Basilisk: From the master of horror comes a standalone thriller that will keep you up at night in 2024
320
Basilisk: From the master of horror comes a standalone thriller that will keep you up at night in 2024
320eBook
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Overview
Nathan Underhill is right at the cutting edge of stem-cell research: attempting to recreate mythological creatures in order to cure medical conditions like Alzheimer's and MS.
After five years of research, he loses his funding. But Nathan suspects that somebody else has succeeded in breeding mythical hybrids.
He discovers that Doctor Zauber, owner of the local care home, has brought to life the basilisk, which could reputedly kill any living thing with a single stare.
When Nathan's wife, Grace, is put into a coma after nearly being killed, Nathan is forced to choose:
lose Grace forever, or enter into an unholy alliance with Zauber to breed more mythological beasts, at the cost of many more human lives...
Praise for Graham Masterton:
'One of the most original and frightening storytellers of our time' Peter James
'Suspenseful and tension-filled... all the finesse of a master storyteller' Guardian
'One of Britain's finest horror writers' Daily Mail
Product Details
| ISBN-13: | 9781035909650 |
|---|---|
| Publisher: | Bloomsbury Publishing |
| Publication date: | 07/04/2024 |
| Sold by: | Barnes & Noble |
| Format: | eBook |
| Pages: | 320 |
| File size: | 2 MB |
About the Author
Graham Masterton (born 1946, Edinburgh) is a British horror author. Originally editor of Mayfair and the British edition of Penthouse, Graham Masterton's first novel The Manitou was published in 1976 and adapted for the film in 1978.
Further works garnered critical acclaim, including a Special Edgar award by the Mystery Writers of America for Charnel House and a Silver Medal by the West Coast Review of Books for Mirror. He is also the only non-French winner of the prestigious Prix Julia Verlanger for his novel Family Portrait, an imaginative reworking of the Oscar Wilde novel The Picture of Dorian Gray.
Masterton's novels often contain visceral sex and horror. In addition to his novels, Masterton has written a number of sex instruction books, including How To Drive Your Man Wild In Bed and Wild Sex for New Lovers.
Visit www.grahammasterton.co.uk
Read an Excerpt
Basilisk
By Graham Masterton
Severn House Publishers Limited
Copyright © 2009 Graham MastertonAll rights reserved.
ISBN: 978-1-84751-142-3
CHAPTER 1
Noises in the Night
'I hear noises,' quavered Mrs Bellman. 'Two or three in the morning, mostly, when it's pitchy dark.'
Grace was standing by the window, holding Mrs Bellman's X-ray up to the light. Not that there was much light. It had been raining heavily since the early hours of the morning, and the sky was overcast and gloomy. Not only that, there were two ivy plants, one on either side of the window sill, which were reaching out for each other across the intervening space, like two desperate lovers.
'Noises?' said Grace. She wasn't really listening. 'What kind of noises?'
'It sounds like somebody's dragging a sack along the corridor, right past my door. And sometimes I hear screaming, but I don't know where that's coming from. Upstairs, maybe, or someplace way in back. Sometimes near, sometimes far off.'
'You're sure it's not your hearing aid? If you turn the volume up too high, you'll get feedback.'
Mrs Bellman emphatically shook her head, so that her jowls wobbled. 'I know the difference between hearing-aid screaming and human screaming. I was a nurse once, myself.'
'Oh, really? At which hospital?'
'You don't know the half of it. I was sent over to Europe with the Army Nurse Corps, in 1944, only two-and-a-half weeks after D-Day. The things I saw.'
'My gosh. That must have been pretty traumatic.'
'Traumatic? I was in the Seventy-sixth Evacuation Hospital, during the Battle of the Bulge. I had to care for men with both of their arms blown off. Men run over by tank tracks, right across the middle. So I know the difference between hearing-aid screaming and human screaming, believe you me.'
Grace tucked her X-ray back in its envelope. 'So far as I can see, your thigh bone has knitted really well. You should be back on your feet in a week or two.'
Mrs Bellman cocked her head to one side, like a querulous pullet. 'You don't believe me, do you? You think I'm hearing things.'
'Of course I don't think you're hearing things. But everything sounds different at night, doesn't it? It's probably the janitor, dragging all the sheets down to the laundry.'
'Sheets don't scream.'
'I know, Doris. But elderly ladies do, when they have nightmares, or if they're in pain. This damp weather plays havoc with a lot of women's arthritis.'
She plumped up Mrs Bellman's pillows and straightened her blankets. It wasn't her job, as a general practitioner, but for a split second she had seen in Mrs Bellman's face the brave young nurse that she must have been in 1944, when her hair was blonde and wavy instead of white and wild, and her eyes were flawless blue.
