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Back to Black: Jules Feiffer's Noir Trilogy
Back to Black examines, for the first time, Jules Feiffer’s late trilogy of graphic novels — Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018) — as a body of work that pays homage to the iconography and themes of film noir through constant graphic experimentation and a striking reinvention of the author’s distinctive style. In numerous close readings, it reflects on Feiffer’s singular depiction of the central political issues of America from the Great Depression to the 1950s, which still resonate today: unionization struggles, cinematic propaganda, immigration and the American Dream, McCarthyism, Civil Rights, antisemitism, and gender discrimination. It studies Feiffer’s unique storytelling voice, which playfully alternates between drama and satire through the noir lens, and retraces its antecedents in his earlier cartoons, films, novels, and plays, showing a consistency of topics in the author’s worldview and imagination.
 
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Back to Black: Jules Feiffer's Noir Trilogy
Back to Black examines, for the first time, Jules Feiffer’s late trilogy of graphic novels — Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018) — as a body of work that pays homage to the iconography and themes of film noir through constant graphic experimentation and a striking reinvention of the author’s distinctive style. In numerous close readings, it reflects on Feiffer’s singular depiction of the central political issues of America from the Great Depression to the 1950s, which still resonate today: unionization struggles, cinematic propaganda, immigration and the American Dream, McCarthyism, Civil Rights, antisemitism, and gender discrimination. It studies Feiffer’s unique storytelling voice, which playfully alternates between drama and satire through the noir lens, and retraces its antecedents in his earlier cartoons, films, novels, and plays, showing a consistency of topics in the author’s worldview and imagination.
 
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Back to Black: Jules Feiffer's Noir Trilogy

Back to Black: Jules Feiffer's Noir Trilogy

by Fabrice Leroy
Back to Black: Jules Feiffer's Noir Trilogy
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Back to Black: Jules Feiffer's Noir Trilogy

Back to Black: Jules Feiffer's Noir Trilogy

by Fabrice Leroy

Overview

Back to Black examines, for the first time, Jules Feiffer’s late trilogy of graphic novels — Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018) — as a body of work that pays homage to the iconography and themes of film noir through constant graphic experimentation and a striking reinvention of the author’s distinctive style. In numerous close readings, it reflects on Feiffer’s singular depiction of the central political issues of America from the Great Depression to the 1950s, which still resonate today: unionization struggles, cinematic propaganda, immigration and the American Dream, McCarthyism, Civil Rights, antisemitism, and gender discrimination. It studies Feiffer’s unique storytelling voice, which playfully alternates between drama and satire through the noir lens, and retraces its antecedents in his earlier cartoons, films, novels, and plays, showing a consistency of topics in the author’s worldview and imagination.
 

Product Details

ISBN-13: 9781978842915
Publisher: Rutgers University Press
Publication date: 05/13/2025
Series: Critical Graphics
Pages: 204
Product dimensions: 6.12(w) x 9.25(h) x (d)
Age Range: 16 - 18 Years

About the Author

FABRICE LEROY is a professor of francophone studies at the University of Louisiana at Lafayette. His monographs on comics include Sfar So Far: Identity, History, Fantasy and Mimesis in Joann Sfar’s Graphic Novels and Pierre La Police: Une esthétique de la malfaçon (with Livio Belloï). He is the coeditor of Intermediality in French-Language Comics and Graphic Novels and The Cambridge Companion to the American Graphic Novel.

Table of Contents

Introduction: Back to Black
Chapter One: From Oedipus to Hollywood: Trauma and Simulacrum in Kill My Mother
Chapter Two: Cousin Joseph: A Noir Take on the American Dream
Chapter Three: Revenge, Repetition, and Reflexivity in The Ghost Script
Conclusion: Homage, Experimentation, and Irony in the Trilogy
Acknowledgments
Notes
Bibliography
Index
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