Emily Tremaine narrates a quirky coming-of-age story that has the feel of a memoir. Twenty-something Phoebe moves to New York City in the 1980s. While Tremaine's pacing can be halting and her phrasing a tad deliberate, her character portrayals are distinct and believable. In a youthful timbre and hesitant tone, she captures Phoebe's struggles with identity and self-reliance. Phoebe is deeply invested in her relationship with her friend, Carmen, whose social ease Phoebe aspires to. Most impressive is Tremaine's evocation of the novel’s varied settings—Brown University, with its mostly privileged student population, and the East Village club scene, with its drug culture. The East Village is also where Phoebe works as the fortune-teller Astrid. M.J. © AudioFile 2021, Portland, Maine
Astrid Sees All: A Novel
Narrated by Emily Tremaine
Natalie StandifordUnabridged — 8 hours, 10 minutes
Astrid Sees All: A Novel
Narrated by Emily Tremaine
Natalie StandifordUnabridged — 8 hours, 10 minutes
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Overview
New York, 1984: Twenty-two-year-old Phoebe Hayes is a young woman in search of excitement and adventure. But the recent death of her father has so devastated her that her mother wants her to remain home in Baltimore to recover. Phoebe wants to return to New York, not only to chase the glamorous life she so desperately craves but also to confront Ivan, the older man who wronged her.
With her best friend Carmen, she escapes to the East Village, disappearing into an underworld haunted by artists, It Girls, and lost souls trying to party their pain away. Carmen juggles her junkie-poet boyfriend and a sexy painter while, as Astrid the Star Girl, Phoebe tells fortunes in a nightclub and plots her revenge on Ivan. When the intoxicating brew of sex, drugs, and self-destruction leads Phoebe to betray her friend, Carmen disappears, and Phoebe begins an unstoppable descent into darkness.
“A new wave coming-of-age story, Astrid Sees All is a blast from the past” (Stewart O'Nan, author of The Speed Queen) about female friendship, sex, romance, and what it's like to be a young woman searching for an identity.
Editorial Reviews
"Astrid Sees All has the startling vibrancy of a Nan Goldin photograph and the heartbreak and wit of a film by Preston Sturges, which is to say Natalie Standiford's vision is an original one. I loved Astrid so much that I didn't want this funny, sad novel to ever end. Standiford has the storytelling charm!"
"Acutely elegant...a seductive evocation of a lost world."
"A new wave, coming-of-age story, Astrid Sees All is a blast from the past, taking the reader back to the ratty Bohemia of the Lower East Side of the early ‘80s, complete with squatters, cold-water sublets, white punks on dope in the trashed bathrooms of trendy clubs, and even a cameo by the king of downtown, Lou Reed. Sharp-eyed and light on her feet, Natalie Standiford is the perfect tour guide for one young woman’s leap from the ivied halls of college into another, even more unreal world."
I loved this dark and smart thriller about the East Village in the 1980’s, starring a bright but lost young woman who is determined to chase danger and glamour and madness right up to the edge of reason. With shades of both Gatsby and Warhol, Standiford has created a vivid portrait of a seedy, edgy, artsy, and seething New York City that will never exist again. I flew through these pages.
Astrid Sees All is an unforgettable story: a Lower East Side night-world full of damaged young dreamers, all kids who want to be stars, but end up just breaking each other’s hearts along with their own. Only Natalie Standiford could bring these girls to life with so much tender wit, street-wise compassion, and brilliant soul. She givesthis novel the beautifully fragile strut of a Lou Reed guitar ballad."
"Standiford captures New York when it was dangerous and affordable. A place where the intrepid could pursue their dreams. Phoebe's story is worth the read and the ride."
"Standiford captures a beating, smoky world....There is page-turning plot aplenty here, dealing with the pains of grief, addiction, and simply growing up, all made endurable by love and friendship."
"Guiding readers on a descent into clubland...with the gusto of a certain Musto."
