotion and clarity, and her warm Latin accent is a pleasure to listen to. A.C.S. © AudioFile 2004, Portland, Maine
