Library Journal - Audio
12/01/2022
Kuang (The Burning God) is no stranger to tackling difficult topics. Her latest is set at a time of immense change and turmoil in a reimagined 1800s Britain. It tells the story of the Industrial Revolution and colonialism from the perspective of Robin, an orphaned Chinese boy who grows up as a ward in the home of an influential white professor who refuses to acknowledge him and holds racist views of other cultures. Robin is trained in multiple languages to prepare him for admittance to Babel, the prestigious program at Oxford for the empire's translators. The best "Babblers" can use silver, along with their translations, as tools to power the machines and ships that keep the empire running. This alternate 19th-century Britain differs from our own, but the societal issues remain the same. While absorbing, this is not always an easy read, as it is grim and dense, filled with explanations of etymology and footnotes. The idea to use a separate narrator (Billie Fulford-Brown) to narrate the footnotes is ingenious, enhancing main narrator Chris Lew Kum Hoi's phenomenal performance and making for a wonderful listening experience. VERDICT Sure to please fantasy readers. Order this unique and absorbing book in all formats.—Ammi Bui
OCTOBER 2022 - AudioFile
Chris Lew Kum Hoi and Billie Fulford-Brown narrate a sharp alternate history/fantasy. Orphaned and taken from China to be raised in England, Robin Swift trains for years to join the Royal Institute of Translation at Oxford. As he learns the power that exists when history is translated, he realizes the many violences that colonialism perpetrates. Hoi’s performance is outstanding, due in no small part to his linguistic facility. Close to a dozen languages are used throughout this audiobook—in addition to a variety of regional and national accents—and while Hoi may not be fluent in all of them, his facility and range are truly astonishing. Fulford-Brown’s narration of the numerous footnotes highlights how much those comments and references differ from the main narrative—and plays up the author’s dry wit. K.M.P. Winner of AudioFile Earphones Award © AudioFile 2022, Portland, Maine
Publishers Weekly
03/21/2022
Kuang (the Poppy War trilogy) underwhelms with a didactic, unsubtle take on dark academia and imperialism. After the unnamed protagonist’s mother dies in 1830s Canton, he dubs himself Robin Swift at the urging of professor Richard Lovell, an Oxford sinologist who tutors Mandarin-speaking Robin to become a student at Babel, Oxford’s Royal Institute of Translation. Robin falls in love with Oxford and his cohort: witty Calcutta-born Ramiz Rafi Mirza; secretive Haitian-born Victorie Desgraves; and self-righteous Brighton-born Letitia Price. Together they learn the magical process of capturing in silver the linguistic nuances lost in translation—and along the way uncover the process’s ties to imperialism. This brilliant, ambitious concept falters in execution, reading more like a postcolonial social history than a proper novel. The narrative is frequently interrupted by lectures on why imperialism is bad, not trusting the reader or the plot itself enough to know that this message will be clear from the events as they unfold. Kuang assumes an audience that disagrees with her, and the result keeps readers who are already aware of the evils of racism and empire at arm’s length. The characters, meanwhile, often feel dubiously motivated. Readers will be drawn in by the fascinating, linguistic magic system and righteous stance, but many will come away frustrated. Agent: Hannah Bowman, Liza Dawson Associates. (Aug.)
From the Publisher
Babel has earned tremendous praise and deserves all of it. It’s Philip Pullman’s The Golden Compass by way of N.K. Jemisin’s The Fifth Season: inventive and engaging, passionate and precise. Kuang is fiercely disciplined even when she’s playful and experimental … Like the silver bars at its heart—like empires and academic institutions both—Babel derives its power from sustaining a contradiction, from trying to hold in your head both love and hatred for the charming thing that sustains itself by devouring you.” — New York Times Book Review
“A fantastical takedown of 19th-century imperialism that’s as meaty as its title. R.F. Kuang proved her prowess at blending history and magic with her debut series, The Poppy War, and she’s done it once again in this sweeping novel that blends historical fantasy and dark academia…If, as Babel suggests, words contain magic, then Kuang has written something spellbinding.” — Oprah Daily
“Absolutely phenomenal. One of the most brilliant, razor-sharp books I've had the pleasure of reading that isn't just an alternative fantastical history, but an interrogative one; one that grabs colonial history and the Industrial Revolution, turns it over, and shakes it out.” — S.A. Chakraborty, bestselling author of The City of Brass
“A fantastically made work, moving and enraging by turns, with an ending to blow down walls.” — The Guardian
"Kuang follows her award-winning Poppy War trilogy with an engaging fantasy about the magic of language. Her richly descriptive stand-alone novel about an ever-expanding, alternate-world empire powered by magically enhanced silver talismans scrutinizes linguistics, history, politics, and the social customs of Victorian-era Great Britain." — Booklist (starred review)
"It's ambitious and powerful while displaying a deep love of language and literature...Dark academia as it should be." — Kirkus Reviews
“The true magic of Kuang’s novel lies in its ability to be both rigorously academic and consistently welcoming to the reader, making translation on the page feel as enchanting and powerful as any effects it can achieve with the aid of silver.” — Oxford Review of Books
“R.F. Kuang has written a masterpiece. Through a meticulously researched and a wholly impressive deep dive into linguistics and the politics of language and translation, Kuang weaves a story that is part love-hate letter to academia, part scathing indictment of the colonial enterprise, and all fiery revolution.” — Rebecca Roanhorse, New York Times bestselling author of Black Sun
"Babel is a masterpiece. A stunningly brilliant exploration of identity, belonging, the cost of empire and revolution—and the true power of language. Kuang has written the book the world has been waiting for." — Peng Shepherd, bestselling author of The Cartographers
"Kuang has outdone herself. Babel is brilliant, vicious, sensitive, epic, and intimate; it's both a love letter and a declaration of war. It's a perfect book." — Alix E. Harrow, bestselling author of A Mirror Mended
“A brilliant and often harrowing exploration of violence, etymology, colonialism, and the intersections that run between them. Babel is as profound as it is moving.” — Alexis Henderson, author of The Year of the Witching
“An astonishing mix of erudition and emotion. What Kuang has done here, I have never before seen in literature.” — Tochi Onyebuchi, author of Goliath
“If you only read one book this year, read this one. Through the incredibly believable alternative HF, Kuang has distilled the truth about imperialism and colonization in our world. Kuang’s depth of knowledge of history and linguistics is breathtaking. This book is a masterpiece in every sense of the word, a true privilege to read.” — Jesse Sutanto, author of Dial A for Aunties
"A book that confirms Kuang as a major talent." — SFX
"BABEL is one of the finest standalone novels I’ve read. It is a victory for literature, and its quality is what every other dark academia novel should strive to be. Paying homage to the importance of languages, translations, identity, and ethnicities, BABEL is one of the most important works of the year." — Novel Notions
"Babel is ambitious, engaging, impactful, and executed with brutal effectiveness." — reader@work
Book Marks on The Burning God
"It feels nostalgic, wistful even … The Burning God is the best-written book of the trilogy … This place and this protagonist are singular in fantasy literature."
