In 2000, the United States census allowed respondents for the first time to tick a box marked “African American” in the race category. The new option marked official recognition of a term that had been gaining currency for some decades. Africa has always played a role in black identity, but it was in the tumultuous period between the two world wars that black Americans first began to embrace a modern African American identity.
Following the great migration of black southerners to northern cities after World War I, the search for roots and for meaningful affiliations became subjects of debate and display in a growing black public sphere. Throwing off the legacy of slavery and segregation, black intellectuals, activists, and organizations sought a prouder past in ancient Egypt and forged links to contemporary Africa. In plays, pageants, dance, music, film, literature, and the visual arts, they aimed to give stature and solidity to the American black community through a new awareness of the African past and the international black world. Their consciousness of a dual identity anticipated the hyphenated identities of new immigrants in the years after World War II, and an emerging sense of what it means to be a modern American.
Clare Corbould is Associate Professor of North American History at Deakin University, Melbourne.
Table of Contents
List of Illustrations
Acknowledgments
Introduction: Becoming African American
Africa the Motherland
Discovering a Usable African Past
Institutionalizing Africa, Past and Present
The Artistic Capital of Africa
Haiti, a Stepping Stone to Africa
Ethiopia Ahoy!
Epilogue: What’s in a Name?
Notes
Index
What People are Saying About This
In this fascinating and highly readable work of cultural history, Clare Corbould shows how a specifically African American identity profoundly affected by notions of Africa and shaped by the public culture of New York emerged between the world wars. Becoming African Americans will be of interest to anyone concerned with the relationship between internationalism and black consciousness in the United States.
Wilson J. Moses
Clare Corbould performs a miracle of synthesis, drawing together the major contours of scholarship for the past half-century, and presenting an elegant new theory of the rise of Harlem's cultural and intellectual history. Wilson J. Moses, author of Creative Conflict in African American Thought
George Hutchinson
In this fascinating and highly readable work of cultural history, Clare Corbould shows how a specifically African American identity profoundly affected by notions of Africa and shaped by the public culture of New York emerged between the world wars. Becoming African Americans will be of interest to anyone concerned with the relationship between internationalism and black consciousness in the United States. George Hutchinson, Indiana University, Bloomington
W. Fitzhugh Brundage
Tracing the complex cultural and political currents that fed into the romance of Africa for 'New Negroes,' Corbould reveals that the movement to 'invent' a useful Africa both united and divided African Americans. Writing with uncommon panache, Corbould has written one of the most engaging and important books on the Harlem Renaissance in years. W. Fitzhugh Brundage, author of The Southern Past: A Clash of Race and Memory
Penny Von Eschen
This is a rich and strikingly original portrait of a vibrant black public culture in the early twentieth century, and its far-reaching cultural and political engagements with Africa and questions of black identity. Tracing the search for a usable past and the development of black history, Corbould debunks claims that black identification with Africa was defensive or idiosyncratic. Penny Von Eschen, author of Satchmo Blows Up the World: Jazz Ambassadors Play the Cold War