The Awakening: A Norton Critical Edition

The Awakening: A Norton Critical Edition

The Awakening: A Norton Critical Edition

The Awakening: A Norton Critical Edition

Paperback(Third Edition)

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Overview

“I have used the Norton Critical Editions since graduate school. As a teacher of high-school literature, I find them to be excellent resources for the study of various novels, plays, etc."—Brooke Gifford, Vincent Middle High School

This Norton Critical Edition includes:


• The annotated text of Kate Chopin’s modernist novel of marital infidelity, set in New Orleans and Grande Isle, Louisiana.
• A preface, a critical essay, and explanatory annotations by Margo Culley.
• Essays by acclaimed Chopin biographers Per Seyersted and Emily Toth, “An Etiquette/Advice Book Sampler” with selections from the conduct books of the period, and contemporary perspectives on womanhood, motherhood, and marriage.
• Forty-five reviews and interpretive essays on The Awakening spanning three centuries.
• A Chronology of Chopin’s life and work and an updated Selected Bibliography.

About the Series

Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Product Details

ISBN-13: 9780393617313
Publisher: Norton, W. W. & Company, Inc.
Publication date: 07/28/2017
Series: Norton Critical Editions Series
Edition description: Third Edition
Pages: 384
Sales rank: 596,401
Product dimensions: 5.10(w) x 8.30(h) x 0.90(d)

About the Author

About The Author
Kate Chopin was born on February 8, 1850, to an affluent family in St. Louis, Missouri. In 1870, she moved with her husband to his native New Orleans. Chopin began her literary career at the age of thirty-six, as a recently widowed mother of six. From 1890 to 1897, Chopin published her first novel, At Fault, and nearly one hundred short stories, collected in Bayou Folk and A Night in Acadie. Chopin’s stories were widely read, appearing in leading magazines of the day. Her most famous novel, The Awakening, faced wide condemnation upon its release in 1899 for its morally ambivalent subject matter. It has since become recognized as an essential work of early feminist fiction. Kate Chopin died on August 22, 1904.

Margo Culley is Professor of English at the University of Massachusetts at Amherst. She is the editor of American Women’s Autobiography: Fea(s)ts of Memory and A Day at a Time: Diary Literature of American Women, and co-editor of Women’s Personal Narratives: Essays in Criticism and Pedagogy and Gendered Subjects: The Dynamics of Feminist Teaching. She teaches courses in American studies, women’s studies, and ethnic studies.

Read an Excerpt

A green and yellow parrot, which hung in a cage outside the door, kept repeating over and Over:

"Allez vous-en! Allez vous-en! Sapristi! That's all right!"

He could speak a little Spanish, and also a language which nobody understood, unless it was the mocking bird that hung on the other side of the door, whistling his fluty notes out upon the breeze with maddening persistence.

Mr. Pontellier, unable to read his newspaper with any degree of comfort, arose with an expression and an exclamation of disgust. He walked down the gallery and across the narrow "bridges" which connected the Lebrun cottages one with the other. He had been seated before the door of the main house. The parrot and the mocking bird were the property of Madame Lebrun, and they had the fight to make all the noise they wished. Mr. Pontellier had the privilege of quitting their society when they ceased to be entertaining.

He stopped before the door of his own cottage, which was the fourth one from the main building and next to the last. Seating himself in a wicker rocker which was there, he once more applied him self to the task of reading the newspaper. The day was Sunday; the paper was a day old. The Sunday papers had not yet reached Grand Isle. He was already acquainted with the market reports, and he danced restlessly over the editorials and bits of news which he had not had time to read before quitting New Orleans the day before.

Mr. Pontellier wore eye glasses. He was a man of forty, of medium height and rather slender build; he stooped a little. His hair was brown and straight, parted on one side. His beard was neatly and closely trimmed.

Once in a while he withdrew his glance from the newspaper andlooked about him. There was more noise than ever over at the house. The main building was called "the house," to distinguish it from the cottages. The chattering and whistling birds were still at it. Two young girls, the Farival twins, were playing a duet from "Zampa" upon the piano. Madame Lebrun was bustling in and out, giving orders in a high key to a Yard boy when ever she got inside the house, and directions in an equally high voice to a dining room servant when ever she got outside. She was a fresh, pretty woman, clad always in white with elbow sleeves. Her starched skirts crinkled as she came and went. Farther down before one of the cottages, a lady in black was walking demurely up and -down, telling her beads. A good many persons of the pension had gone over to the Cheniere Caminada in Beaudelet's lugger to hear mass. Some young people were out under the water oaks playing croquet. Mr. Pontellier's two children were there--sturdy little fellows of four and five. A quadroon nurse followed them about with a far-away, meditative air.

Mr. Pontellier finally lit a cigar and began to smoke, letting the paper drag idly from his hand. He fixed his gaze upon a white sunshade that was advancing at snail's pace from the beach. He could see it plainly between the gaunt trunks of the water oaks and across the stretch of yellow camomile. The gulf looked far away, melting hazily into the blue of the horizon. The sunshade continued to approach slowly. Beneath its pink-lined shelter were his wife, Mrs. Pontellier, and young Robert Lebrun. When they reached the cottage, the two seated themselves with some appearance of fatigue upon the upper step of the porch, facing each other, each leaning against a supporting post.

"What folly! to bathe at such an hour in such heat!" exclaimed Mr. Pontellier. He himself had taken a plunge at daylight That was why the morning seemed long to him.

"You are burnt beyond recognition," he added, looking at his wife as one looks at a valuable piece of personal property which has suffered some damage. She held up her hands, strong, shapely hands, and surveyed them critically, drawing up her lawn sleeves above the wrists. Looking at them reminded her of her rings, which she had given to her husband before leaving for the beach. She silently reached out to him, and he, under standing took the rings from his vest pocket and dropped them into her open palm. She slipped them upon her fingers; then clasping her knees, she looked across at Robert and began to laugh. The rings sparkled upon her fingers. He sent back an answering smile.

"What is it?" asked Pontellier, looking lazily and amused from one to the other. It was some utter nonsense; some adventure out there in the water, and they both tried to relate it at once. It did not seem half so amusing when told. They realized the, and so did Mr. Pontellier. He yawned and stretched himself. Then he got up, saying he had half a mind to go over to Klein's hotel and play a game of billiards.

Come go along, Lebrun," he proposed to Robert But Robert admitted quite frankly that he preferred to stay where he was and talk to Mrs. Pontellier.

"Well, send him about his business when he bores you, Edna," instructed her husband as he prepared to leave.

"Here, take the umbrella," she exclaimed, holding it out to him. He accepted the sunshade, and lifting it over his head descended the steps and walked away.

"Coming back to dinner" his wife called after him. He halted a moment and shrugged his shoulders. He felt in his vest pocket; there was a ten dollar bill there. He did not know, perhaps he would return for the early dinner and perhaps he would not It all depended upon the company which he found over at Klein's and the size of the game." He did not say this, but she understood it, and laughed, nodding good-by to him.

Both children wanted to follow their father when they saw him starting out. He kissed them and promised to bring them back bonbons and peanuts.

Copyright ) 1972 by Kate Chopin

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