Booklist (starred review) on The Burning God
"Bringing her complex Poppy War trilogy to a poignant conclusion, Kuang shines a searing light on the devastating price and valiant sacrifices that warfare requires of all involved."
Washington Post
"A wholly unique experience."
Washington Post
"A wholly unique experience."
Library Journal
03/01/2022
In Dean's big, intriguingly premised debut, Devon is part of a venerable clan belonging to The Book Eaters—instead of food, they munch thrillers, romance, and, when they misbehave, dusty dictionaries—and she's terrified to learn that her son is born hungering not for paper, printing, and binding but human minds (150,000-copy first printing). In The Women Could Fly, a dystopian work from Rumpus features editor Giddings, the mother of a young Black woman named Josephine is long vanished—was she a witch? Was she murdered?—and if Josephine doesn't marry soon, she will be forced to enroll in a registry that will effectively blot out her freedom (75,000-copy first printing). In Harris's The Serpent in Heaven, a sequel to The Russian Cage, Felicia is set upon by her estranged family of Mexican wizards and discovers that she is the most powerful witch of her generation (75,000-copy first printing). In Don't Fear the Reaper, Jones's follow-up to the LJ best-booked My Heart Is a Chainsaw, an exonerated Jade Daniels returns home from prison just as convicted serial killer Dark Mill South arrives to avenge 38 Dakota men hanged in 1862 (100,000-copy first printing). In this latest from the multi-award-nominated Kuang, a Chinese boy orphaned in 1828 Canton (now Guangzhou) is brought to London and eventually enters Oxford's Royal Institute of Translation—called Babel—which doubles as a center for magic and compels him to work in support of Britain's imperial ambitions in China (125,000-copy first printing). Modesitt continues his newly launched "Grand Illusion" series with Steffan Dekkard joining the Council of Sixty-Six as Councilor—the first to be an Isolate, which makes him impervious to emotional manipulation but could lead to his assassination (100,000-copy first printing). Author of the Slate best-booked Quick, Owens has Kate planning to hold her wedding at a church called Small Angels in the town where she once found shelter with the Gonne sisters, little realizing that they've been tasked with keeping a marauding ghost from invading the village—and they're falling down on the job. Winner of a BCALA Self-Publishing EBook Award for Song of Blood and Stone, one ofTime's 100 Best Fantasy Books of All Time, Penelope returns with The Monsters We Defy, whose heroine pays off a debt to the Empress ruling the spirit world by agreeing to steal a wealthy woman's ring in 1925 Washington, DC (25,000-copy first printing). From Valdes, author of the LJ best-booked Chilling Effects, Fault Tolerance brings back Capt. Eva Innocente and the raucous crew of La Sirena Negra to counter an anonymous threat that could lead to the death of billions (50,000-copy first printing). Dragon/Nebula finalist Virdi launches a new series with The First Binding, featuring an Immortal disguised as a storyteller—and he's here to relate how he unleashed the First Evil on the world (175,000-copy first printing). The MMU Novella Award-winning West goes full length with Face, set in a genetically engineered society where the perfect profile buys fame, wealth, and power but not happiness for Schuyler and Madeleine Burroughs (60,000-copy first printing).
OCTOBER 2022 - AudioFile
Chris Lew Kum Hoi and Billie Fulford-Brown narrate a sharp alternate history/fantasy. Orphaned and taken from China to be raised in England, Robin Swift trains for years to join the Royal Institute of Translation at Oxford. As he learns the power that exists when history is translated, he realizes the many violences that colonialism perpetrates. Hoi’s performance is outstanding, due in no small part to his linguistic facility. Close to a dozen languages are used throughout this audiobook—in addition to a variety of regional and national accents—and while Hoi may not be fluent in all of them, his facility and range are truly astonishing. Fulford-Brown’s narration of the numerous footnotes highlights how much those comments and references differ from the main narrative—and plays up the author’s dry wit. K.M.P. Winner of AudioFile Earphones Award © AudioFile 2022, Portland, Maine
