Because I Could Not Stop for Death

Because I Could Not Stop for Death

by Amanda Flower

Narrated by Barrie Kreinik

Unabridged — 8 hours, 32 minutes

Because I Could Not Stop for Death

Because I Could Not Stop for Death

by Amanda Flower

Narrated by Barrie Kreinik

Unabridged — 8 hours, 32 minutes

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Overview

Emily Dickinson and her housemaid, Willa Noble, realize there is nothing poetic about murder in this first book in an all-new series from USA Today bestselling and Agatha Award-winning author Amanda Flower.

January 1855 Willa Noble knew it was bad luck when it was pouring rain on the day of her ever-important job interview at the Dickinson home in Amherst, Massachusetts. When she arrived late, disheveled with her skirts sodden and filthy, she'd lost all hope of being hired for the position. As the housekeeper politely told her they'd be in touch, Willa started toward the door of the stately home only to be called back by the soft but strong voice of Emily Dickinson. What begins as tenuous employment turns to friendship as the reclusive poet takes Willa under her wing. 

Tragedy soon strikes and Willa's beloved brother, Henry, is killed in a tragic accident at the town stables. With no other family and nowhere else to turn, Willa tells Emily about her brother's death and why she believes it was no accident. Willa is convinced it was murder. Henry had been very secretive of late, only hinting to Willa that he'd found a way to earn money to take care of them both. Viewing it first as a puzzle to piece together, Emily offers to help, only to realize that she and Willa are caught in a deadly game of cat and mouse that reveals corruption in Amherst that is generations deep. Some very high-powered people will stop at nothing to keep their profitable secrets even if that means forever silencing Willa and her new mistress....

Editorial Reviews

Publishers Weekly

07/25/2022

Emily Dickinson plays sleuth in this sprightly series launch from Flower (the Magical Bookshop mysteries). One night in 1855, Henry Noble, a stable hand with a tendency to get into trouble, tells his sister, Willa, a shy, insecure maid who’s just been hired to work for the Dickinsons, a well-to-do family in Amherst, Mass., that he’s about to make enough money to change both their lives—but he won’t tell her how until this coming Sunday. When Henry dies in a seeming accident at the town stable before Sunday, 25-year-old Emily, moved by Willa’s grief, insists that she and Willa launch their own investigation, starting with the stable. Courageous and intelligent, Emily asks uncomfortable questions of those with money and power, not just in Amherst but in Washington, D.C., a trip that the Dickinson family actually made by train in 1855. This mystery works best when it delves into the complexities of the Dickinson family, particular its depiction of Emily’s cold father, Congressman Edward Dickinson, and her controlling sister, Lavinia. This is a good start to what could be a rich historical series. Agent: Nicole Resciniti, Seymour Agency. (Sept.)

From the Publisher

Because I Could Not Stop for Death is USA Today bestselling author Amanda Flower’s first foray into historical mystery, and she acquits herself beautifully. She brings beloved American poet Emily Dickinson to life in a nuanced portrayal, giving us glimpses of the brilliant literary mind at work, turning over ideas and phrases, even as she teams up with an able and sympathetic maid to solve a murder. Well-researched, richly textured, and skillfully plotted, readers will fall for Flower’s lyrical mystery—word, verse, and stanza.” –Anna Lee Huber, USA Today bestselling author of A Perilous Perspective

“Amanda Flower captures the culture of mid-19th century American society in the absorbing and well-written Because I Could Not Stop For Death. Flower adds her plotting and pacing skill to make this book hard to put down.”- Charles Todd, New York Times bestselling author of A Game of Fear

“A fascinating glimpse into the life of beloved poet Emily Dickinson as she and her maid solve a murder together. You will be delighted by this clever premise set in a little-explored historical time period.”—Victoria Thompson, USA Today bestselling author of Murder on Madison Square

“Historical context adds excitement to the twin mysteries of murder and the poet's hidden life.”-Kirkus

“Amanda Flower does an exemplary job of extrapolating from the real Ms. Dickinson’s life to construct a clever, socially-conscious historical mystery…It is a superlative effort, and entertaining to boot.”-Criminal Element

“[A] sprightly series launch…a good start to what could be a rich historical series.”—Publishers Weekly

