Aristotle and Dante Discover the Secrets of the Universe

Aristotle and Dante Discover the Secrets of the Universe

by Benjamin Alire Sáenz

Narrated by Lin-Manuel Miranda

Unabridged — 7 hours, 30 minutes

Aristotle and Dante Discover the Secrets of the Universe

Aristotle and Dante Discover the Secrets of the Universe

by Benjamin Alire Sáenz

Narrated by Lin-Manuel Miranda

Unabridged — 7 hours, 30 minutes

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Overview

Notes From Your Bookseller

Heart-wrenching yet hopeful, Aristotle and Dante Discover the Secrets of the Universe is a profound coming-of-age story about two vastly different Mexican American teenagers who form a deep and somewhat inexplicable connection. This quietly beautiful tale is a must-read for fans of They Both Die at the End.

A lyrical novel about family and friendship from critically acclaimed author Benjamin Alire Sáenz.

Aristotle is an angry teen with a brother in prison. Dante is a know-it-all who has an unusual way of looking at the world. When the two meet at the swimming pool, they seem to have nothing in common. But as the loners start spending time together, they discover that they share a special friendship—the kind that changes lives and lasts a lifetime. And it is through this friendship that Ari and Dante will learn the most important truths about themselves and the kind of people they want to be.


Editorial Reviews

Publishers Weekly - Audio

In Sáenz’s novel, 15-year-olds Aristotle and Dante struggle with the complexities and insecurities of growing up as they try to understand and navigate family secrets, their sexual identities, their identities as Mexican-Americans, and their increasingly complicated friendship. Lin-Manuel Miranda hands in a nuanced performance, capturing Ari’s inner confusion and self-loathing, his unexpressed rage at his parents, and his mixed feelings about best friend Dante. Miranda is just as effective in capturing Dante, lending him an upbeat, likable, nerdy voice. For the book’s other characters, the narrator takes an understated approach, allowing listeners to understand who is speaking to whom without creating full-fledged character voices. Because of Miranda’s standout performance, listeners will truly understand these two boys as they travel the difficult journey toward becoming men. Ages 12-up. A Simon & Schuster hardcover. (Apr.)

Publishers Weekly

Fifteen-year-old Aristotle (Ari) has always felt lonely and distant from people until he meets Dante, a boy from another school who teaches him how to swim. As trust grows between the boys and they become friends (a first for Ari), Ari’s world opens up while they discuss life, art, literature, and their Mexican-American roots. Additionally, the influence of Dante’s warm, open family (they even have a “no secrets” rule) is shaping Ari’s relationship with his parents, particularly in regard to a family secret; Ari has an older brother in prison, who no one ever mentions. In a poetic coming-of-age story written in concise first-person narrative, Sáenz (Sammy and Juliana in Hollywood) crystallizes significant turning points in the boys’ relationship, especially as Ari comes to understand that Dante’s feelings for him extend beyond friendship. The story swells to a dramatic climax as Ari’s loyalties are tested, and he confronts his most deeply buried fears and desires. It’s a tender, honest exploration of identity and sexuality, and a passionate reminder that love—whether romantic or familial—should be open, free, and without shame. Ages 12–up. (Feb.)

From the Publisher

"Primarily a character- and relationship-driven novel, written with patient and lyrical prose that explores the boys’ emotional lives with butterfly-wing delicacy."--Bulletin of the Center for Children's Books

The Horn Book

"Ari’s first-person narrative—poetic, philosophical, honest—skillfully develops the relationship between the two boys from friendship to romance."

Booklist

"Sáenez writes toward the end of the novel that “to be careful with people and words was a rare and beautiful thing.” And that’s exactly what Sáenez does—he treats his characters carefully, giving them space and time to find their place in the world, and to find each other...those struggling with their own sexuality may find it to be a thought-provoking read."

Judy Blundell

Benjamin Alire Saenz is a writer with a sidewinder punch. Spare sentences connect resonant moments, and then he knocks you down with emotional truth. The story of Ari and Dante’s friendship widens and twists like a river, revealing truths about how hard love is, how family supports us, and how painfully deep you have to go to uncover an authentic self.

James Howe

"This book took my breath away. What gorgeous writing, and what a story! I loved both these boys. And their parents! Don't we all wish we had parents like theirs? The ending - and the way it unfolded - was so satisfying. I could go on and on...suffice it to say I will be highly recommending it to one and all. I'm sure I'll reread it myself at some point. I hated having it end."

Michael Cart

"I’m absolutely blown away. This is Saenz's best work by far...It’s a beautiful story, so beautifully told and so psychologically acute! Both Ari and Dante are simply great characters who will live on in my memory. Everything about the book is absolutely pitch perfect...It’s already my favorite book of the year!"

Library Media Connection

"Sáenz is a master at capturing the conversation of teens with each other and with the adults in their lives."

VOYA

"Sáenz has written the greater love story, for his is the story of loving one’s self, of love between parents and children, and of the love that builds communities, in addition to the deepening love between two friends."

