Anthem of the Sun [50th Annivesary Edition] [Yellow With Orange Swirl Vinyl] [B&N Exclusive]

Anthem of the Sun [50th Annivesary Edition] [Yellow With Orange Swirl Vinyl] [B&N Exclusive]

by Grateful Dead
Anthem of the Sun [50th Annivesary Edition] [Yellow With Orange Swirl Vinyl] [B&N Exclusive]

Anthem of the Sun [50th Annivesary Edition] [Yellow With Orange Swirl Vinyl] [B&N Exclusive]

by Grateful Dead

Vinyl LP(Long Playing Record - B&N Exclusive Edition)

$21.99 
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Overview

As the second long-player by the Grateful Dead, Anthem of the Sun (1968) pushed the limits of both the music as well as the medium. General dissatisfaction with their self-titled debut necessitated the search for a methodology to seamlessly juxtapose the more inspired segments of their live performances with the necessary conventions of a single LP. Since issuing their first album, the Dead welcomed lyricist Robert Hunter into the fold -- freeing the performing members to focus on the execution and taking the music to the next level. Another addition was second percussionist Mickey Hart, whose methodical timekeeping would become a staple in the Dead's ability to stop on the proverbial rhythmic dime. Likewise, Tom Constanten (keyboards) added an avant-garde twist to the proceedings with various sonic enhancements that were more akin to John Cage and Karlheinz Stockhausen than anything else coming from the burgeoning Bay Area music scene. Their extended family also began to incorporate folks like Dan Healy -- whose non-musical contributions and innovations ranged from concert PA amplification to meeting the technical challenges that the band presented off the road as well. On this record Healy's involvement cannot be overstated, as the band were essentially given carte blanche and simultaneous on-the-job training with regards to the ins and outs of the still unfamiliar recording process. The idea to create an aural pastiche from numerous sources -- often running simultaneously -- was a radical concept that allowed consumers worldwide to experience a simulated Dead performance firsthand. One significant pattern which began developing saw the band continuing to refine the same material that they were concurrently playing live night after night prior to entering the studio. The extended "That's It for the Other One" suite is nothing short of a psychedelic roller coaster. The wild ride weaves what begins as a typical song into several divergent performances -- taken from tapes of live shows -- ultimately returning to the home base upon occasion, presumably as a built-in reality check. Lyrically, Bob Weir (guitar/vocals) includes references to their 1967 pot bust ("...the heat came 'round and busted me for smiling on a cloudy day") as well as the band's spiritual figurehead Neal Cassidy ("...there was Cowboy Neal at the wheel on a bus to never ever land"). Although this version smokes from tip to smouldering tail, the piece truly developed a persona all its own and became a rip-roaring monster in concert. The tracks "New Potato Caboose" and Weir's admittedly autobiographically titled "Born Cross-Eyed" are fascinatingly intricate side trips that had developed organically during the extended work's on-stage performance life. "Alligator" is a no-nonsense Ron "Pigpen" McKernan workout that motors the second extended sonic collage on Anthem of the Sun. His straight-ahead driving blues ethos careens headlong into the Dead's innate improvisational psychedelia. The results are uniformly brilliant as the band thrash and churn behind his rock-solid lead vocals. Musically, the Dead's instrumental excursions wind in and out of the primary theme, ultimately ending up in the equally frenetic "Caution (Do Not Stop on Tracks)." Although the uninitiated might find the album unnervingly difficult to follow, it obliterated the pretension of the post-Sgt. Pepper's "concept album" while reinventing the musical parameters of the 12" LP medium. [The expanded and remastered edition included in the Golden Road (1965-1973) (2001) box set contains a live performance from August 23, 1968, at the Shrine in Los Angeles. This miniset features an incendiary medley of "Alligator" and "Caution (Do Not Stop on Tracks)" concluding with over four minutes of electronic feedback.] ~ Lindsay Planer