"Astrid Sees All is so fun to read you might miss the grief that fuels this novel. Phoebe, the book's narrator, moves through the surreal, kaleidoscopic world of 1980's club life as well as the dilapidated and electric East Village. Her struggle for self definition is remarkably honest; Phoebe is a feminist heroine as complicated as she is compelling."
"As a portrait of a now-lost slice of slightly seedy bohemian New York, Astrid Sees All can’t help but enchant.
"Moving and funny."
"Astrid Sees All zooms us back to the 1980s in the most delightful and nostalgic way: New York in all its craziness and magnetism is alive again through the clear-eyed observations and adventures of our witty and generous narrator."
Emily Tremaine narrates a quirky coming-of-age story that has the feel of a memoir. Twenty-something Phoebe moves to New York City in the 1980s. While Tremaine's pacing can be halting and her phrasing a tad deliberate, her character portrayals are distinct and believable. In a youthful timbre and hesitant tone, she captures Phoebe's struggles with identity and self-reliance. Phoebe is deeply invested in her relationship with her friend, Carmen, whose social ease Phoebe aspires to. Most impressive is Tremaine's evocation of the novel’s varied settings—Brown University, with its mostly privileged student population, and the East Village club scene, with its drug culture. The East Village is also where Phoebe works as the fortune-teller Astrid. M.J. © AudioFile 2021, Portland, Maine
2020-10-14
A coming-of-age story set in the artsy, druggy, seedy, sexy downtown underground of 1980s New York.
After a string of well-received YA books, Standiford's first novel for adults hearkens back to the days, or should we say nights, of Slaves of New Yorkand Bright Lights Big City. Baltimorean Phoebe and Manhattanite Carmen, who met as undergraduates at Brown, are having a hell of a time finding a livable apartment in the East Village—until Carmen's boyfriend's heroin dealer is busted and they beeline over to his apartment to corner his landlady before the place goes on the market. That's the kind of you-had-to-be-there detail that makes this book. Conversations overheard at parties include descriptions of over-the-top fashion statements and performance art projects; there are cameos by Andy Warhol, Lou Reed, Grace Jones, Debbie Harry, and more: The author's glee in evoking the zeitgeist of the 1980s is infectious. Perhaps her somewhat less successful approach to plot can be forgiven. The novel's abundant storylines include Phoebe's grief about her father's death and estrangement from her mother, the imbalance of power in her friendship with Carmen, an affair with a married doctor with a painful outcome, the possibility that she is being followed, and her burgeoning career as a club-scene fortuneteller, building on a childhood game of saving movie ticket stubs in a box and pulling them like Tarot cards to divine the future. (" ‘Does Darryl Morgan like me?’ All The President's Men. That's a yes.”) All this would have been plenty; when a detail about the growing number of missing girls whose faces are tacked up around the neighborhood morphs into a thriller subplot, it seems like it belongs in a different book.
Smart details, lively digressions, and spot-on period snapshots keep an overloaded plot afloat.
Product Details
| BN ID: | 2940177321486 |
|---|---|
| Publisher: | Simon & Schuster |
| Publication date: | 04/06/2021 |
| Edition description: | Unabridged |
Read an Excerpt
Chapter 1: Going Underground 1 GOING UNDERGROUND
I am sitting, alone, in the apartment on Avenue A that Carmen and I first rented one year ago. The cats are here, and her typewriter is here, and some of her clothes, but she is not, and I wonder if I’m to blame for that.
I wouldn’t be in New York—I wouldn’t be “Astrid”—if not for her. For at least two years, maybe three, Carmen has played a part in every decision I’ve made. What she would think, what she would do in my place, would this attract her or repel her... I considered these questions when choosing what to wear, who to date, where to work, where to live, everything. She wasn’t the most beautiful or most glamorous person I knew, but that was why I emulated her: she found ways to be fascinating without relying on those easy tactics. She had the seen-it-all attitude of a native New Yorker, and I wanted to see it all.
I moved to Manhattan right after college graduation—to the Upper West Side, because Carmen lived on West Eighty-Ninth Street with a friend from Dalton, Sarita Feinman. I imagined Carmen would teach me the secret codes of the New Yorker, the two of us out on the town, people-watching in Central Park, and lounging around drinking beer the way we had in college.