One day, thought Grace, I'm going to be old and crabby and argumentative like this. I just hope that the young women who take care of me will see me for who I really am.
'It's that Doctor Zauber,' said Mrs Bellman, in a confidential whisper. 'I never trusted him, the first day I laid eyes on him. If you ask me, he's come to some kind of arrangement with Satan.'
'Doris – you can't say things like that! Doctor Zauber is very well respected.'
'Hmph! Satan's well respected, too.'
'Yes, well. Subversive opinions like that, I think you should keep them to yourself.'
Mrs Bellman pulled her gray, loose-weave shawl closer around her shoulders, and now she looked old again. The murky light from the window reflected on her glasses, so that she appeared to be blind, and her hands were like withered claws.
On the wall behind her bed hung a mirror, with a frame made of seashells. Photographs of her family were arranged all around it – her sons and her daughters and her grandchildren.
'Lovely pictures,' said Grace.
'Oh, yes,' said Mrs Bellman. 'Pity I hardly ever get to see them in the flesh. You see that little one there, in the red-and-yellow romper suit? That's Tyler, my daughter Sarah's youngest boy. They haven't brought him to visit me since he was two years old. He's in the fourth grade now, would you believe it?'
'I'm sorry.'
'Oh – you don't have to be sorry. You grow old, you get forgotten. I'm used to it. It's like you're dead before you're dead. Sometimes I think the only person who cares about me is Harpo, and Harpo isn't even a person.'
Grace turned toward the far corner of the room, where a dome-shaped wicker cage stood on a table. Inside the cage perched a puffy white cockatoo, swinging on its swing and warbling softly in the back of its throat. She tapped gently on the bars and said, 'Come on, Harpo. Say something. Say, "good afternoon, Grace".'
The cockatoo kept on warbling to itself, regardless. Grace said, 'Come on! Even a wolf whistle would do.'
Mrs Bellman grunted. 'They don't say much, Goffin's cockatoos, even if they do speak. But Harpo hasn't said a word ever since I got him. I wish I could train him to say "this meat loaf tastes like an old man's rear end".'
'Doris!'
'I'm sorry. But they seem to think that just because you're old, you don't have a discriminating palate no more.'
She leaned forward, and then she whispered, 'If you ask me, that's what they keep dragging along the corridor, in that sack. They give another old geezer an overdose of xylocaine, and then they drag his body down to the kitchens, to make meat loaf.'
'You have a very macabre imagination,' said Grace. 'Are you taking those kava kava pills I gave you? They should settle you down. I'll come see you again the week after next, and maybe we can think about taking off your plaster cast.'
'That's if I'm still here. That's if Doctor Zauber hasn't done for me, too, and dragged me off in a sack.'
'Doris —'
Mrs Bellman flapped her hand. 'I know. I know. Keep my suspicions to myself. Sit here and eat my cream of wheat and watch Days Of Our Lives, and wait for Satan to come knocking.'
'See you, Doris. You take good care now, you hear?'
As she walked back along the corridor toward the reception area, Doctor Zauber came out of his office, immediately in front of her.
'Doctor Underhill!' he greeted her, in his cultured German accent. 'This is a very pleasant surprise.'
'I was on my way back to Chestnut Hill, so I thought I'd call by to see how Doris Bellman was doing.'
'And?'
'She's mending very well. She's a tough old turkey, isn't she?'
Doctor Zauber gave her a sloping smile. 'She is not the easiest of our residents, I am sorry to say. But – yes – it will take much more than a fractured femur to dispose of her.'
Doctor Zauber was short, but he had a disproportionately large head. His nose was curved and predatory and his eyes were so pale green that they were almost colorless. His shiny gray hair was combed sharply back from his forehead to curl over his collar. Today, as always, he was dressed in a black coat and a gray vest and striped black-and-gray pants. He looked like a mortician, rather than the director of an old people's home. Denver had said that he sounded like Jack Nicholson's evil triplet (the other evil triplet being Denver's principal at West Airy High School).
'Is Doris still on diazepam?' asked Grace, as she and Doctor Zauber walked along the corridor together.
'Why do you ask?'
'She seems to be a little anxious, that's all.'
'Oh, yes? Anxious about what?'
'She says she hears noises in the middle of the night. Screaming, and a noise like somebody dragging a sack along the corridor outside of her room.'
'Really? Maybe it's her medication, giving her delusions. I'll have a word with Sister Bennett about her.'
'I wish you would. Although I think she's lonely, more than anything else.'
'You may be right. I'll see if we can arrange a visitor for her.'
They reached the reception area and Doctor Zauber laid his hand on Grace's shoulder. 'Well, Grace,' he told her, 'I have to go in this direction. Another langwierig budget meeting, to decide if we can afford to give our residents anything to eat! When will we be seeing you again?'