Booklist

"Sáenz writes toward the end of the novel that “to be careful with people and words was a rare and beautiful thing.” And that’s exactly what Sáenz does—he treats his characters carefully, giving them space and time to find their place in the world, and to find each other...those struggling with their own sexuality may find it to be a thought-provoking read."

Library Journal - Audio

Read with a convincingly teen-sounding voice by Tony Award winner Lin-Manuel Miranda, this 1980s-set coming-of-age novel, which was awarded a 2013 Printz Honor, will be a popular addition to YA collections. Both Aristotle and Dante are of Mexican heritage but seem to have little else in common. The boys meet during summer break and help each other discover their place in the world and their identity—ethnic, sexual, and family. Aristotle's family relationships are complicated, with a brother in prison and older, married sisters. Dante is an only child whose college professor father moves the family to Chicago for a sabbatical. Over time, the teens and their families develop a relationship that deepens through adversity. Aristotle saves Dante's life. Dante, openly gay, falls in love with Aristotle. VERDICT A thought-provoking read for teens struggling to develop individuality.—Cheryl Youse, Moultrie, GA

JUNE 2013 - AudioFile

Lin-Manuel Miranda’s neutral tones highlight the simplicity of this powerful, sparely written book. He accurately represents the defensive posture of 15-year-old Ari, who feels distanced from his own life. Miranda’s clipped expression reflects the teen’s frustrating attempts to comprehend secrets and other important aspects of his world: why his father hides his memories of Vietnam and why no one speaks of his imprisoned older brother, along with how he can come to terms with his confused feelings for Dante, another Latino boy, and, toughest of all, how he can make sense of who he really is. The dispassionate tone of both author and narrator belie the conflicting emotions Ari feels as he tries to grow up in a “universe of almost-men.” S.W. Winner of AudioFile Earphones Award © AudioFile 2013, Portland, Maine

Kirkus Reviews

A boring summer stretches ahead of Ari, who at 15 feels hemmed in by a life filled with rules and family secrets. He doesn't know why his older brother is in prison, since his parents and adult sisters refuse to talk about it. His father also keeps his experience in Vietnam locked up inside. On a whim, Ari heads to the town swimming pool, where a boy he's never met offers to teach him to swim. Ari, a loner who's good in a fight, is caught off guard by the self-assured, artistic Dante. The two develop an easy friendship­, ribbing each other about who is more Mexican, discussing life's big questions, and wondering when they'll be old enough to take on the world. An accident near the end of summer complicates their friendship while bringing their families closer. Sáenz's interplay of poetic and ordinary speech beautifully captures this transitional time: " 'That's a very Dante question,' I said. 'That's a very Ari answer,' he said.… For a few minutes I wished that Dante and I lived in the universe of boys instead of the universe of almost-men." Plot elements come together at the midpoint as Ari, adding up the parts of his life, begins to define himself. Meticulous pacing and finely nuanced characters underpin the author's gift for affecting prose that illuminates the struggles within relationships. (Fiction. 14 & up)

Product Details

BN ID: 2940170975341
Publisher: Simon & Schuster
Publication date: 04/09/2013
Series: Aristotle and Dante , #1
Edition description: Unabridged
Sales rank: 794,540
Age Range: 10 - 13 Years

Read an Excerpt

One

ONE SUMMER NIGHT I FELL ASLEEP, HOPING THE WORLD would be different when I woke. In the morning, when I opened my eyes, the world was the same. I threw off the sheets and lay there as the heat poured in through my open window.

My hand reached for the dial on the radio. “Alone” was playing. Crap, “Alone,” a song by a group called Heart. Not my favorite song. Not my favorite group. Not my favorite topic. “You don’t know how long . . .”

I was fifteen.

I was bored.

I was miserable.

As far as I was concerned, the sun could have melted the blue right off the sky. Then the sky could be as miserable as I was.

The DJ was saying annoying, obvious things like, “It’s summer! It’s hot out there!” And then he put on that retro Lone Ranger tune, something he liked to play every morning because he thought it was a hip way to wake up the world. “Hi-yo, Silver!” Who hired this guy? He was killing me. I think that as we listened to the William Tell Overture, we were supposed to be imagining the Lone Ranger and Tonto riding their horses through the desert. Maybe someone should have told that guy that we all weren’t ten-year-olds anymore. “Hi-yo, Silver!” Crap. The DJ’s voice was on the airwaves again: “Wake up, El Paso! It’s Monday, June fifteenth, 1987! 1987! Can you believe it? And a big ‘Happy Birthday’ goes out to Waylon Jennings, who’s fifty years old today!” Waylon Jennings? This was a rock station, dammit! But then he said something that hinted at the fact that he might have a brain. He told the story about how Waylon Jennings had survived the 1959 plane crash that killed Buddy Holly and Richie Valens. On that note, he put on the remake of “La Bamba” by Los Lobos.

“La Bamba.” I could cope with that.

I tapped my bare feet on the wood floor. As I nodded my head to the beat, I started wondering what had gone through Richie Valens’s head before the plane crashed into the unforgiving ground. Hey, Buddy! The music’s over.

For the music to be over so soon. For the music to be over when it had just begun. That was really sad.

© 2012 Benjamin Alire Sáenz

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