Product Details

Release Date: 07/13/2018
Label: BARNES & NOBLE .COM
UPC: 0081227930738

Tracks

  1. That's It for the Other One: Cryptical Envelopment/Quadlibet for Tenderfeet/The Fast We Go, the Rounder We Get/We Leave the Castle
  2. New Potato Caboose
  3. Born Cross-Eyed
  4. Alligator
  5. Caution (Do Not Stop On Tracks)

Album Credits

Performance Credits

Grateful Dead   Primary Artist
Mickey Hart   Orchestra Bells,Gong,Bells,Drums,Piano,Chimes,Crotale,Cymbals,Percussion,Finger Cymbals,Prepared Piano
Tom Constanten   Tape,Organ,Piano,Keyboards,Prepared Piano
Pete Grant   Banjo,Dobro,Guitar (Steel)
Jerry Garcia   Guitar (Acoustic),Kazoo,Guitar,Vocals,Vibraslap,Percussion
Ron "Pigpen" McKernan   Drums,Organ,Claves,Vocals,Celeste,Harmonica,Keyboards,Vox Organ,Percussion,Glockenspiel,Organ (Hammond)
Phil Lesh   Bass,Guiro,Kazoo,Piano,Vocals,Timpani,Trumpet,Timbales,Percussion,Harpsichord,Guitar (Bass)
Bill Kreutzmann   Gong,Bells,Drums,Piano,Chimes,Crotale,Cymbals,Percussion,Finger Cymbals,Prepared Piano,Orchestra Bells
Bob Weir   Kazoo,Guitar,Vocals,Guitar (Rhythm),Guitar (Acoustic),Guitar (12 String)
David Nelson   Guitar,Mandolin

Technical Credits

Tom Constanten   Tapes,Arranger,Composer,Producer,Tape Effects,Electronic Tape,Piano Preparation
Grateful Dead   Arranger,Composer,Producer
Jamie Howarth   Corrections,Tape Restoration
Dave Collins   Pre-Mastering Assistant
Mouse   Musician,Musician
Ed Thrasher   Art Direction
Joe Scott   Composer
Michael Wesley Johnson   Associate Producer
Stanley Mouse   Musician
McGannahan Skjellyfetti   Composer
Wendy Weir   Musician
Peter McQuaid   Executive Producer
John "Marmaduke" Dawson   Musician
Ron Wickersham   Engineer
Ronald McKernan   Composer
Debbie Eisenberg   Musician
Jesse Fuller   Composer
Marshall Sehorn   Composer
Obray Ramsey   Composer
Tim Rose   Composer
Owsley Stanley   Engineer
Robert Peterson   Composer
Tom Donahue   Producer
Tom Weir   Photography
Bill Walker   Cover Art,Illustrations
Dan Healy   Engineer,Recording,Executive Engineer
David Hassinger   Producer
Bob Matthews   Engineer,Assistant Engineer
David Glasser   Mastering,Mastering Engineer
James Austin   Producer
Ron "Pigpen" McKernan   Arranger,Composer,Producer
Robert Petersen   Composer
Robert Hunter   Composer
Phil Lesh   Arranger,Composer,Producer
Mickey Hart   Arranger,Composer,Producer
Traditional   Composer
Betty Cantor   Engineer,Producer
Bill Kreutzmann   Arranger,Composer,Producer
Bob Dylan   Composer,Lyricist
Bonnie Dobson   Composer
Bob Weir   Arranger,Composer,Producer
Bobby Mitchell   Producer
David Lemieux   Producer
Joe Gastwirt   Pre-Mastering,Mastering Engineer,Production Consultant
Elmore James   Composer
John Cutler   Producer
Don Robey   Composer
Deadric Malone   Composer
Leo de GarKulka   Engineer
Wendy   Musician
Joseph Scott   Composer
Jeffrey Norman   Engineer,Mastering,Mixing Engineer
Jerry Garcia   Arranger,Composer,Producer
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