Beckett, Deleuze and Performance: A Thousand Failures and A Thousand Inventions

by Daniel Koczy

Overview

This book draws on the theatrical thinking of Samuel Beckett and the philosophy of Gilles Deleuze to propose a method for research undertaken at the borders of performance and philosophy. Exploring how Beckett fabricates encounters with the impossible and the unthinkable in performance, it asks how philosophy can approach what cannot be thought while honouring and preserving its alterity. Employing its method, it creates a series of encounters between aspects of Beckett’s theatrical practice and a range of concepts drawn from Deleuze’s philosophy. Through the force of these encounters, a new range of concepts is invented. These provide novel ways of thinking affect and the body in performance; the possibility of theatrical automation; and the importance of failure and invention in our attempts to respond to performance encounters. Further, this book includes new approaches to Beckett’s later theatrical work and provides an overview of Deleuze’s conception of philosophical practiceas an ongoing struggle to think with immanence.

Product Details

ISBN-13:	9783030070724
Publisher:	Springer International Publishing
Publication date:	01/31/2019
Series:	Performance Philosophy
Edition description:	Softcover reprint of the original 1st ed. 2018
Pages:	238
Product dimensions:	5.83(w) x 8.27(h) x 0.02(d)

About the Author

Daniel Koczy is a performance theorist and philosopher. He teaches philosophy at Newcastle University, UK, and in performance at Northumbria University, UK. His research has appeared in the Deleuze Studies journal (2012) and in the edited collection Deleuze and Beckett (2015).

Table of Contents

1. Introduction: Theatrical Encounters.- 2. Neither with you nor without you: Performance and Philosophy in Beckett’s Non-relational Aesthetics.- 3. A Thousand Failures and A Thousand Inventions: Towards a Method for Performance Philosophy.- 4. Belacquobatics: Deleuze, Affect and Beckett’s Affective Athleticism.- 5. Belacquobatic-secrets: Deleuze and the Purgatorial Rebellion of the Beckettian Body.- 6. Pure and Theatrical Optical-Sound Situations: Automation and the Image in Beckett’s Play.- 7. A Crystal-Theatre: Suffering for Love.- 8. Conclusion.

What People are Saying About This

From the Publisher

“Not only does Daniel Koczy remain true to the radical importance of alterity and the unthought in Deleuze's philosophy, he also takes them seriously by producing a dazzling new range of concepts from the encounter of Deleuze and Beckett's work. Beckett, Deleuze and Performance is not only a tour de force of scholarship, but a courageous attempt to create and affirm the new itself.” (Stephen Zepke, Vienna, Austria)

“Koczy takes seriously the aporias at the heart of these works. Just as Deleuze contends that art leads to thought rather than telling us what to think, Koczy leads us, with careful attention and unerring erudition, into the heart of Beckett's failures.” (Professor Anthony Uhlmann, Director of the Writing and Society Research Centre, Western Sydney University, Australia)