I found a room in a run-down tenement apartment on Eighty-Seventh and Amsterdam—only two blocks from Carmen, so I jumped at it, even though it was small, dark, dirty, full of roaches, overpriced, and came with four roommates. Robin Greene, an assistant editor at a romance publisher, held the lease, which gave her the power to choose who would occupy which room and to kick out girls who didn’t have the right attitude. She preferred wholesome young women like Mary Frank, a devoutly Catholic law student, and Krissi, who had moved from Kansas in search of a job at People and a rich Wall Street husband. A flamboyant actress named Marin Berlin had sneaked in somehow when Robin’s guard was down. Marin was my favorite, but she was hardly ever home. She’d just landed a part in an off-off-Broadway play, a drag melodrama called Medea on Mars.
I called Carmen, who seemed delighted to hear from me. She immediately trotted me across town to her parents’ swank apartment on Sutton Place. Her mother was a former actress, and her father was the famous avant-garde composer Leonard Dietz. Carmen knew Len and Betsy would like me, and they did. Parents always liked me. Back then (a mere year and a half ago), I looked like a girl who couldn’t get into trouble if she tried.
I found a job at Bellow Books for minimum wage. It was a start, but four shifts a week at $3.25 an hour didn’t come close to paying my $350-a-month rent. I lived on bagels, frozen French bread pizzas, pasta, and peanut butter. Once in a while, Carmen and I went out for beers at the Dublin House and bitched about our jobs. I complained about having to work the bag check at the bookstore, pestering customers to hand over their shopping bags lest they stash stolen copies of Ham on Rye in them. She complained about working as an assistant to her mother’s former acting teacher, Bertha Sykes, who was writing her memoirs. Bertha blamed Len for Betsy’s abandonment of her career, and still resented him some twenty-five years later. Carmen toiled in Bertha’s plush Park Avenue apartment: making Bertha’s tea, nursing Bertha’s hangovers, enduring Bertha’s insults, and cleaning up after Bertha’s miniature Yorkie, Mimi, who left a yellow puddle or a neat pile of dog shit in the entry hall almost every morning.
But I only saw Carmen when she wanted to see me. Her boyfriend, Atti, lived downtown, and she spent most of her free time with him. I wouldn’t hear from her for days, and then suddenly she’d surface, like an orca, to see her parents or Sarita or, if I was lucky, me. She was friendly; she tolerated me; but I didn’t seem to interest her anymore.
One night I answered the phone and heard Leonard Dietz’s snappy voice. “Hello, darling, can I speak to Carmen for a sec?”
“Carmen?” I stalled for time, caught off guard. Her father had never called me before. I wasn’t even sure how he’d gotten my number.
“Yes, you know that delightful daughter of mine? She told us she was spending the evening with you tonight.”
I was pretty sure Carmen was downtown with Atti, and quickly realized she was using me as an alibi. “Right! She is. She’s with me. She just nipped out to get us some ice cream. She’ll be back in a few minutes.”
“Ice cream? Okay. Well, ask her to call me when she has a minute, would you?”
“I will. Is it important?”
“Not an emergency, I’d just like to speak with her.”
“Okay. I’ll tell her.”
“Bye, dear.”
She didn’t ask me if I minded. She just did it. And I didn’t mind. I was flattered. But it reinforced my sense that I had to earn her friendship. She expected to get something out of being friends with me—an alibi for her secret affair, or at the very least a good story.
I wanted to be more than useful. I wanted to be real friends. So I kept an eye out for ways to make myself interesting to her.
That first summer in New York, the bookstore and my tiny room felt like cages; I was stuck inside them watching the rest of the city live wild and free. It seemed to me that money was the key to freedom, but the only legal source of good money—besides a trust fund—was a corporate job. Another cage.
