Anthology for Analysis and Performance: For Use in the Theory Classroom / Edition 1

by Matthew Bribitzer-Stull

Overview

Including Western music from the medieval period to the present day, Anthology for Analysis and Performance: For Use in the Theory Classroom provides a vast repertory of scores for study in the music theory class. To make music theory relevant to students, the anthology contains musical examples that students will know from their individual performance studies and can perform live in class. Author Matthew Bribitzer-Stull includes pieces that students are familiar with to help them connect music to theoretical concepts on an aural and intellectual level as they learn how music works. A detailed index serves as an invaluable resource for instructors wishing to locate specific compositional materials and techniques.

Distinctive Features
* A standard anthology for core music theory courses or analysis-and-performance seminars, with a wealth of additional scores for further study
* Instills a sense of relevance to musical analysis by drawing upon works commonly studied by high-school and undergraduate students in ensembles and private lessons
* Features the most exhaustive index of compositional materials and techniques of any anthology on the market
* Promotes material from the wind, brass, and percussion repertory
* Includes techniques for working analysis-and-performance into the undergraduate classroom, as well as citations to additional analysis-and-performance literature

Product Details

ISBN-13:	9780199857234
Publisher:	Oxford University Press
Publication date:	03/05/2013
Edition description:	New Edition
Pages:	928
Product dimensions:	8.50(w) x 10.80(h) x 2.00(d)

About the Author

Matthew Bribitzer-Stull (Ph.D., Eastman) is Associate Professor of Music Theory/Composition at the University of Minnesota. He has received several teaching awards and was named the 2007 Emerging Scholar by the Society for Music Theory. He served as co-editor of the journal Intégral and has published widely, including articles in Journal of Music Theory Pedagogy, Music Theory Spectrum, Music Analysis, and Journal of Music Theory.

