Geoffrey Batchen
What can mere photographs tell us about the Holocaust, photographs in this case taken by the author during a visit to the remains of the Auschwitz-Birkenau complex? Ruminating on surfaces and details, then and now, aesthetics and barbarism, life and death, Georges Didi-Huberman evokes a dialogue between his images and texts that powerfully persuades us that 'culture is not the cherry on the cake of history: it remains ever a place of conflict, where history itself acquires form and visibility.'
Endorsement
What can mere photographs tell us about the Holocaust, photographs in this case taken by the author during a visit to the remains of the Auschwitz-Birkenau complex? Ruminating on surfaces and details, then and now, aesthetics and barbarism, life and death, Georges Didi-Huberman evokes a dialogue between his images and texts that powerfully persuades us that 'culture is not the cherry on the cake of history: it remains ever a place of conflict, where history itself acquires form and visibility.'
Geoffrey Batchen, Professor, Art History, Victoria University of Wellington, New Zealand
From the Publisher
What can mere photographs tell us about the Holocaust, photographs in this case taken by the author during a visit to the remains of the Auschwitz-Birkenau complex? Ruminating on surfaces and details, then and now, aesthetics and barbarism, life and death, Georges Didi-Huberman evokes a dialogue between his images and texts that powerfully persuades us that 'culture is not the cherry on the cake of history: it remains ever a place of conflict, where history itself acquires form and visibility.'
Geoffrey Batchen, Professor, Art History, Victoria University of Wellington, New Zealand