Balancing the Scales: An Examination of the Manipulation and Transformation of Symbolic Concepts of Women
Balancing the Scales, a book of essays by faculty members of Chestnut Hill College in Philadelphia, is an exploration of the manipulation and transformation of symbolic concepts of women. A multidisciplinary collection, representing Art History, English, Spanish Language and Literature, Psychology, and Theology, this book hopes to raise awareness of the historical perception of women before and after the so-called patriarchal revolution. In the eighth century BCE, the Greek poet Hesiod changed the character of Pandora, a manifestation of the Great Earth Mother, into Pandora, the bringer of evil. This fundamental change in the nature of the female archetype influenced the biblical writers and their depiction of Eve. In the medieval period, artistic renderings of the Whore of Babylon and the Woman Clothed with the Sun resulted in cultic images of women as either whore (Eve) or pure virgin (Mary). The apparitions and miraculous images of the Black Madonna at Montserrat and Guadalupe show the persistence of the divine feminine in popular culture even as institutional religion denies her existence. The story of Cleopatra breaks open the question of why strong women are seen as frightening. The essays conclude with psychological study of the imbalance induced by millennia of patriarchal domination, resulting in the loss of the sacred feminine.
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Balancing the Scales: An Examination of the Manipulation and Transformation of Symbolic Concepts of Women
Balancing the Scales, a book of essays by faculty members of Chestnut Hill College in Philadelphia, is an exploration of the manipulation and transformation of symbolic concepts of women. A multidisciplinary collection, representing Art History, English, Spanish Language and Literature, Psychology, and Theology, this book hopes to raise awareness of the historical perception of women before and after the so-called patriarchal revolution. In the eighth century BCE, the Greek poet Hesiod changed the character of Pandora, a manifestation of the Great Earth Mother, into Pandora, the bringer of evil. This fundamental change in the nature of the female archetype influenced the biblical writers and their depiction of Eve. In the medieval period, artistic renderings of the Whore of Babylon and the Woman Clothed with the Sun resulted in cultic images of women as either whore (Eve) or pure virgin (Mary). The apparitions and miraculous images of the Black Madonna at Montserrat and Guadalupe show the persistence of the divine feminine in popular culture even as institutional religion denies her existence. The story of Cleopatra breaks open the question of why strong women are seen as frightening. The essays conclude with psychological study of the imbalance induced by millennia of patriarchal domination, resulting in the loss of the sacred feminine.
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Balancing the Scales: An Examination of the Manipulation and Transformation of Symbolic Concepts of Women

Balancing the Scales: An Examination of the Manipulation and Transformation of Symbolic Concepts of Women

Balancing the Scales: An Examination of the Manipulation and Transformation of Symbolic Concepts of Women

Balancing the Scales: An Examination of the Manipulation and Transformation of Symbolic Concepts of Women

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Overview

Balancing the Scales, a book of essays by faculty members of Chestnut Hill College in Philadelphia, is an exploration of the manipulation and transformation of symbolic concepts of women. A multidisciplinary collection, representing Art History, English, Spanish Language and Literature, Psychology, and Theology, this book hopes to raise awareness of the historical perception of women before and after the so-called patriarchal revolution. In the eighth century BCE, the Greek poet Hesiod changed the character of Pandora, a manifestation of the Great Earth Mother, into Pandora, the bringer of evil. This fundamental change in the nature of the female archetype influenced the biblical writers and their depiction of Eve. In the medieval period, artistic renderings of the Whore of Babylon and the Woman Clothed with the Sun resulted in cultic images of women as either whore (Eve) or pure virgin (Mary). The apparitions and miraculous images of the Black Madonna at Montserrat and Guadalupe show the persistence of the divine feminine in popular culture even as institutional religion denies her existence. The story of Cleopatra breaks open the question of why strong women are seen as frightening. The essays conclude with psychological study of the imbalance induced by millennia of patriarchal domination, resulting in the loss of the sacred feminine.

Product Details

ISBN-13: 9780761825135
Publisher: University Press of America
Publication date: 04/02/2003
Edition description: New Edition
Pages: 168
Product dimensions: 5.40(w) x 8.40(h) x 0.53(d)

About the Author

Marie A. Conn is Associate Professor of Religious Studies, Chestnut Hill College, Philadelphia, Pennsylvania.
Therese McGuire is Professor of Art, Chestnut Hill College, Philadelphia, Pennsylvania.

Table of Contents

Chapter 1 Foreword
Chapter 2 Preface
Chapter 3 Introduction
Chapter 4 "Pandora and Eve: The Manipulation and Transformation of Female Archetypes"
Chapter 5 "Symbolic Images of Women: The Whore of Babylon and the Woman Clothed with the Sun"
Chapter 6 "'Am I Not Your Mother?' Identity and Resistance at Tepayac and Montserrat"
Chapter 7 "Paler by Comparison: Shadows of Cleopatra in Nineteenth-Century Representations of the New Woman Vampire"
Chapter 8 "The Return of the Goddess"
Chapter 9 Index
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