Every other week, when I got my meager paycheck, I performed a little ritual. First, I strolled through Zabar’s—past the grumbling old people who waved their deli numbers like protest signs—just to smell the coffee and the cheeses I couldn’t afford to buy. On my way out I tapped the nose of a baguette for good luck. Then I went next door to the takeout café, ordered a cup of frozen yogurt—chocolate-vanilla swirl—and perched at the counter by the window to eat it and watch people hurry up and down the gray expanse of Broadway. Except for the obviously insane, most of them looked disappointingly ordinary.
One day in September, I was sitting at Zabar’s counter eating my chocolate-vanilla swirl when a man sat down next to me. Not the usual old man mashing pastrami with his gums; not a lady bumping her wheeled shopping basket into my legs; no. A man with an aura of adventure. He wore a white oxford shirt under a rumpled navy blazer and a steel watch on a sun-gilded wrist, and smelled lightly of bay rum. Dark hair fringed over his collar, which was unbuttoned. He turned and faced me: a square chin, a hawkish nose, eyes black as tar pits. I self-consciously spooned more yogurt into my mouth.
“Is it good?” he asked.
I swallowed the cold goop. “What?”
“That stuff you are eating.”
The yogurt had a funny metallic taste that was strangely addictive. “Yeah, it’s pretty good.”
“I’ve never tried frozen yogurt before.” He sipped espresso from a miniature white cup, his elbow resting on a folded-up copy of the Times.
“Never?”
“Never.” He had a slight accent, vaguely European... not English or Irish. Continental. “I prefer a chocolate croissant. May I get you one?” He rose to his feet. “I’d like to. Please.”
“Oh, no, no thanks.” I tapped my plastic spoon on my Styrofoam cup. “I couldn’t eat a chocolate croissant now.”
“What about a coffee then? I’ll buy you an espresso.”
“Well...” I liked espresso, but it was so expensive.
“Wait here. I’ll be quick.”
He went to the counter. His khaki pants were cinched by an artfully beat-up leather belt that looked as if it had been around the world. His shoes were expensive loafers that needed a shine. How old was he? I couldn’t guess. Everyone between twenty-eight and fifty looked basically the same to me. He was at least thirty. Maybe older than that. Forty?
He returned and placed a tiny cup before me. “Voilà.”
“Thank you. That was very nice of you.” I reached for a packet of sugar.
“You are very welcome.” He watched me sip.
“Mm. Good.” I nodded self-consciously. Since he had so generously bought me this extravagant coffee, I felt I had to make a show of enjoying it.
“What’s your name?”
“Phoebe.”
He waited.
“Hayes.”
“Phoebe Hayes, would you like to have dinner with me sometime?”
My mouth dried up. “Dinner?”
“Yes, that’s all. Just dinner. Or a drink, how about that?”
“Well, um, shouldn’t I know your name first?”
“I’m sorry! It’s Ivan. Forgive me. I just...” He trailed off, shaking his head at himself as if my charm had overwhelmed his manners. “What do you do, Phoebe? Are you a student?”
“No, I graduated last May. I work at the bookstore, right there on the corner.” I nodded toward the other end of the block. “Bellow Books.”
“A good bookstore. I go there often.”
“You do?” I hadn’t seen him. “What about you?”
“I’m a physician.” He glanced at his watch. “In fact, I should be going. I have an appointment.” He stood and reached into his jacket pocket. “Will you call me?” He gave me a card.
IVAN BERGEN, MD INTERNAL MEDICINE, INFECTIOUS DISEASE
There was an address on West Fifty-Sixth Street and a phone number, and at the bottom:
MÉDECINS SANS FRONTIÈRES
A doctor, like my father. Only Dad didn’t dress with this insouciant elegance. And on a workday he would have carried his stethoscope with him somewhere—around his neck, or in his jacket pocket.
But I wasn’t thinking about my father then, because he was still alive.
“Call me later this afternoon. If you don’t, I’ll come back here looking for you.” Ivan grinned to show that he didn’t mean to sound threatening. He just wanted to see me very badly.
“All right.”
He left, his jacket flapping like a cape, and hailed a taxi. I stared out the window, long after the taxi had disappeared, with the strong feeling that my life had just changed. I couldn’t wait to call Carmen and tell her all about it.