'Not for a couple of weeks. I'm trying to persuade my husband to take time off.'
'Oh, yes! Your husband, the lion tamer.'
'Zoologist, actually.'
'Such a fascinating profession! I have always thought that animals are much more interesting than humans. What secrets they could tell us, if they could speak!'
'Nathan says that they would probably talk about nothing but food and sex. But mostly food.'
'Oh, no! Animals are much closer to God than we are. Much closer to Satan, too.'
Grace thought, if only you knew what Doris Bellman says about you. But she simply smiled, and said, 'See you in a couple of weeks, Doctor.'
'I look forward to it.'
Grace left the building and hurried across the parking lot. The rain was lashing across the asphalt and the trees were wildly waving their branches in the air, as if they were panicking. She pulled up the hood of her scarlet raincoat and turned her face away from the wind.
As she did so, she saw another resident staring out of a ground-floor window at her, a wan-faced woman in a plain oatmeal-colored dress. Grace gave her a spontaneous wave, but the woman didn't wave back. Maybe she hadn't seen her, or maybe she simply wasn't interested in other people any more.
CHAPTER 2Natural Disaster
It was almost ten after eight when Richard Scryman knocked at Nathan's open door. He looked like an anxious stork – beaky, with long awkward arms and legs.
'Hey, Richard – you still here?' asked Nathan, checking his Rolex. 'Sorry, fella, I lost all track of time. I'll see you in the morning, OK?'
Richard said, 'There's no way I'm about to leave, Professor. It's the embryo's heart rate. It's gone totally berserk.'
'Shit. How bad is it?'
Richard used his fingertip to draw a wildly zig-zagging graph in the air. 'One second it's way over three, the next it's down to two thirty-five.'
'Shit,' said Nathan, tossing down his pen.
'I don't think we can leave it too much longer,' Richard told him. 'If it doesn't pip in the next couple of hours, I seriously doubt that it ever will.'
Nathan shrugged himself into his long white lab coat and followed Richard out of his office. 'Shit,' he repeated. His dirty-blond hair was all messed up, and he hadn't shaved in two days. He was forty-four, but he looked like a puffy -eyed college student who has just woken up on somebody's couch after an all -night drinking session.
His two young interns, Keira and Tim, were standing in front of the glass -fronted incubating unit looking both anxious and guilty, almost as if it was their fault that the embryo was showing signs of stress.
'What's the arterial pulsation as of now?' he asked them.
Keira frowned at her computer screen. 'Two ninety-five. Two ninety-six. It's steadier than it was a few minutes ago.'
'Two ninety-six? That's high, but not critical. No sign of pipping?'
'No major muscle spasms – not yet, anyhow. Very slight shivering, but only in the legs.'
'Apart from the heart rate, any other signs of distress?'
Tim shook his head. Nathan turned back to Richard Scryman and said, 'Maybe we should give it another couple of hours. With any luck, the bpm might have settled down by then.'
Richard pulled a face. 'It's your call, Professor. But the yolk sac is pretty close to being totally depleted, and I can't see it surviving very much longer. Like, basically, it's having a heart seizure.'
'Two ninety-eight,' said Keira. Then, 'Two ninety-nine.'
Nathan stared at the egg for almost half a minute without saying anything. It was huge, at least three-quarters the size of an ostrich egg, and a very dark green, with black freckles, as if somebody had used a toothbrush to spatter Indian ink all over it. It was resting in a specially molded cup of latex foam, and it was clustered with electrodes – constantly measuring its heart rate, blood pressure and oxygen absorption.
For Nathan, this egg was the culmination of five years of intensive laboratory work – quite apart from all the fund-raising dinners and the sponsorship drives and the academic wheeler-dealing. This egg was every theory he had ever dreamed up, and every genetic formula he had ever devised, made reality.
The skepticism of his fellow zoologists had probably exhausted him the most. They had never let up – not at board meetings, not at zoological seminars, not in scientific journals. Nathan Underhill is a New-Age lunatic. Nathan Underhill is a self-publicizing charlatan. Nathan Underhill is a snake-oil salesman, who has diverted much-needed funds away from far more serious research projects, just to develop a zoological freak show. More than one religious leader had accused him of doing the work of the Devil.
Even his students called him 'Doctor Freakenstein,' although with considerably more tolerance, especially the girls. They liked an oddball, especially a good-looking oddball, and even though they generally agreed that what he was attempting to do was totally insane, they also thought that it was pretty cool of him to try.
The door at the far side of the laboratory was noisily opened up, and George the janitor stuck his head around it.
'Finished yet, Professor? I'm locking up now.'
