Axis of Time is the second long player by composer, mallet percussionist, and instructor
Angelo Outlaw. The Philly native spent a decade playing with bands such as
the Blue Coats and
Music City Mystique gaining experience before going solo. His richly percussive sound weds deeply spiritual jazz to funk and modern R&B with rumbling basslines, grooving harp, soaring flute, and souled-out vocal choruses offering hooky refrains and rolling hi-hats and snare breaks. Before
Axis of Time,
Outlaw issued the long-player
Uneven Contact in 2020, and two
Outlaw Sessions EPs showcasing his work with beats, snaky mallet rhythms, hip-hop, house beats, and electronica.
Axis of Time commences deceptively with the single "Free My Mind." Owing a massive debt to the influence and example of
Roy Ayers,
Outlaw's rippling vibes frame
Christine Elise's funky harp,
Vincent John's Rhodes piano and electric bass, and
Maxwell Perla's layered drum kit and hand percussion, all mixed with a vocal chorus repeatedly singing the title. It's answered by "Speed of Light," a driving fusion jam that derails and becomes souled-out, Latin-tinged jazz thanks in no small part to
Ron Kerber's virtuoso flute playing.
Outlaw's vibes offer counterpoint to the Rhodes and synth, while the bassline is carried atop snare and kick drum breaks. "10th Wonder" showcases
Outlaw's fine marimba skills. An instrumental soul tune with lilting flute, it drifts, slips, and slides with psychedelic effects and an uplifting spiritual chorus. "Silent Horizon" sounds like a film cue, at least initially. A dubwise bassline and vibes swirl around synthed-up ambience, sparse drums, and loads of pillowy reverb. The tune swings through the ether as echo and dub effects emerge from the backdrop, then get framed, accented, and emphasized by
Perla's easy groove. "Time Traveler" is a double-timed, wildly cinematic fusion led by
Outlaw's vibes,
John's rumbling bassline, wah-wah guitar, and
Perla's tight rim shots and hi-hat flourishes. The tune exists as a forward-motion vamp that the ensemble colors in, then lifts into sublime dialogue and interplay.
Axis of Time is rife with creative achievements. The first is
Outlaw's composing; it offers readily accessible, yet canny ideas filled with unexpected interactions and lush textures. He obviously loves circular rhythms and melodic improvisation.
Outlaw prizes his band; they are as integral to the sound he's created here as he is. His playing doesn't rely so much on vamps and riffs (like
Ayers) but on expansive chords, deft accents, lightning-quick fills, tight solos, lush harmonic textures, and plenty of space. The
Eraserhood Sound production team understands that M.O. implicitly. They don't act as studio guides but as collaborators.
Axis of Time is auspicious. It reveals
Outlaw's mature vision, focus, and new groove consciousness illuminated in soul-jazz and slinky funk. ~ Thom Jurek