Focusing on a significant aspect of current art practice in which artists have engaged with historical subject matter, methods, and inquiry? Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.
Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker’s work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art.
Focusing on a significant aspect of current art practice in which artists have engaged with historical subject matter, methods, and inquiry? Blocker asks how the creation of the artist implicates and interrogates that of the art historian. She moves from art history to theater, to performance, and to literature as she investigates a series of works, including performances by the collaborative group Goat Island, the film Deadpan by Steve McQueen, the philosophies of science fiction writer Samuel Delany and documentary filmmaker Ross McElwee, the film Amos Fortune Road by Matthew Buckingham, and sculptures by Dario Robleto.
Many books have sought to understand the key directions of contemporary art. In contrast, Becoming Past is concerned with the application of art history in the pursuit of such trends. Setting the idea of temporality decisively in the realm of art, Blocker’s work is crucial for artists, art historians, curators, critics, and scholars of performance and cultural studies interested in the role of history in the practice of art.
![Becoming Past: History in Contemporary Art](http://vs-images.bn-web.com/static/redesign/srcs/images/grey-box.png?v11.11.4)
Becoming Past: History in Contemporary Art
248![Becoming Past: History in Contemporary Art](http://vs-images.bn-web.com/static/redesign/srcs/images/grey-box.png?v11.11.4)
Becoming Past: History in Contemporary Art
248Product Details
ISBN-13: | 9780816696987 |
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Publisher: | University of Minnesota Press |
Publication date: | 12/20/2015 |
Pages: | 248 |
Product dimensions: | 5.40(w) x 8.40(h) x 0.80(d) |