Table of Contents

AcknowledgmentsPreface for the InstructorPreface for the StudentChronological List of Pieces by ComposerAppendix: Sample Analysis-and-Performance Lesson PlanGlossary of Foreign TermsCreditsReferences CitedIndex of Pieces by InstrumentationIndex of Compositional Materials and TechniquesAnonymous (medieval)1. Hymn: Ut queant laxis (medieval)Anonymous (13th century)2. Sequence: Dies Iraede la Croix, Pierre (mid-13th to early 14th century)3. Aucun ont trouvé-Lonc tans (late 13th century)Anonymous (14th century)4. SaltarelloAnonymous (14th century)5. TrottoMachaut, Guillaume de (1300-77)6. Se je souspir (mid-14th century)Dunstable, John (c. 1390-1453)7. Ave maris stella (mid-15th century)Dufay, Guillaume (1397-1474)8. Nuper rosarum flores (1436)Binchois, Gilles (c. 1400-60)9. Je ne vis oncques la pareille (mid-15th century)Ockeghem, Johannes (c. 1410-97)10. Kyrie from Missa Prolationum (mid-15th century)des Prez, Josquin (c. 1450/55-1521)11. Kyrie from Missa La sol fa re mi (early 16th century)Susato, Tielman (1510/15-1570?)12. La Mourisque (1551)Morley, Thomas (1557/58-1602)13. Fyer, Fyer! (1595) 0Gesualdo, Carlo (c. 1561-1613)14. Asciugate i begli occhi (1611)Dowland, John (1563?- 1626)15. "A Shoemaker's Wife a Toye" (early 17th century), arr. For marimba by Rebecca KiteMonteverdi, Claudio (1567-1643)16. Cruda Amarilli (1690)Corelli, Arcangelo (1653-1713)17. Largo from Trio Sonata in C Major, Op. 4, No. 1 (1694)18. Largo from Trio Sonata in C Minor, Op. 4, No. 11 (1694)Galliard, John Ernest (1666/1687?-1747)19. Sonata for Bassoon (Cello, Trombone) No 6 in C Major (1733)A. LarghettoB. Alla BreveC. SarabandaD. Menuet alternatCouperin, François (1668-1733)20. Messe Pour les Convents (1690)A. "Plein jeu. Premier Couplet du Kyrie"B. "Chromhorne sur la Taille. 5e Couplet"Vivaldi, Antonio (1678-1741)21. Concerto for Two Oboes and Strings in D Minor, RV 535 (early 18th century)A. Largo-AllegroB. LargoC. Allegro MoltoTelemann, Georg Philip (1681-1767)22. Bassoon Sonata in F Minor (early to mid-18th century)A. Andante cantabileB. Vivace23. Fantasy for Solo Violin No. 12 in A Minor (1735), arr. for violaA. ModeratoB. VivaceC. Presto24. Fantasy for Solo Flute No. 9 in E Major (1732-33)A. AffettuosoB. AllegroC. GraveD. VivaceBach, Johann Sebastian (1685-1750)25. Nine Settings of a Chorale Tune: "O Haupt voll Blut und Wunden"A. "Und ob gleich alle Teufel," Schau, lieber Gott, wie meine Feind, BWV 153B. "Der Leib zwar in der Erden," Komm, du süsse Todesstunde, BWV 161C. "Ich will hier"/" Erkenne mich, mein Huter," St. Matthew PassionD. "Befi ehl du deine Wege," St. Matthew Passion, BWV 244E. "O Haupt voll Blut und Wunden," St. Matthew Passion, BWV 244F. "Wenn ich einmal so scheiden," St. Matthew Passion, BWV 244G. "Wie soll ich dich empfangen," Christmas Oratorio, BWV 248H. "Befi ehl du deine Wege," Chorale BWV 270I. "Befi ehl du deine Wege," Chorale BWV 27126. Fantasia and Fugue in G Minor, BWV 542 (c. 1720-25)27. Prelude in G Minor (originally C Minor), BWV 999 (c. 1720), arr. for marimba28. Two Keyboard Fugues (c. 1740-42)A. Fugue in D Major from Das wohltemperierte Klavier II, BWV 874/2B. "Contrapunctus X" from Die Kunst der Fuge, BWV 108029. Gigue from French Suite No. 5 in G Major,BWV 816 (1722-25)30. Solo Violin Sonata in G Minor, BWV 1001 (1720)A. AdagioB. Fugue31. Sarabande and Minuets from Cello Suite in G Major, BWV 1007 (c. 1720)A. SarabandeB. Menuet IC. Menuet II32. Menuetto I (A.) and II (B.) from Sonata in C Major, BWV 1033, arr. for Bb soprano saxophoneHandel, George Frideric (1685-1759)33. Larghetto from Concerto for Harp and Orchestra in Bb Major, HWV 294 (1736)34. Sonata in G Major for Violin and Basso Continuo, HWV 358 (c. 1707-10)A. AllegroB. Adagio35. Sonata in C Minor for Oboe and Basso Continuo, HWV 366 (c. 1711-12)A. LargoB. AllegroC. AdagioD. Bourree anglaise-AllegroPescetti, Giovanni Battista (1704-66)36. Allegro vigoroso from Sonata in C Minor (1739?), arr. for harpBach, Carl Philipp Emanuel (1714-88)37. Allegretto from Sonata for Flute and Keyboard in G Major, H 564, "Hamburg" (1786)Haydn, Joseph (1732-1809)38. Allegro from String Quartet in D Minor, Op. 76, No. 2, "Quinten" (1797)39. Moderato from Piano Sonata in G Minor, Hob. 44 (1788)40. Andante from Symphony No. 72 in D Major, Hob. I:72 (1781)Mozart, Wolfgang Amadeus (1756-91)41. Ave