Gosling is a stylish, sophisticated writer, and we realize that we are following Andy on what amounts to a grand scavenger hunt for the truth. Rain falls relentlessly, and the ensuing floods form an ominous backdrop to a story that becomes darker as it goes along.”
—The New York Times Book Review
“Before the Ruins is a lush and layered thriller that mystery lovers will savor.”
—Real Simple
"In this wonderfully sophisticated and beautifully conceived novel, the exceptionally talented Gosling does what many new authors can't: She skillfully navigates several interconnecting timelines in an already multifaceted and complex story. This can be problematic for even the most successful and seasoned novelists, but Gosling handles this obstacle with a unique and clever touch that is quite refreshing. "
— New York Journal of Books
"Whip-smart."
—ShelfAwareness
"Gosling uses her richly ruinous setting as a jumping off point to examine class, innocence, morality, and loss."
—Lit Hub
“Richly atmospheric and exquisitely written, Before the Ruins is wistful and haunting, hopeful and beautiful. Confidently contributing to the tradition of British mysteries, Gosling has delivered a tale that will satisfy fans of Tana French and Paula Hawkins.”
—BookPage
"The moody, gothic atmosphere enhances this very English [story]...Gosling not only excels in writing a mystery steeped in British history, but a mystery of this woman—how did she overcome what happened to her as a child, how did she become this person she is now?"
–Newcity Lit
"Gosling’s atmospheric debut takes a familiar theme – the way the things we do as teenagers reverberate in later life – but treats it with care and empathy...it’s the finely drawn characters, especially the spiky narrator Andrea, that linger in the memory."
–Daily Mail UK
"[A] stellar debut. . . .The gorgeous, poetic prose perfectly complements the suspenseful plot. Gosling is off to a terrific start."
–Publishers Weekly, starred review
"The elements of mystery serve to provide narrative tension, but the real point here is Gosling’s examination of the disappointment of modern living, the emptiness of adulthood, and the notion of the fake diamond necklace so many of us spend our lives searching for... Come for the missing person mystery, stay for the existential ennui."
–Kirkus
"Engrossing, beguiling, and with an undertow of menace, Before the Ruins is a masterly debut from a richly talented author."
–Sarah Waters, author of The Paying Guests
"Lush and razor-sharp, Before the Ruins is both deliciously gothic and completely contemporary. Every single page is absorbing and surprising."
–Flynn Berry, author of Under the Harrow
"I don't know the last time I enjoyed a book this much. Unbelievably tense and incredibly smart, Victoria's Gosling's story about four friends playing a truly terrifying game of cat-and-mouse in a deserted manor house is the perfect menage a trois of superb plotting, haunting characters, and gorgeous, atmospheric prose. Tana French fans will devour this."
–Aimee Molloy, author of The Perfect Mother
"Four disaffected teenagers, a deserted manor, an unlimited supply of drugs, and a cache of potentially explosive secrets. What could go right? Before the Ruins, Victoria Gosling’s stunner of a debut novel, is rich with mystery and moral disorder. It put me in mind of Edward St. Aubyn and Donna Tart; dark, fierce, and totally addictive."
–Valerie Martin, author of Property and Trespass
06/01/2020
In this literary/thriller blend, four friends—self-destructive Andy; her boyfriend, Marcus; her best friend, Peter; and inscrutable Em—are sheltering in an abandoned manor house. Then charismatic, on-the-run David shows up, and Andy and Peter fall out in a bid for his attention. Meanwhile, a stolen diamond necklace may be somewhere on the premises. With a 100,000-copy first printing.
Narrator Kristin Atherton infuses her delivery of this debut novel with moodiness and longing. When Andrea’s lifelong friend, Peter, falls off the grid, his mother asks her to find out what happened. The task forces Andy to confront the friendships and tragedy of the defining summer of her youth, dredging up unresolved feelings and conflicted relationships. Atherton distinguishes angsty teen Andy from professional grown-up Andrea. Atherton’s pitch-perfect characterizations illuminate each friend’s personality, insecurities, bravado, and pain. The story unfolds from Andy’s viewpoint, weaving past and present, first love, two murders, a creepy manor house, and rumors of hidden diamonds to create a complex tale that’s as much coming-of-age as it is mystery. C.B.L. © AudioFile 2021, Portland, Maine
Narrator Kristin Atherton infuses her delivery of this debut novel with moodiness and longing. When Andrea’s lifelong friend, Peter, falls off the grid, his mother asks her to find out what happened. The task forces Andy to confront the friendships and tragedy of the defining summer of her youth, dredging up unresolved feelings and conflicted relationships. Atherton distinguishes angsty teen Andy from professional grown-up Andrea. Atherton’s pitch-perfect characterizations illuminate each friend’s personality, insecurities, bravado, and pain. The story unfolds from Andy’s viewpoint, weaving past and present, first love, two murders, a creepy manor house, and rumors of hidden diamonds to create a complex tale that’s as much coming-of-age as it is mystery. C.B.L. © AudioFile 2021, Portland, Maine
2020-08-19
When her friend Peter goes missing, Andy digs up long-buried secrets from their teenage years to find him.
The year was 1996, and Andy’s neglectful mother was sure the apocalypse was nigh. Andy; her boyfriend, Marcus; her best friend, Peter; and their other friend, Em, decide to break into an abandoned manor and pretend that the world really is ending and that they can therefore do whatever they want without consequence. At the manor they meet David, a mysterious boy about their age whose enigmatic presence pits Peter and Andy against each other, vying for David’s attention. When they hear a story about a diamond necklace supposedly hidden somewhere on the property, Em buys a fake necklace that they take turns hiding and searching for, a ritual they simply call “the game.” Twenty years later, Andy hears from Peter’s mother that Peter has gone missing. Andy goes digging back into their past in an attempt to find some clue that might lead her to Peter, but she finds more mysteries than she bargained for. Though it’s Peter’s disappearance that sets off the events that lead Andy to unpack her youth, this book isn’t exactly a thriller. The elements of mystery serve to provide narrative tension, but the real point here is Gosling’s examination of the disappointment of modern living, the emptiness of adulthood, and the notion of the fake diamond necklace so many of us spend our lives searching for. The ending doesn’t quite satisfy, and a few of the passages on contemporary culture fall flat—for example, saying that Tinder is superficial is not much of an observation at this point. But Andy’s search for her friend works well as a scaffolding for some lovely passages, like Andy’s thoughts on the online trend of “unboxing” videos: “And every time, when the moment finally came, I wondered if the hundreds of thousands of other people who watched these videos felt the same as I did, the same anticipation, the same surprise, and ultimately the same disappointment—that what was inside the box was just a thing.”
Come for the missing person mystery, stay for the existential ennui.