When she finally called me back, very late that night, she asked me what I planned to wear on my date with this exciting older man.
“I don’t know,” I wailed. “I don’t have anything decent.”
“I’ll come over tomorrow and help you figure it out.”
Just like that, I became interesting to her.
Then, on December first, my sister, Laurel, called to tell me that Dad was sick.
He’d been sick for several months, but none of us knew it. Over the summer my mother had mentioned that he was run-down and working too hard, but when I asked him about it he said, “Nothing a little exercise won’t cure.” He used to say that to me when I complained of feeling tired: “A little exercise will pep you up.” I moved to New York just before he got sick, so I didn’t witness the shadows deepening under his eyes, the pallor of his skin, the way his cheekbones sharpened.
“He has AML,” Laurel told me over the phone. She was premed and liked to show off this link between her and Dad, the jargon they shared.
“What’s that?”
“Leukemia. The worst kind.”
He’d ignored his own symptoms for four months: classic doctor behavior. Now it was too late. The disease had progressed beyond treatment. “There’s not much you can do for it anyway. I mean, even if he’d had chemo and all that...” Laurel tried to steady her voice as a doctor would, factual and unemotional, but I caught the quaver in it and understood what she didn’t want to say: he was going to die, and soon.
I took the first train to Baltimore. It was strange that Mom hadn’t called me herself, but when I got home I saw why: her tongue was so swollen she couldn’t speak. She couldn’t even close her mouth. It had happened at the doctor’s office, when the oncologist presented Dad’s grim prognosis. She had a psychosomatic reaction. She was embarrassed about it and had shut herself in her room.
Laurel and I drove to the hospital to see Dad. When I kissed him his breath smelled sharply of ammonia, and the sight of his ashen, bony face shocked me. How could he not have known he was sick? How did no one notice?
But he was still Dad. “Phoebe!” He gripped my arm as I leaned down to kiss his papery cheek. “Now that you’re here we can celebrate at last.”
He meant the Orioles’ recent victory over the Phillies in the World Series. I’d watched it at the Dublin House with Carmen, who’d talked through the whole game and had barely paid attention. Until I’d left for college, I’d watched the Orioles games and every World Series with Dad. We loved the O’s, they were our home team, but Dad was a Yankees fan at heart. Phil Rizzuto—small and scrappy, superstitious, bug-phobic, a bunter and a great shortstop—was his favorite player. After he retired, “the Scooter,” as he was known, became a radio and TV announcer for the Yankees, famous for spouting non sequiturs and jokes and stories about his golfing buddies and his beloved wife, Cora. Dad considered him a kind of accidental Zen philosopher, à la Yogi Berra. He listened to the Scooter call the Yankees games whenever he managed to tune into the New York station on the radio, and loved quoting Scooter classics like “That ball is out of here! No, it’s not. Yes, it is. No, it’s not. What happened?”
In August 1979, a few weeks before I left for college, the Yankees catcher Thurman Munson was killed in a plane crash. The team played the Orioles in New York the next night, and they held a solemn tribute to Munson before the game. I sat with Dad in the den, watching on TV as the Scooter came onto the field to say a favorite prayer for his friend Thurman.
Angel of God, Thurman’s guardian dear,
To whom his love commits him here there or everywhere,
Ever this night and day be at his side,
To light and guard, to rule and guide.
I thought it was corny, but when I saw the tears well up in Dad’s eyes, I started crying too.
“It’s just something to keep you really from going bananas,” the Scooter said. “Because if you let this, if you keep thinking about what happened, and you can’t understand it, that’s what really drives you to despair.”
Now, in the hospital, I tried to be cheerful. “Hey there, Telly Savalas,” I said. Dad had lost a lot of hair, but this was more of an inside joke. One of our favorite Scooter moments was when he spotted Telly Savalas in the stands at Yankee Stadium and complained of the blinding glare coming off Telly’s bald head.
Dad came back with a Scooter line, as I knew he would. “‘But that’s the thing lately. They say being bald is very sexy.’”