Library Journal

08/05/2022

When Emily Dickinson hires Willa Noble as a housemaid in 1855, neither young woman knows it will lead to a murder investigation. At 18, Willa's brother Henry dreams of adventure. But his schemes lead to his death in the livery stable. With no one left in her family, a grieving Willa confides in Emily that she suspects her brother was killed. Emily is determined to find Henry's killer. She and Willa soon uncover stories of slave catchers and secret involvement in the Underground Railroad in Amherst, MA. Emily even finds ways to investigate when she joins her father and family in Washington, DC, insisting on bringing her maid along so they can follow and meet with men from Amherst. But when they're back home and questioning local residents, they stir up trouble that endangers them. VERDICT Agatha Award winner Flower's ("Amish Candy Shop" and "Magical Bookshop" series) first historical mystery introduces a courageous Emily Dickinson as a protagonist who's stronger than expected. The thoughtful story involving class, social, and political issues may appeal to the poet's fans, as well as readers of Edith Maxwell's "Quaker Midwife Mysteries" series.—Lesa Holstine

Kirkus Reviews

2022-06-22
Emily Dickinson uses the power of her family name to help solve a murder.

After Willa Noble lands the position of maid of all work at the Amherst, Massachusetts, home of the Dickinsons, her life changes in many ways. When her younger brother is killed by a horse, stable owner Elmer Johnson blames him, but Willa is skeptical, since Henry had an affinity for horses, and on a recent visit to her he claimed to have a plan that would make them rich. Sensing Willa’s doubts, Emily supports her maid when the police question her, encouraging her to investigate her brother's death. Emily doesn’t attend church, spends much of her time writing, and often seems lost in the clouds. But her intellect is formidable, and she uses her father’s position as a congressman to push the limits of respectable female behavior. Together with Emily’s dog, Carlo, the two women visit the stables where Henry died and learn that the horse that killed him has been deliberately burned. Jeremiah York, a young Black man who was a friend to Henry, was absent the night he died and refuses to say where he was. The women hope to find clues in the diary Henry left or in an anonymous threatening letter. Their investigations suggest a link between Henry and the Underground Railroad during a time when slave catches are coming north, igniting controversy. Emily insists that Willa accompany her family on a trip to Washington, D.C., where they learn a great deal, but not until they’re back in Amherst do they finally put the clues together.

Historical context adds excitement to the twin mysteries of murder and the poet's hidden life.

Product Details

BN ID: 2940176006063
Publisher: Penguin Random House
Publication date: 09/20/2022
Series: An Emily Dickinson Mystery , #1
Edition description: Unabridged

Read an Excerpt

Chapter One

Icy rain slapped the dirt road, turning it into mud. I did my best to protect my skirts, holding them as high as I dared above my ankles. It wouldn't do to go into my interview covered in mud. I had a feeling that Miss O'Brien would not look kindly on me for that.

A shrill whistle broke into my worried thoughts. "Move aside!" called a man who was driving a wagon loaded down with barrels and crates bound for the market uptown.

As the wagon rolled by at a fast clip, one of its rear wooden wheels fell into a rut in the road and splashed mud onto my side. I stopped in the rain and stared at my soiled skirts and cloak. My head hung low. Was there any purpose in going to the interview now? Miss O'Brien would never hire me to be a maid when I arrived in such a state. How could I claim to be able to clean anything when I was a mess?

I watched as the wagon lumbered down the mud-covered street. The rain fell in earnest then, so much so that I couldn't even see the stately homes that sat on either side of the street or the two-story brick primary school that I attended off and on as a child. I yanked at the hood of my cloak, pulling it farther down over my eyes. I couldn't turn back. It would be far worse to show up late than dirty. I marched ahead in soggy boots.

Through the rain, the great house came into view, and I realized that it was just across the street from my childhood school. It was a two-story white clapboard home that loomed above me. I had never been inside a home so large before. If I got the position, I would be able to live there. Possibly. It seemed to be a very far-off chance now.

With shaky hands, I removed the note I had received from Miss O'Brien. In delicate script, Come to the back door at half past noon. Do not be late. Mr. Dickinson does not abide tardiness. And then she signed her name, Margaret O'Brien.

Rain smeared the ink. I patted it and only managed to transfer the ink onto my hand. Mud-covered skirts and now ink-stained hands.

The worst part was I didn't need to read the letter. I had memorized it. It was only my nerves that made me remove it from my pocket to read it once more. Yet another mistake I made that day. Only I could have made such a mess of things.

There was no one at the front of the house, and the gardens, which stretched far into the backyard, were empty too. No one was silly enough to be out in this cold January rain. Ice slapped my face. The rain was beginning to freeze. It seemed fitting for the state that I was in.