Nathan raised one hand. 'Sorry, George, we're right in the middle of something. You'll have to wait for a while.'
'Can't wait till tomorrow morning, then, this something that you're right in the middle of?'
'No, George, it can't. It's only slightly less important than the birth of Jesus.'
'Oh, that's OK, then. I'll check back later, when I've finished my hoagie.'
'Bet the Three Wise Men never said that,' Tim remarked, under his breath.
Nathan unhooked his stethoscope and held it against the eggshell. He could hear the heartbeat, soft and frantic, and he checked it against his wristwatch. Over four times faster than a human heartbeat, but only slightly quicker than a chicken's.
He checked the latest acoustic scans on his computer screen. The embryo looked OK. He could clearly see its head, its body and its wings. He could see the egg tooth, too: the sharp projection on its beak with which it was supposed to pierce the air sac inside its shell. This would start it breathing, and then it would break open the shell itself, and hatch out into the open air.
But to start hatching, it needed to give one convulsive jerk with its neck muscle, and so far it had shown no signs that it was strong enough. Based on its size and weight, Nathan had calculated that it would start to pip after thirty-five days, compared with twenty-one days for a chicken, but after thirty-eight days it was still folded up inside its shell, and it hardly ever stirred.
'Blood pressure's dropping,' said Tim. 'Oxygen saturation – that's going down, too.'
'It's dying,' said Richard.
Nathan knew that he was right. He had hoped so much for a natural hatching, but it was obvious now that the embryo was far too weak.
Tim said, 'Blood pressure's down to twelve.'
'Heart rate's dropping, too,' said Keira. 'Two sixty-five. Two sixty-three. Two fifty-one.'
Richard looked at Nathan and even though Nathan didn't want to admit it, he knew that he had no choice. He opened the deep drawer under the laboratory bench, and took out the picture-framing hammer that he had bought especially for this moment – this moment that he had not believed would ever come.
He tied a surgical mask over his face, and snapped on a pair of purple latex gloves.
'Two twenty-one,' Keira intoned. 'Two-one-seven. Two-one-two.'
'Video cameras running?' asked Nathan.
Tim gave him the thumbs-up. Quickly but very carefully, Nathan peeled the electrodes off the speckled green shell. He listened again with his stethoscope, to satisfy himself that the embryo's heart was still beating. Then he carefully tapped the top of the egg with his hammer.
He tapped it once – twice – three times – but it didn't crack. It was obviously much thicker and stronger than he had calculated.
He looked at Richard but all Richard could do was shrug. Keira and Tim looked equally helpless.
'OK,' he said. 'Here goes nothing.'
He struck the egg as hard as he could, and it broke into three large pieces, although they didn't fall apart. He put down his hammer, and gently lifted the uppermost piece. Inside, there was a thin translucent membrane which stretched and then tore. A gray feathered head appeared, glistening with mucus, and a single orange eye which stared at him, unblinking.
'Holy Ker-ist!' said Tim.
An appalling stench poured out of the egg, so foul that Keira made a retching noise and clamped her hand over her nose and her mouth, and even Richard coughed and took two steps back. The smell was sulfurous, like a rotten chicken's egg, but it also had a strong undertone of chicken meat that was turning green, and a sinus-burning corrosiveness. It reminded Nathan of a blocked kitchen sink filled with Drano – hair and fat dissolving in sodium hydroxide.
'Oh God,' said Richard. 'Look at it! It's still alive, but it's half decomposed.'
Nathan turned his head away, took a deep breath, and held it. He turned back and tugged away the second piece of shell, and then the third. The embryo's wing feathers were slimy, and its body was like a soft, half-collapsed sack. It had all the component parts that he had expected – the head, the beak, the legs and the claws – and there was no doubt that its heart was still beating.
(Continues...)
Excerpted from Basilisk by Graham Masterton. Copyright © 2009 Graham Masterton. Excerpted by permission of Severn House Publishers Limited.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Contents
ONE: Noises in the Night,TWO: Natural Disaster,
THREE: Feathers Fly,
FOUR: Post Mortem,
FIVE: Sack-Dragger,
SIX: Death Stare,
SEVEN: The Black Book,
EIGHT: The White Face,
NINE: Test of Loyalty,
TEN: Hidden Message,
ELEVEN: The Black Ultimatum,
TWELVE: Coma,
THIRTEEN: Inferno,
FOURTEEN: Night of the Hunters,
FIFTEEN: The Voice from the Wall,
SIXTEEN: Night Flight,
SEVENTEEN: Mistress of the Dark Arts,
EIGHTEEN: The House of Empty People,
NINETEEN: Hybrid,
TWENTY: Eye for an Eye,
TWENTY-ONE: A Gift from Poland,
TWENTY-TWO: Under the Ruins,