Verum Corpus, K. 618 (1791)42. Menuetto and Trio from Wind Serenade in C Minor, K. 388 (1782 or 1783)43. Allegro aperto from Concerto for Flute (or Oboe) and Orchestra in D (C) Major, K. 314 (1778)44. Duett für Zwei Violinen, "Der Spiegel," attr. K. Anh. 284dd45. Adagio from Quartet for Flute and Strings in D Major, K. 285 (1777)46. Rondeau Allegro from Quartet for Oboe and Strings in F Major, K. 370 (1781)47. Rondo Allegretto from Quintet for Piano and Winds in Eb Major, K. 452 (1784)48. Allegro maestoso from Piano Sonata in A Minor, K. 310 (1778)Beethoven, Ludwig van (1770-1827)49. Scherzo from Symphony No. 7 in A Major (1811-12)50. String Quartet in Bb Major, Op. 18 No. 6 (1798-1800)A. Scherzo and TrioB. La malinconia-Allegretto51. Adagio cantabile from Trio in C Major for TwoOboes and English Horn, Op. 87 (1795?)52. Allegro Moderato from Sonata for Horn or Cello andPiano in F Major, Op. 17 (1800)53. Allegro from Sonata for Violin and Piano inF Major, Op. 24 ("Spring"; 1800-01)54. Allegro con brio from Piano Sonata inC Major, Op. 53 ("Waldstein"; 1804)55. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo from Piano Sonata in E Major, Op. 109 (1820)Reicha, Anton (1770-1836)56. Lento-Allegro Moderato from Quintet for Winds in Eb Major, Op. 88, No. 2Weber, Carl Maria von (1786-1826)57. "Liebeszauber" ("Love's Magic"), Op. 13, No. 3 (1807)Schubert, Franz (1797-1828)58. Allegro moderato from Sonata in A Minor for Piano and Arpeggione, D. 821 (1824)59. Allegro from Piano Sonata in A Major, D. 959 (1828)60. "Erster Verlust" (1815)61. "Der Neugierige" from Die schöne Müllerin (1823)Donizetti, Gaetano (1797-1848)62. "Il faut partir" from La Fille du Régiment (1840)Hensel, Fanny Mendelssohn (1805-47)63. Piano Trio in D Major, Op. 11 (1846)A. Allegro molto vivaceB. Andante espressivoMendelssohn, Felix (1809-47)64. Two Songs Without Words from Op. 62A. No. 1 (1844)B. No. 6 (1842)Chopin, Fryderyk (1810-49)65. Two Preludes from Op. 28 (1838-39)A. No. 17 in Ab MajorB. No. 5 in D MajorSchumann, Robert (1810-56)66. Fantasiestück, Op. 73, No. 3 for Clarinet and Piano (1849)67. Märchenbild, Op. 113, No. 1 (1851)68. "Widmung," Op. 25, No. 1 (1840)David, Ferdinand (1810-73)69. Marsch funebre from Concertino in Eb Major for Trombone and Orchestra, Op. 4 (1837)Liszt, Franz (1811-86)70. Die Trauer-Gondel No. 1 (iLa Lugubre Gondola/i No. 1; 1882-85)Wagner, Richard (1813-83)71. Elsa's Procession to the Cathedral from Lohengrin Act II, scene iv (1848)Verdi, Giuseppe (1813-1901)72. "Ah fors'e lui" from La Traviata (1852)Schumann, Clara Wieck (1819-96)73. "Liebst du um Schönheit" (1841)Strauss, Franz (1822-1905)74. Nocturno for Horn and Piano, Op. 7 (1867)Bruckner, Anton (1824-96)75. Two Spiritual Motets (1885)A. "Tota pulchra es"B. "Virga Jesse"Arban, Jean-Baptiste (1825-89)76. Andante Moderato from Caprice et Variations for Eb Alto Saxophone and Piano 1881)Brahms, Johannes (1833-97)77. Allegro non troppo from Sonata for Cello andPiano in E Minor, Op. 38 (1862-65)78. Prelude for Organ, Op. 122, No. 3,"O Welt, ich muß dich lassen" (1896)79. Allegro appassionato from Sonata for Viola (or Clarinet)and Piano in Eb Major, Op. 120, No. 2 (1894), nd Piano in Eb Major, Op. 120, No. 2 (1894)80. Two Rhapsodies for Piano, Op. 79 (1879)A. No. 1 in B MinorB. No. 2 in G Minor81. Intermezzo for Piano in A Major, Op. 118, No. 2 (1893)Saint-Saëns, Camille (1835-1921)82. Cavatine for Trombone and Piano, Op. 144 (1915)83. Allegretto from Sonata for Clarinet and Piano in Eb Major, Op. 167 (1921)Guilmant, Alexandre (1837-1911)84. Morceau Symphonique for Trombone and Piano, Op. 88 (1898)Tchaikovsky, Pyotr (1840-93)85. "Septembre La Chasse" from Les Saisons, Op. 37b (1876)86. Selections from Swan Lake (1876)A. No. 17, Sortie des invites and Valse, conclusionB. No. 24, Scene: Allegro vivo conclusionC. No. 29, Scene fi nale87. "Morning Prayer" from Album for the Young (1878), arr. for marimbaDvorák, Antonin (1841-1904)88. Slavonic Dance in F Major for Two Pianos, Op. 46, No. 4 (1878)Grieg, Edvard (1843-1907)89. Two Piano PiecesA. "Wedding Day at Troldhaugen," Op. 65, No. 6 (1896)B. "Little Troll," Op. 71, No. 3 (1901)Fauré, Gabriel (1845-1924)90. Morceau de Lecture (Concours) for Flute and Piano (1898)Wolf, Hugo (1860-1903)91. "In dem Schatten meiner Locken" (1889)Mahler, Gustav (1860-1911)92. Andante