Art and the City
To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. 'Art and the City' takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into account the more recent performative and relational 'turns' of art that have sought in their city settings to identify a participating spectator - an implicated citizen. In exploring how artworks present themselves as a means by which to navigate and plot the city for a writing interlocutor, Nicolas Whybrow discusses diverse examples, representing three key modern modalities of urban arts practice. The first, walking, involves works by Richard Wentworth, Francis AlA s, Mark Walllinger and others, the second, play, includes art by Antony Gormley, Mark Quinn and Carsten Holler. The third, cultural memory, Whybrow addresses through the controversial urban holocaust memorial sites of Peter Eisenman's memorial in Berlin and Rachel Whiteread's in Vienna.
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Art and the City
To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. 'Art and the City' takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into account the more recent performative and relational 'turns' of art that have sought in their city settings to identify a participating spectator - an implicated citizen. In exploring how artworks present themselves as a means by which to navigate and plot the city for a writing interlocutor, Nicolas Whybrow discusses diverse examples, representing three key modern modalities of urban arts practice. The first, walking, involves works by Richard Wentworth, Francis AlA s, Mark Walllinger and others, the second, play, includes art by Antony Gormley, Mark Quinn and Carsten Holler. The third, cultural memory, Whybrow addresses through the controversial urban holocaust memorial sites of Peter Eisenman's memorial in Berlin and Rachel Whiteread's in Vienna.
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Art and the City

Art and the City

by Nicolas Whybrow
Art and the City

Art and the City

by Nicolas Whybrow

eBook

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Overview

To Henri Lefebvre, the space and 'lived everydayness' of the inter-dependent, multi-faceted city produces manifold possibilities of identifiction and realisation through often imperceptible interactions and practices. 'Art and the City' takes this observation as its cue to examine the role of art against a backdrop of globally rising urban populations, taking into account the more recent performative and relational 'turns' of art that have sought in their city settings to identify a participating spectator - an implicated citizen. In exploring how artworks present themselves as a means by which to navigate and plot the city for a writing interlocutor, Nicolas Whybrow discusses diverse examples, representing three key modern modalities of urban arts practice. The first, walking, involves works by Richard Wentworth, Francis AlA s, Mark Walllinger and others, the second, play, includes art by Antony Gormley, Mark Quinn and Carsten Holler. The third, cultural memory, Whybrow addresses through the controversial urban holocaust memorial sites of Peter Eisenman's memorial in Berlin and Rachel Whiteread's in Vienna.

Product Details

ISBN-13: 9780857731470
Publisher: Bloomsbury Publishing
Publication date: 10/30/2010
Sold by: Barnes & Noble
Format: eBook
Pages: 224
File size: 5 MB

About the Author

Nicolas Whybrow is Associate Professor in the School of Theatre, Performance and Cultural Policy Studies at the University of Warwick, UK. His books include 'Street Scenes: Brecht, Benjamin and Berlin' and, as editor, 'Performance and the Contemporary City: An Interdisciplinary Reader'.
Nicolas Whybrow is Associate Professor of Theatre and Performance Studies at the University of Warwick, UK.

Table of Contents

List of Figures

Acknowledgements

Introduction
Talking art
Encountering art
The urban body

Section 1:
Chapter 1 The future of art is urban
Seeing the street
Work/play
City-specific art
Relational art
Relational bodies

Chapter 2 Relational writing
Spatial practice
Situated encounters
Writing art and the city

Section 2:
Chapter 3 Walking with Wentworth et al
Talking the walk
Footprints
Münster footwork

Chapter 4 London playing fields
Urban mobilisations
Running free
Art and play

Chapter 5 Berlin, Vienna: performing Holocaust memory
Not just a game
The silent 'H' word

Notes

Bibliography

Index
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