My cheerful mask crumbled, but he kept his up. He asked me if I’d heard any good music in New York, and joked about poor Mom and her tongue. “You know your mother; she always overreacts. Remember how she used to break out in hives if you were late coming home from school?”
Laurel and I tried to stop crying but we couldn’t. When we were upset as little girls, Dad used to say, “Let’s go to the window and see if we see anyone as unhappy as we are.” And he would lead us to the window, where we’d watch people pass by in the street until we cheered up.
Now, in the hospital room, he said it again. He couldn’t get out of bed, but Laurel and I went to the window and looked down at St. Paul Street. “Tell me what you see,” Dad said.
“An old man hunched over with holes in his pants,” Laurel said.
“A young woman in a white doctor coat walking very fast,” I said.
“A woman yelling at a toddler who’s not walking fast enough,” Laurel said.
It didn’t seem like anybody was happy. But I couldn’t tell if they were as unhappy as we were.
We stayed with him until visiting hours ended, then brought home a pizza to eat with Mom. She refused to come out of her room. Laurel and I went to my room and cried until we were dehydrated. No one ate the pizza.
Mom’s tongue shrank back to normal by morning. The rest of the week was a hospital blur. Dad had developed pneumonia in one of his lungs. “Get my stethoscope, Phoebe,” he said. “I’ll show you how you can tell which lung is infected.”
His stethoscope was rolled up in the pocket of his sport coat, which hung on the back of the door of his room.
“Put it on.”
I put the earpieces in my ears and he guided the chest piece to his right side. “Now listen.” He whispered, “One, two, three... One, two, three... Do you hear anything?”
“No.”
“Try the left side.”
I moved the chest piece to the left. Once again he murmured, “One, two, three... One, two, three...” a breathy waltz. This time I heard the whispers through the stethoscope.
“That’s the infected side,” he said. “The consolidation in my lung carries the vibration of my voice. In a clear, normal lung, there’s no infected gunk to vibrate, so you can’t hear the whisper.”
Laurel walked in, back from the cafeteria with three cups of tea. “Laurel already knows all this, don’t you, Laurel.”
“Egophony when auscultating the lungs,” she recited.
“They don’t teach that in med school anymore,” Dad said. “Hardly ever.”
After about an hour Dad weakened, so we went home to let him rest. As I was leaving his bedside, Dad said, “‘Son of a gun, I thought that ball was out of here.’”
I finished the quip. “‘Why don’t I just shut up?’”
He died a few days later. We had a funeral. Lots of people came. At the cemetery, a strange feeling overwhelmed me, like an allergic reaction: my throat closed, my vision bleached out, my lungs failed to draw air, my brain’s circuits stopped firing. My immune system was fighting off an infection of grief.
For a whole day I couldn’t remember that Dad was dead. It was as if accepting his death would kill me, too. I lost my mind; I can admit it. If you don’t go at least a little crazy when your favorite person dies, something is wrong with you.
But my reaction scared Mom. She wanted me to go to the hospital and stay there for a long time.
I couldn’t do that. I had to get back to New York. I had reasons. A week after the funeral I started packing my things.
“What do you think you’re doing?” Mom took the clothes out of my suitcase and put them back in my dresser. “You can’t leave now.”
“Why not?”
She pressed my folded nightgown to her chest. “You’re not strong enough.”
I was an adult, twenty-two years old, capable of taking care of myself. I’d already proven that by living on my own for five months in New York. I didn’t need her to watch me.
“You mean you’re not strong enough.”
“Don’t pull that trick, Phoebe. Making your problems about me.”
“I’m perfectly fine and there’s no reason for me to stay here. I’ve got things to do in New York.”
It was practically the middle of December, and I was desperate to get back in time for New Year’s Eve. I needed money—a lot of money. It wasn’t just the high cost of living in New York, though that was a struggle. Things had gone sour with Ivan, and he’d given me a thousand dollars when I was in a jam. I had not been in a position to turn down the money, but I hated owing Ivan anything. I carried the debt in my body—a heaviness in the pit of my belly, as if I’d swallowed a paperweight. I couldn’t get rid of that heavy feeling.