I slipped and skidded on the cobblestone path around the grand home until I came to a plain door painted black with a brass handle and knocker. I swallowed and lifted the knocker.

Tap, tap, tap. It fell against the door. No sound came from inside the house. I waited a moment, wondering if I should knock again. Would knocking again aggravate Miss O'Brien and show that I was not only covered in mud but impatient? I knew she would already be dubious of me due to my appearance.

There was no cover outside the servants' entrance. The rain droned on, soaking me to the skin. I worried about the puddles that I would carry with me into the majestic home. I lifted my hand to knock a second time, and the door opened. My pale hand was suspended in the air. I dropped it to my side.

A thin woman with curly dark hair that was smartly tucked under in a knot on the back of her head stood in the doorway. "Miss Willa Noble?" She had an Irish accent like the men who worked in the warehouse with my brother. Although hers had a much gentler lilt to it than the men at the warehouse.

I nodded. I opened my mouth to speak, but no words came out.

"Come in, then."

I stepped over the threshold into a dark hallway. Two sets of stairs went up in either direction from this spot. I imagined one led to where the family lived and the other to where the servants worked.

"Don't stand there and drip," Miss O'Brien said in a voice that was firm but not harsh. "Take off your cloak there." She pointed at the wall. "There's a peg where you can hang it."

I did as I was told. Still, I hadn't spoken a word. I prayed my ability to speak would return before the interview began.

She looked down at my feet. "You can't walk through the house in those muddy boots. I will have to spend days scrubbing the carpets. Wait here."

She left me standing in the entryway and disappeared down the hallway. I dripped on the floorboards. She returned a minute later with a pair of old black shoes in her hands.

"These belonged to the previous maid. She left them when she took a new post. I have been meaning to mail them to her, but I am glad now I have not." She set the shoes in front of me on the floor. "Take those boots off and put these on."

I again did as I was told. The shoes were a size too small and pinched my toes, but I didn't say a word about the discomfort. "Thank you," I murmured.

"Good, you can talk. I was afraid we would have to pantomime this interview. Now, follow me, and I will take you to the room where we can discuss the position. Lift your skirts as we go, so as not to soil anything. Mrs. Dickinson prides herself on a clean home."

I lifted my skirts and followed her up the left staircase. I assumed this was the way that led to where the servants worked. She opened the door at the top of the landing, and I was astonished to see I was wrong. Instead of walking into a servants' hallway, we were in a large sitting room. Everything in the room was so elegant! A fire crackled and snapped in the hearth. The furnishings were fine. A velvet brocade sofa was on one side of the fire, and two matching chairs were on the other. A modest yet sparkling chandelier hung overhead, and a petite desk stood by the window. I didn't think I had ever been in a room this lovely before.

Miss O'Brien perched on one of the two chairs. "I hope it's all right that I ask you to remain standing. Please know it is only to spare the furniture from the state of your clothes."

I nodded.

"You must look such a fright because of the storm outside, so I won't mark you down too much for that. January is such a horrid month. It rains or snows or both almost every day. More weeks of foul weather lie ahead. I suppose that's why summer is so precious to us. The spring is unpredictable and can be ripped away by a whim of the wind." She said this all in her Irish lilt like she was trying to coax me to sleep with a bedtime story.

I nodded again.

"Where are you working now?" Her tone told me that pleasantries were over and she was getting down to business.

"I clean at Mrs. Patten's Boarding House on South Pleasant Street. I have been there for two years," I said, grateful that I had been able to utter the words so clearly.

"Do you not like working at the boardinghouse?" she asked. "Is that why you applied for this position?"

I swallowed. "No, it's fine work. Good work for a girl like me to find, but I saw the advert in the paper for this position. It's an opportunity to move into a new challenge. I believe working for a family that is so vital to the community would be quite an honor."

"You are right in thinking that working for the Dickinson family would be a new challenge. They are an exacting family and hold a very high standard. Mr. Dickinson especially so. He is finishing his term at the United States House of Representatives," she said with pride. "He served his country, the Whig party, and the great Commonwealth of Massachusetts well. It would be your privilege to work for him and his family, if you're granted the position. When he finishes his term he will be here overseeing the renovations of the family home on Main Street. He is in the process of buying it, and renovations will begin as soon as everything is finalized. It is right that the Dickinson family would move back to the home that Mr. Dickinson's father built. They have been away from it far too long."

"The Dickinsons are moving?" I asked.

