Annie Chartres Vivanti: Transnational Politics, Identity, and Culture
This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who
brought a transnational dimension to the marked provincialism of the Italian novel by
addressing issues of gender, ethnicity, and sexuality on personal and international
levels, and by creating work that distanced itself from much of the female-penned literature of
the day, scorning both decorum and social respectability. Chapters in this book examine
Vivanti’s output from multiple perspectives, taking into account her politics and her
career as a journalist, writer, and singer, as well as her literary work.
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Annie Chartres Vivanti: Transnational Politics, Identity, and Culture
This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who
brought a transnational dimension to the marked provincialism of the Italian novel by
addressing issues of gender, ethnicity, and sexuality on personal and international
levels, and by creating work that distanced itself from much of the female-penned literature of
the day, scorning both decorum and social respectability. Chapters in this book examine
Vivanti’s output from multiple perspectives, taking into account her politics and her
career as a journalist, writer, and singer, as well as her literary work.
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Overview

This book explores the work of a writer, Annie Chartres Vivanti (1866–1942), who
brought a transnational dimension to the marked provincialism of the Italian novel by
addressing issues of gender, ethnicity, and sexuality on personal and international
levels, and by creating work that distanced itself from much of the female-penned literature of
the day, scorning both decorum and social respectability. Chapters in this book examine
Vivanti’s output from multiple perspectives, taking into account her politics and her
career as a journalist, writer, and singer, as well as her literary work.

Product Details

ISBN-13: 9781683930068
Publisher: University Press Copublishing Division
Publication date: 10/12/2016
Series: The Fairleigh Dickinson University Press Series in Italian Studies
Pages: 312
Product dimensions: 6.20(w) x 8.90(h) x 1.00(d)

About the Author

Sharon Wood is professor emerita of Italian at the University of Leicester.

Erica Moretti is assistant professor of Italian at Fashion Institute of Technology-SUNY.

Table of Contents

Acknowledgments
Introduction
I: Constructing a Female Self
1Ogres and Belles: Vivanti, Carducci, and Mentorship in Post-Unification Italy
Ombretta Frau
2Performing Femininities: Singers, Sirens and Mothers
Ursula Fanning
3 From Circe to Fosca: Annie Vivanti and the Femme Fatale
Julie Dashwood
4War Rape and Hybrid Birth
Cristina Gragnani
II: Translation and Cultural Mediation
5Annie Vivanti’s Transatlantic Crossings
Mariarosa Mettifogo
6A ‘Mistaken’ Choice of Language? A Case of Self-Translation
Marianna Deganutti
7Dominance and Subversion in Annie Vivanti’s “Tenebroso Amore”
Sara Ceroni
III: Political Engagement and Journalism
8Annie Vivanti, Journalist and Critic
Anne Urbancic
9A Literary Collaboration: Annie Vivanti and Corriere della Sera
Erica Moretti
10Annie Vivanti and the Struggle for Irish Independence
Chiara Chini
11“La grande divoratrice:” Annie Vivanti’s Friendship with Barbara Allason (1917–1921)
Noemi Crain Merz
IV: Vivanti Across Literary Genres
12“Un nuovo canto audace e forte”: The Modernity of Lirica
Enrico Minardi
13Annie’s Laugh: Humor, Satire, and Irony in Vivanti’s Works
Sabrina Cavallucci
14Enchanted Journeys: Vivanti’s Writings for Children
Giulia Pezzuolo
V: Reception and Adaptation
15A Woman on Display: Annie Vivanti’s Marion artista di caffè-concerto
Lisa Sarti
16Annie Vivanti’s Fortunes in France
Filippo Fonio
17Guai ai vinti, From Novel to Film
Stephen Gundle and Simona Storchi
Index
About the Editors and Contributors
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