That was why I had to go back. I had a two-part plan: First, earn a thousand dollars. Second, burst into Ivan’s office and throw the money in his face. Then maybe I’d feel light again.
I was broke—beyond broke—but I had a miraculous job waiting for me: telling fortunes at a party at Plutonium, a downtown nightclub. The downtown nightclub. Three hundred bucks for one night’s work. All I needed was a few more gigs like that and voilà, a thousand dollars. Downtown New York was full of buried treasure, and I was going on a hunt.
Mom rubbed her tired eyes. “Don’t run away like this. Your father just died. You’re fragile. You need time.”
“I’m not running away. I’m returning to my real life.”
She closed my suitcase and put it back in the closet. “I’m sorry, Phoebe. But after what happened at the funeral... You’re staying here.”
I could have yelled and kicked and screamed, but I knew that wouldn’t sway her. The problem was, without her help I couldn’t really go back. When Dad had gotten sick, I’d left my job at Bellow Books without giving notice. It didn’t pay enough to live on anyway. I was three months behind on my rent, and Robin was threatening to kick me out if I didn’t pay up immediately. I had nothing to pay her with, unless I asked my mother for a loan, which she’d never give me now. The fact that I needed her help paying the rent only strengthened her case.
“I’ll stay until Christmas,” I conceded, irrationally hoping that I’d find a huge chunk of cash in my stocking.
“I want to keep an eye on you for a few months at least. Till you’re stronger. New York isn’t going anywhere.”
A few months! No.
New York by New Year’s Eve. I refused to let this chance slip away. My life—by which I meant the life I wanted, a life I considered worth living—depended on it.
The house was full of sympathy flowers, ugly pastel arrangements that gradually withered and browned. No one had the heart or energy to throw them away, so I amused myself by slowly picking them apart, one by one, petal by petal, carpeting the floor with their crisp remains. In my room, I practiced telling fortunes using my special divination method: movie ticket stubs. I’d saved the ticket stubs from every movie I’d ever seen, keeping them in a shoebox decorated with stars and moons and mystical eyes. Throughout my childhood, whenever I had a question—Does Darryl Morgan like me? Is Winnie talking about me behind my back? Will I get into Yale? Have I met the person I will marry yet?—I asked the box. I shook it, reached inside, and picked out a ticket stub. The name of the movie on the stub gave me my answer.
Some answers required interpretation, of course. When I asked if Darryl Morgan (the object of a torturous, unrequited high school crush) liked me, I pulled All the President’s Men. Darryl was friends with Lisa Buñuel, the student-body president. I decided that meant yes.
In blue moods, I asked the box questions like, “What is the purpose of my life?” I’d ask the same question over and over, pulling out stubs and tossing them back until I got an answer that made sense. Ode to Billy Joe. Car Wash. The Aristocats. I suppose if you tried hard enough—if you squinted—you could come up with a philosophy of life from those titles, but I never managed it. Still, I believed in the magic shoebox. It was my personal I Ching, my tea leaves, my tarot deck.
“Does Ivan think about me?” I asked the box.
Zelig.
Maybe if I rephrased the question. “Did he ever care about me?”
Stardust Memories. Two Woody Allens in a row.
I occupied myself this way, mutilating flowers and telling imaginary fortunes, for two miserable weeks. Christmas came and no cash appeared in my stocking, only a candy cane, barrettes, and lip gloss. Just when I’d been ready to leave one cage, I’d landed in another.
But there was one more package under the tree, a mysterious square box wrapped in brown paper, addressed to me.
“What’s this?”
“It came in the mail yesterday,” Mom said. “I forgot to give it to you, so I put it under the tree.”
I opened the box. Inside, nestled in tissue paper, was a blue silk turban. The card said, I saw this and thought: Phoebe needs this turban. For your fortune-teller costume. See you on New Year’s Eve. Love, C.
