At the End of the Street in the Shadow: Orson Welles and the City

by Matthew Asprey Gear

Overview

The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character.

This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes.

The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.

Product Details

ISBN-13:	9780231850902
Publisher:	Columbia University Press
Publication date:	02/16/2016
Sold by:	Barnes & Noble
Format:	eBook
Pages:	200
File size:	28 MB
Note:	This product may take a few minutes to download.

About the Author

Matthew Asprey Gear is an honorary academic at Macquarie University, Sydney. He has lectured in film studies and screenwriting and is the founding coeditor of Contrappasso magazine. Visit www.matthewaspreygear.com

Table of Contents

Acknowledgements
Introduction
Prelude. A Nuisance in a Factory: Hollywood: 1939–48, 1956–58
Welles's U.S.A
1. The Decline and Fall of the Lincoln Republic
2. An Empire Upon an Empire: Citizen Kane (1941)
3. The Darkening Midland: The Magnificent Ambersons (1942)
Pan-America
4. Darkness and Fear: The Early Anti-fascist Thrillers
5. The Raucous Raggle-Taggle Jamboree of the Streets: It's All True (unfinished, 1942)
6. Ratline to Main Street: The Stranger (1946)
7. Port to Port: The Lady from Shanghai (1947)
8. The Border: Touch of Evil (1958)
9. Return to the Periphery: The Other Man (unproduced, 1977)
Interlude. A Free Man Is Everywhere: Europe & Beyond: 1947–55, 1958–85
Postwar Europe
10. Skies and Rubblescape: Mr. Arkadin/Confidential Report (1955)
11. Lost in a Labyrinth: The Trial (1962)
Immortal Stories
12. To Adore the Impossible
13. In the Land of Don Quixote
Index

What People are Saying About This

Jonathan Rosenbaum

A valuable contribution to Welles studies - well researched, highly readable, and full of fresh insights.

Catherine L. Benamou

A timely book that pushes past many debates dotting the beaten path of Orson Welles criticism to consider the representation of the city, both as a physical location and an imaginary social space, in his film oeuvre. It considers incomplete and overlooked as well as unproduced works that have survived in script form; the result is a historically grounded, globally conscious study that urges us to consider the importance of the built environment in Welles's mises-en-scène, as well as his abiding concern with the politics of modernization.

James Naremore

Well researched, informative, and enjoyable to read—an original, thoughtful commentary on Welles and modernity.

Editorial Reviews

Asprey Gear's At the End of the Street in the Shadow: Orson Welles and the City has much to offer anyone interested in the numerous projects brought into being by Welles.

afterimage

Offers enjoyable revelations for anyone familiar with Welles's work.

Times Literary Supplement

An impressive work of archival research and film analysis.... A valuable contribution to the scholarly literature on cinematic places.

Mediapolis

Well researched, informative, and enjoyable to read—an original, thoughtful commentary on Welles and modernity.

James Naremore