moderato from Symphony No. 6 in A Minor (1903-04)Ewald, Victor (1860-1935)93. Moderato from Brass Quintet No. 1 in Bb Minor (c. 1890)Debussy, Claude (1862-1918)94. Syrinx (1913)95. Two PreludesA. "Danseuses de Delph" (1910)B. "Feux d'artifi ce" (1913)Strauss, Richard (1864-1949)96. Two Songs from Op. 27 (1894)A. No. 1 "Ruhe, meine Seele!"B. No. 4 "Morgen!"Beach, Amy Cheney (1867-1944)97. "Ah. Love, but a Day!" Op. 44, No. 2 (1900)Scriabin, Alexander (1871/72-1915)98. Two PreludesA. Prelude in A Minor, Op. 11, No. 2 (1888)B. Prelude in G Minor, Op. 27, No. 1 (1900)Rachmaninov, Sergei (1873-1943)99. Vocalise, Op. 34, No. 14 (1912), arr. for tubaHolst, Gustav (1874-1934)100. Second Suite for Military Band in F Major (1911)A. MarchB. Song Without WordsKoussevitzky, Sergei (1874-1951)101. Chanson Triste for Double Bass and Piano, Op. 2 (1949)Schoenberg, Arnold (1874-1951)102. Klavierstück, Op. 11, No. 1103. Klavierstücke, Op. 19, Nos. 2, 4, and 6104. Verbundenheit, Op. 35, No. 6Ravel, Maurice (1875-1937)105. Mouvement de Menuet from Sonatine for Piano (1903-05)Gliere, Reinhold (1875-1956)106. Intermezzo for String Bass and Piano, Op. 9 (1908)Bartók, Béla (1881-1945)107. Two Selections from Mikrokosmos (1926, 1932-39)A. "From the Island of Bali"B. "Diminished Fifths"108. Allegro from String Quartet No. 4Stravinsky, Igor (1882-1972)109. Tema con variatione from Octet (1923)Webern, Anton (1883-1945)110. Erlösung, Op. 18, No. 2 (1925)Varese, Edgard (1883-1965)111. Density 21.5 (1936)Berg, Alban (1885-1935)112. Adagio from Concerto for Violin and Orchestra (1935)Villa-Lobos, Heitor (1887-1959)113. Allegro non troppo from Sextuor Mystique (1917)Prokofiev, Sergei (1891-1953)114. "The Montagues and the Capulets" from Romeo and Juliet (1935-36)Hindemith, Paul (1895-1963)115. Trauermusik. Sehr langsam from Sonata for Trumpet and Piano (1939)Poulenc, Francis (1899-1963)116. Allegro vivace from Sextuor (1932-39)Krenek, Ernst (1900-91)117. Allegretto from Suite for Guitar, Op. 164 (1957)Shostakovich, Dmitri (1906-75)118. Allegretto from String Quartet No. 8 (1960)Messiaen, Olivier (1908-92)119. Vocalise pour l'Ange qui annonce le fin du Temps from Quatuor pour le fin du temps (1940-41)Carter, Elliott (1908-)120. Introduction from String Quartet No. 2 (1959)121. Shard (1997)Heiden, Bernhard (1910-2)122. Moderato from Diversion for Alto Saxophone and Band (1943)Lutoslawski, Witold (1913-94)123. Dolente from Double Concerto for Oboe, Harp, and Chamber Orchestra (1980)Persichetti, Vincent (1915-87)124. Parable XXII for Tuba (1981)Babbitt, Milton (1916-)125. Excerpt from Whirled Series for Alto Saxophone and Piano (1987)Rochberg, George (1918-2005)126. Andante tranquillo ed un poco rubato from Duo for Oboe and Bassoon (1979)Xenakis, Iannis (1922-2001)127. Mists (1981)Ligeti, György (1923-2006)128. Lento from Ten Pieces for Wind Quintet (1968)129. Allegro nervoso from String Quartet No. 2 (1968)Berio, Luciano (1925-2003)130. Psy (1989)Boulez, Pierre (1925-)131. idérive/i (1984)Crumb, George (1929-)132. Black Angels (1970)Schnittke, Alfred (1934-98)133. Andante from String Quartet No. 3 (1983)Reich, Steve (1936-)134. Music for Pieces of Wood (1973)Tower, Joan (1938-)135. Wings (1981)Dillon, James (1950-)136. Charm (2008)

Editorial Reviews

"Anthology for Analysis and Performance is laudable in its purpose and scope. This anthology covers a wide historical range, diversity of composers, variety of instrumentation, and range of genres."-Daphne Leong, College of Music, University of Colorado-Boulder

"It seems as if the author has arrived at his/her conclusions through much classroom experience, and has a unique perspective on issues faced by most theory instructors. I like how the author makes an argument for the study of lesser-known yet still valuable pieces while keeping some significant works found in other anthologies."-David Thurmaier, Florida Gulf Coast University

"The author does an excellent job of introducing the pieces. I especially like the inclusion of performance issues along with the portions about history and theory. . . .The organization is sound. There are literally tens of thousands of choices, and the author has picked a representative selection with which many instructors and students will be familiar."-Stephen Emmons, Angelo State University

From the Publisher