I put on the turban and checked my reflection in the mirror. With all my hair covered, my pale face had a disembodied, ghostly quality. I looked strange and mysterious. Unfamiliar. I liked it.
I pulled the phone into my room and called Carmen to thank her. I half expected her not to be home—she so rarely was—but Sarita answered and put her on.
“Hey,” she said. “When are you getting your ass back up here?”
“If my mother has her way, never.”
“Is she keeping you chained to your bed? She can’t hold you prisoner. And what about Plutonium? Partying with famous people on New Year’s Eve! You can’t miss that. It’s once in a lifetime.”
“I’ve got no place to live. Robin has already rented my room to some girl from Connecticut.” She’d called a few days earlier to let me know that she was going to pile my stuff on the sidewalk if I didn’t come pick it up soon.
“I always said that Robin was a bitch.”
“Yeah. Anyway...” I waited for Carmen to invite me to stay with her and Sarita. They didn’t have much space, but I could sleep on the couch.
She was quiet.
“Thanks for the turban! That’s why I called.”
“Do you like it?”
“I love it. I’m wearing it right now.”
“Good. It was worth it then.”
“What was worth it?”
“All the trouble I’m in.”
“What trouble?”
She was quiet again.
“Carmen?”
“I stole the turban. From Bertha.”
“You stole it?” I pulled the turban off as if it might burst into flames on my head.
“She has a closet full of them. I didn’t think she’d miss it.”
“But... she did miss it?”
“She fired me.”
“I thought that was impossible.” Bertha adored Betsy Dietz. Carmen had always assumed that Bertha wouldn’t want to upset Betsy by firing her daughter, even if her daughter’s attitude was on the slack side.
“Apparently it’s possible.”
“Shit. Well, you hated that job anyway.”
“It gets worse. Bertha told Mom that she’d fired me. For stealing! It sounds so harsh. And of course Mom squealed to Dad. I tried to explain I was only borrowing the turban for a friend, but they won’t listen to me. Dad says he can’t trust me anymore.” She sighed. “So now they’re saying I have to go back to the Humph in January, first thing.”
“What?” She’d told me a little about her stint in the Humphrey-Worth Center, a psychiatric hospital in Westchester County. She’d pleaded with her parents to send her to Silver Hill instead because Edie Sedgwick had done time there in 1962, but they were in no mood to indulge her whims.
“I know. I’m not even using! I have nothing to rehab myself for. It’s ridiculous. But Dad doesn’t believe me. Everybody’s overreacting.”
Whenever Carmen did anything wrong, made any slight miscalculation or lapse in judgment, her parents accused her of falling back under Atti’s spell and shooting up again. She was seeing Atti, secretly, behind their backs, of course. And lying about it, saying she was with me. But she wasn’t using heroin anymore.
“Carmen. I love the turban but it wasn’t worth it.”
“Don’t say that. It’s for the party!”
“What are you going to do?”
“I was thinking,” she said. “I need to get out of here. And you need to get out of there....”
“Wherever you go, I want to go with you.”
“We could hide out in the East Village, at Atti’s. We’ll just leave it all behind. No one will find us there unless we want to be found. It’s the Land of the Lost.”
Lost. I wanted to get lost.
“Are you in?”
“I’m in.”
We planned it together. I’d sneak out late that night and catch the train to New York. Carmen would meet me at Penn Station and take me downtown to Atti’s. We’d go to Plutonium on New Year’s Eve; I’d tell fortunes and get the money I’d been promised. We were sure our Fates awaited us at the party, ready to change the course of our lives.
“The train gets in at five a.m.,” I said.
“I’ll be there.”
Late that night, after Mom and Laurel had gone to bed, I scribbled a note: I’m sorry, but I had to go back to New York. Don’t worry about me, I’ll be fine. PROMISE. I’ll call you soon. Love, Phoebe.
I slipped out of the house with one suitcase, my box of movie ticket stubs, the turban, and the baseball bat signed by Phil Rizzuto that Dad left me in his will. Then I hurried through the night to catch the train to New York. This time, I was going underground, with Carmen as my guide.
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