JULY 2018 - AudioFile
Saskia Maarleveld narrates this epic fantasy of conquest and revenge with just the right sense of grandeur. Theodosia, princess of Astrea, has been a captive since the Kalovaxians overran her country and murdered her mother. Though she appears broken and submissive, Theo is on the lookout for an opportunity to strike back. Maarleveld does a masterful job with Theo, who is by turns clever, charming, paralyzed by fear, and full of rage. The interplay of these feelings is enhanced by a narration that turns on a dime as the story dictates. She also creates a whole range of consistent accents to represent the people of many kingdoms who inhabit this elaborately constructed world. N.M. © AudioFile 2018, Portland, Maine
Publishers Weekly
03/05/2018
Sixteen-year-old Princess Theodosia is a royal prisoner in the Kaiser’s court within the fantasy setting of Astrea—where some have the power of magical abilities channeled through coveted gems. The victim of intense physical and mental abuse (she witnessed her mother being murdered), she believes her people will come to save her. But after being forced to kill a man she believes to be her last hope, the so-called Ash Princess realizes she’ll have to save herself. In a story driven by the strength of its traumatized yet resourceful protagonist, Sebastian weaves together political intrigue, theological questions, and the genocide of an entire race. The princess agrees to stay in her gilded cage to act as a spy for the resistance; her dual purpose provides a window into the complexities of human interaction and emotion, familial tensions, and the false public face that is sometimes required in politics and at court. Theodosia navigates a web of lies and half-truths, culminating in a climactic ending ripe for a sequel. Ages 12–up. Agent: Laura Biagi, Jean V. Naggar Literary Agency. (Apr.)
From the Publisher
Praise for the New York Times bestselling Ash Princess series:
“Sure to be one of the summer's most talked about YAs. . . . A darkly enchanting page-turner you won't be able to put down.” –Bustle
“Tense and imaginative, this story of a diminished yet vengeful princess inciting a rebellion to recapture her rightful place of power strikes a timely chord. Ash Princess is a smart, feminist twist on a traditional tale of a fallen heroine, with plenty of court intrigue, love, and lies to sweeten the deal. Good luck putting this one down.” —Virginia Boecker, author of The Witch Hunter series
“The story leaps and twists like a swordswoman, and its blade carves the characters anew and divides them against themselves. This searing page-turner is a compelling examination of the complexities of both evil and resistance.”—Sarah Porter, author of Vassa in the Night
"Laura Sebastian has created a dark and spellbinding epic in Ash Princess. Brace yourself, because Theodosia Houzzara—wounded, driven, and deadly—is going to carve out a place for herself in your heart." —Sara Holland, New York Times bestselling author of Everless
"Emotionally complex, breathtakingly suspenseful"-Booklist
"For fantasy fans, especially those who enjoy strong female protagonists, this book will be an easy sell. Theo is tough, honorable, and relatable in her emotions [and] Sebastian has built a beautiful and complex world."-VOYA
"A rebel queen fans the sparks of revolution...[and] Theo's first-person narration remains enthralling with emotional immediacy...[while] packed to the brim with intrigue."-Kirkus Reviews
"Through unexpected allies and daring escape plans, [Theodosia's] trip from downtrodden princess to queen is an engaging one that fantasy fans will enjoy...[as well as] fans of The Selection series by Kiera Cass and The Hunger Games trilogy by Suzanne Collins."-SLJ
"[Ash Princess] provides a window into the complexities of human interaction and emotion, familial tensions, and the false public face that is sometimes required in politics and at court...culminating in a climactic ending ripe for a sequel."-Publishers Weekly
"Sebastian brings interest to Theodosia’s character through her internal battle...and the threats she must navigate provide nail-biting tension....Readers will want to follow her into the coming revolution in a promised sequel."-Bulletin
School Library Journal
01/01/2018
Gr 7 Up—An Artemisian princess is used as a threat to those who would try to overthrow the Kalovaxians who have taken over Artemisia. The new Kaiser even causes her to change her name from Theodosia to Thora and ingrains in her head that she cannot mention her real name without getting punished. He further disgraces her by calling her the Ash Princess, since she no longer has a country to rule, and makes her wear a crown of ashes that crumbles and stains her clothes. She is punished for any events that the Artemisians plan to get back their country or any incidents that cause the Kaiser to look bad. It is only when the Kaiser causes her to kill her own father that her feelings of quiet acceptance turn into rebellion. The journey through her thoughts and the pressure of high expectations from those supporting her as their queen are ever-present as she starts to find a way to take back the country. Through unexpected allies and daring escape plans, her trip from downtrodden princess to queen is an engaging one that fantasy fans will enjoy. The main characters are well rounded but the supporting cast is somewhat underdeveloped. This might be rectified in the next installments. The relationship between Theo and her closest friend, Cress, also seems somewhat contrived, although it is crucial to the story line. There are some graphic descriptions of the punishments that Theodosia endures, so this novel may not be for the faint of heart. VERDICT Purchase where there are still avid fans of "The Selection" series by Kiera Cass and "The Hunger Games" trilogy by Suzanne Collins.—Lenore Catalano, Hammarskjold Middle School, NJ
JULY 2018 - AudioFile
Saskia Maarleveld narrates this epic fantasy of conquest and revenge with just the right sense of grandeur. Theodosia, princess of Astrea, has been a captive since the Kalovaxians overran her country and murdered her mother. Though she appears broken and submissive, Theo is on the lookout for an opportunity to strike back. Maarleveld does a masterful job with Theo, who is by turns clever, charming, paralyzed by fear, and full of rage. The interplay of these feelings is enhanced by a narration that turns on a dime as the story dictates. She also creates a whole range of consistent accents to represent the people of many kingdoms who inhabit this elaborately constructed world. N.M. © AudioFile 2018, Portland, Maine
Kirkus Reviews
2018-04-03
The daughter of a murdered queen plots to take back what is hers.With her country seized and her mother, the Fire Queen of Astrea, murdered by invaders when she was only 6 years old, Theodosia has been a prisoner for 10 years, stripped of her crown, her people enslaved. Theo (renamed Thora by her captors) is at the mercy of the Kaiser—the fearsome ruler of the Kalovaxians—enduring his malicious whims in order to survive. But when the Kaiser forces Theo to execute her own father, survival is no longer good enough, and she finally takes up the mantle of queen to lead her people's rise to resistance in a land saturated in elemental magic. Debut author Sebastian has invigorated some well-worn fantasy tropes (a displaced heir, an underground rebellion, and a love triangle that muddies the distinctions between enemies and allies), delivering a narrative that crackles with political intrigue, powerful and debilitating magic, and the violent mechanisms of colonization even as it leaves sequel-primed gaps. Some details—like Theo's crisis of identity and Hamletian indecision—work well to submerge readers in a turbulent and enthralling plot; others, like racialized descriptions that fall short of actual representation (Atreans are dark-haired and olive-skinned, Kalovaxians are blond and pale-skinned) and the use of magic-induced madness for narrative shock and awe feel lazy and distracting among more nuanced elements."Cinderella" but with genocide and rebel plots. (Fantasy. 14-17)
