"Axiom's End is somehow deeply aware of not just what it is to be human, but what it is to be any intelligent species. It's as real as any first-contact story I have ever read. Wonderfully plotted and paced, the adventure never lets up, and neither does the insight." —Hank Green, #1 New York Times bestselling author of An Absolutely Remarkable Thing
"So much fun. Lindsay Ellis's experience as one of our sharpest cultural observers gives Axiom's End an edge of realism that makes it both cutting and compelling. Close encounters have a whole new look."
—John Scalzi, New York Times bestselling author and Hugo Award winner
"Axiom's End is eerily plausible and wildly entertaining. An alternate history that fully delivers on its premise." —Caitlin Doughty, New York Times Bestselling Author and Mortician
"Lindsay Ellis's storytelling is what good science fiction should be: smart but heartfelt, full of profound ideas delivered with a sense of humanity. Axiom's End is engaging precisely because it is about something all of us have experienced: That moment when you grow up enough to realize that the universe is more wondrous—and dangerous than you could ever have imagined."
—David Wong, New York Times bestselling author
"Axiom's End: if you enjoy first contact tales, alien cultures, inexplicable found families, beautiful chaos and elegantly constructed stories." —Seanan McGuire, New York Times bestselling author and Hugo Award Winner
"Suspenseful and inventive, but also funny and full of action, Axiom’s End remixes the Hollywood alien-invasion playbook." —Patrick Rapa, Philadelphia Inquirer
"Communication and trust are matters of life and death in Ellis’s thoughtful, fast-paced debut...the powerful connection that grows between Cora and Ampersand as they teach each other about their respective cultures is masterfully done. Lovers of character-focused sci-fi will find plenty to enjoy in this gripping alternate history." —Publishers Weekly
"At its core, Axiom's End is warm-hearted...For all of its drama and philosophical conundrums, Ellis's book is ultimately about the power of empathy and kindness in a universe that never has enough of either." —Shelf Awareness (starred review)
"A moving first contact thriller...touching on issues of prejudice and xenophobia along the way, Axiom’s End is the engaging first volume of a projected series." —The Guardian (UK)
“Axiom’s End is the most relatable sci-fi novel in years…if you want to read a serious sci-fi novel that feels like it was written by a fan who understands the pop culture side of fandom, you're in good hands…It’s a heartfelt story of alien first contact, but, luckily, unlike so many “big idea” sci-fi books, it’s utterly unpretentious…You’ve read other books about similar things, but you’ve never read them from this perspective.” —Syfy Wire
“Axiom’s End has gripping action scenes, but the bulk is an examination of language and what it means to communicate at all. Ellis’ endless literary knowledge shines through." —San Francisco Chronicle
04/20/2020
Communication and trust are matters of life and death in Ellis’s thoughtful, fast-paced debut. In 2007, two meteorites strike the Los Angeles area within the span of one month and a leak reveals that the U.S. government is aware of extraterrestrial life on earth. Cora Sabino, the whistleblower’s daughter, is abducted by one of these life-forms shortly thereafter. Cora makes a deal to interpret for her abductor, Ampersand, the alien who arrived with the first meteorite whose language she’s able to understand thanks to his advanced technology. She hopes to use her ability to communicate with Ampersand to bargain for her father’s safety from the government. But soon, Cora’s caught in the middle of an interspecies alien conflict as Obelus, who arrived in the second meteorite, hunts down the Fremda group, refugees who arrived on Earth 40 years earlier. Cora and Ampersand bond while working together, but can Cora really trust a being whose conception of morality is so different from her own? Though a too-quick ending is somewhat unsatisfying, the powerful connection that grows between Cora and Ampersand as they teach each other about their respective cultures is masterfully done. Lovers of character-focused sci-fi will find plenty to enjoy in this gripping alternate history. Agent: Christopher Hermelin, the Fischer-Harbage Agency. (July)
2020-05-04
Ellis, a Hugo-nominated media critic and YouTube star, finds alien encounters in our not-too-distant past.
It’s 2007, but not the 2007 you remember. In this timeline, a meteor has struck Los Angeles—at least that’s what the government wants people to believe. Rogue conspiracy theorist Nils Ortega has convinced his followers that the so-called “Ampersand Event” was actually the arrival of an alien spacecraft. College dropout Cora Sabino isn’t convinced. She learned long ago not to trust anything her estranged father has to say. But then her mother and siblings disappear the same night she’s attacked by something that clearly isn’t human….“First contact” stories are almost as old as science fiction. These narratives are varied in their details—both H.G. Wells’ The War of the Worlds and the 1970s sitcom Mork & Mindy qualify—but they all revolve around the initial encounter between humans and an alien intelligence. At its best, science fiction isn’t really about extraterrestrials and advanced technology, though; instead, it deploys these devices to talk about us in the here and now. Like countless authors before her, Ellis uses first contact to interrogate our tendencies toward xenophobia and prejudice and challenge our conceptions of what humanity means. She also explores trauma and its aftereffects. Nils’ crusade for government transparency and questions about privacy feel contemporary without adding much depth. The same goes for references to financial crisis. The heart of the novel is the relationship between Cora and the part-biological, part-synthetic entity she calls Ampersand. What begins with a physical attack and an abduction turns into a partnership and, ultimately, a deep friendship. As Cora helps Ampersand navigate life on Earth, she learns more about his world and his past. Ellis doesn’t break new ground here, and her prose is uneven. The injections of quirky humor feel particularly strained. But this hits all the necessary notes for a first contact narrative, and this trope might be fresh for at least a portion of Ellis’ fan base.
This is a solid, if not especially imaginative or polished, science fiction debut.