"Yes," she said in a crisp voice. "It has been Mr. Dickinson's goal to return to the homestead for many years. His father ran into a bit of financial trouble and lost it. He fled to Ohio in disgrace." She looked around with bright red cheeks. "Don't repeat that."

"I won't," I promised. My hands began to shake. I clasped them in front of me and pressed them into my skirts.

"Was the boardinghouse your first position?" Miss O'Brien asked, getting back to the task at hand.

"No, I've been in domestic work for the last eight years."

She frowned. "Eight years. You can't be more than sixteen."

"I am twenty, ma'am. I started work when I was twelve."

"What made you work so young?" She eyed me. "Should you not have been in school? The Dickinsons put great value in education, even in the education of girls such as yourself."

"My mother died, ma'am, and I had to provide for my younger brother and me. I had to go to work. Our mother taught us to work hard, so it was no trouble to take over that role."

"Haven't you got a father?" She narrowed her eyes.

"Not that I know of," I said and pressed my clenched hands deeper into my skirts. My father was not a topic for conversation even if it cost me the position at the Dickinson household. I would not speak of him, ever.

"How much younger is your brother than you?"

"Two years, ma'am," I said. "He's an adult now, too, and works just as much as I do. He works even harder, I should say, because of the physical labor required for man's work."

Miss O'Brien stood up. "I'm interviewing several more girls for this post. I will let you know by mail by the end of the week if we choose you." She looked at my wet, muddy skirts again.

My heart sank. If there were several young ladies applying for this position, what chance did I really have at winning the spot? I was the girl who came to the interview covered in mud and who was too young without the proper experience for the post. Why did I think I was the only one who would have been interested in the ad? As I told Miss O'Brien, the position was a chance to move up-this was true not just for me but for anyone in domestic work. There were many young women in my place that would want to do so.

"Thank you for your time," I said. "Would you like me to let myself out?"

Before Miss O'Brien could answer, a breathy voice said, "There will be no more interviews. Margaret, you have found the right maid."

I turned and a small woman stood in the doorway. She was petite and wore a brown dress that was cinched around her small waist. Her chestnut red hair was pinned back in a fashionable knot and her dark eyes shone with interest, but there was a faraway look about them too. She was a very pretty woman, but there was something birdlike in her movements as she stepped into the room. Her hands fluttered like the tips of wings.

Miss O'Brien jumped to her feet. "Miss Dickinson, can I help you with something?"

"You have helped. You have found our new maid. I'm very grateful to you for that. Mother wants us to keep a clean house, especially when she is in the middle of one of her episodes."

Episodes? What does she mean by this?

Miss Dickinson studied me with an exacting gaze. "She looks like she has a strong back too. It's something that we will need if Father insists on pulling us up and moving us back to the place of my birth." She said this like she wasn't very keen on the idea.

"Very well, Miss Dickinson." Miss O'Brien dipped her chin.

"Thank you, Margaret." The small woman looked me in the eye. "I like someone who would sacrifice herself for her family and duty. That's just the kind of person I want on our staff. I think there have been enough questions. Margaret, please show the young maid to her room and cancel the rest of your interviews for the position."

Miss O'Brien pressed her lips together as if she were unsure. "If you are certain, Miss . . ."

"Very certain. I like her, Margaret. If I like her, Father will agree."

Miss O'Brien nodded. "Please follow me, Miss Noble. I will show you to your room."

I blinked; it was all happening so fast. I glanced back at Miss Dickinson, but she was no longer there. She was gone.

"Do not be surprised that she seemingly disappeared. She comes and goes through the house in silence. She's so small and light she floats from room to room. The only time I do hear her come is when Carlo is with her."

"Carlo?" I asked as I hurried to keep pace with her in my too-tight shoes.

"Don't tell me that you haven't seen Miss Dickinson walking through Amherst with that beast of a dog. He's big and brown and has curls just like a woman. He weighs nearly as much as she does."

"He's a beast?" I asked with a slight tremor in my voice. I wasn't very keen on dogs. The only ones I knew guarded the warehouse where my brother worked and took their position of protecting the property quite seriously.

"I just say that because of his size. He's a kind dog, but we have to mind any paw prints on the carpets. That will be something you will have to contend with as a maid in the house. All paw prints must be removed immediately, if they are from the dog or from Miss Lavinia's cats. Mrs. Dickinson does not abide by them." She continued walking. "You will see Carlo soon enough and understand."

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