Asylum

by Quan Barry

Overview

Winner of the 2000 Agnes Lynch Starrett Poetry Prize2002 finalist in poetry, Society of Midland AuthorsQuan Barry's stunning debut collection has been compared to Sylvia Plath's Ariel for the startling complexity of craft and the original sophisticated vision behind it. In these poems beauty is just as likely to be discovered on a radioactive atoll as in the existential questions raised by The Matrix.Asylum is a work concerned with giving voice to the displaced—both real and fictional. In "some refrains Sam would have played had he been asked" the piano player from Casablanca is fleshed out in ways the film didn't allow. Steven Seagal, Yukio Mishima, Tituba of the Salem Witch Trials, and eighteenth-century black poet Phillis Wheatley also populate these poems.Barry engages with the world—the Tuskegee syphilis experiments, the legacy of the Vietnam war—but also tackles the broad meditative question of the individual's existence in relation to a higher truth, whether examining rituals or questioning, "Where is it written that we should want to be saved?" Ultimately, Asylum finds a haven by not looking away.

Product Details

ISBN-13:	9780822979319
Publisher:	University of Pittsburgh Press
Publication date:	09/16/2001
Series:	Pitt Poetry Series
Sold by:	Barnes & Noble
Format:	eBook
Pages:	88
File size:	1 MB

About the Author

Quan Barry is the author of two previous poetry collections: Asylum and Controvertibles. She is professor of English at the University of Wisconsin-Madison where she directs the MFA program in creative writing.

Table of Contents

CONTENTS
asylum
child of the enemy
The Glimmer Man
If dy/dx=4x3 + X2 - 12/ 2x2 - 9, then
intercellular aubade
intermurals
Job 42:4
kabuki
Kaiserschmarn
lullaby
lunar eclipse
maleficium
masochism
Meanwhile, Back in the Relative Safety of a Ticker Tape Parade, Buzz Aldrin has a Moment of Epiphany…
night soil man
oracle
plague
post-partum
reading
Snow White
some refrains Sam would have played had he been asked
studio audience
synopsis
tradition
triage
“'Twas mercy brought me from my Pagan land”
vigil
visitor
Whitsunday
Whitsunday
Whitsunday
Whitsunday
woman in love/Agatha, doubting
zeitgeist
epilogue
acknowledgments

Editorial Reviews

U.S. nuclear testing on Bikini Atoll, children born of Vietnamese women raped by American soldiers (and those born deformed by Agent Orange) and the effects of syphilis are matched by a willing vitriol, vengefulness and accusations in Barry's speakers. A University of Wisconsin assistant English professor and former Wallace Stegner Fellow, Barry sharpens these apostrophes with rich images deftly drawn in a cold, honed poetry: "Even here in this city of a white house, you dream of clouds/ sprouting like black lungs." (Sept.) Copyright 2001 Cahners Business Information.

Publishers Weekly

Composed in an oblique, postmodern style, the poems in Barry's first book reveal a dysfunctional global society where young women are still circumcised, a teenager is nearly bludgeoned to death in her own bed, African Americans are routinely brutalized, and Siamese twins somehow survive the horrible after-effects of Agent Orange. For Barry, too, is a survivor, as she confesses in her brilliant autobiographical poem, "Child of the Enemy," the centerpiece of this collection. The poet empathizes with all the abused and marginalized characters in the book because she is an Amerasian with "shame/ on the dark meat" of her face. Her remarkable poems are studded with allusions to the Bible, Bob Dylan, Osip Mandelstam, and Yukio Mishima. The titles are dazzling, running the gamut from mathematical equations to cartoon characters. Barry holds these disparate poems together with her strongly original voice, her carefully nuanced tone, and her surprising metaphors, like the "blue scripts" of rivers. Highly recommended for large public and academic libraries. Daniel L. Guillory, Millikin Univ., Decatur, IL Copyright 2001 Cahners Business Information.

Library Journal

Composed in an oblique, postmodern style, the poems in Barry's first book reveal a dysfunctional global society where young women are still circumcised, a teenager is near bludgeoned to death in her own bed, African Americans are routinely brutalized, and Siamese twins somehow survive the horrible after-effects of Agent Orange. For Barry, too, is a survivor, as she confesses in her brilliant autobiographical poem, “Child of the Enemy,” the centerpiece of this collection. The poet empathizes with all the abused and marginalized characters in the book because she is an American with “shame/on the dark meat” of her face. Her remarkable poems are studded with allusions to the Bible, Bob Dylan, Osip Mandelstam, and Yukio Mishima. The titles are dazzling, running the gamut from mathematical equations to cartoon characters. Barry holds these disparate poems together with her strongly original voice, her carefully nuanced tone, and her surprising metaphors, like the “blue scripts” of rivers. Highly recommended for large public libraries and academic libraries.”
—Library Journal

From the Publisher