Anna Karenina

by Leo Tolstoy

Overview

The novel opens with a scene introducing Prince Stepan Arkadyevich Oblonsky ("Stiva"), a Moscow aristocrat and civil servant who has been unfaithful to his wife Darya Alexandrovna ("Dolly"). Dolly has discovered his affair with the family's governess, and the household and family are in turmoil. Stiva's affair and his reaction to his wife's distress show an amorous personality that he cannot seem to suppress. In the midst of the turmoil, Stiva informs the household that his married sister, Anna Arkadyevna Karenina, is coming to visit from Saint Petersburg. Meanwhile, Stiva's childhood friend, Konstantin Dmitrievich Levin ("Kostya"), arrives in Moscow with the aim of proposing to Dolly's youngest sister, Princess Katerina Alexandrovna Shcherbatskaya ("Kitty"). Levin is a passionate, restless, but shy aristocratic landowner who, unlike his Moscow friends, chooses to live in the country on his large estate. He discovers that Kitty is also being pursued by Count Alexei Kirillovich Vronsky, an army officer. Whilst at the railway station to meet Anna, Stiva bumps into Vronsky who is there to meet his mother, the Countess Vronskaya. Anna and Vronskaya have traveled and talked together in the same carriage. As the family members are reunited, and Vronsky sees Anna for the first time, a railway worker accidentally falls in front of a train and is killed. Anna interprets this as an "evil omen." Vronsky, however, is infatuated with her. Anna is uneasy about leaving her young son, Sergei ("Seryozha"), alone for the first time. At the Oblonsky home, Anna talks openly and emotionally to Dolly about Stiva's affair and convinces her that Stiva still loves her despite the infidelity. Dolly is moved by Anna's speeches and decides to forgive Stiva... (Excerpt from Wikipedia)

Product Details

ISBN-13:	9783956761782
Publisher:	Otbebookpublishing
Publication date:	12/27/2015
Series:	Classics To Go
Sold by:	Barnes & Noble
Format:	eBook
Pages:	1158
File size:	1 MB
Age Range:	18 Years

About the Author

Rosamund Bartlett has published widely in the fields of Russian literature and music. Her books include Wagner and Russia (CUP, 2007) and Shostakovitch in Context (OUP, 2000), as well as biographies of Chekhov and Tolstoy. Her life of Tolstoy was longlisted for the Samuel Johnson Prize. As a translator she has published the first unexpurgated edition of Chekhov's letters for Penguin Classics, and her translation of Chekhov's short stories, About Love and Other Stories, for Oxford World's Classics was shortlisted for the Oxford Weidenfeld Translation Prize. She was until 2006 Reader and Head of Department of Russian at the University of Durham, and she is the Founding Director of the Anton Chekhov Foundation, set up to preserve Chekhov's house in Yalta, for which she was awarded the Chekhov 150th Anniversary Medal in 2010 by the Russian government.

Date of Birth:

September 9, 1828

Date of Death:

November 20, 1910

Place of Birth:

Tula Province, Russia

Place of Death:

Astapovo, Russia

Education:

Privately educated by French and German tutors; attended the University of Kazan, 1844-47

Read an Excerpt

All happy families are alike; each unhappy family is unhappy in its own way.
(Continues…)

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Excerpted from "Anna Karenina"
by .
Copyright © 2014 Leo Tolstoy.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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Table of Contents

Introduction
Note on the Text and Translation
Select Bibliography
A Chronology of Leo Tolstoy
Principal Characters and Guide to Pronunciation
ANNA KARENINA
Explanatory Notes

What People are Saying About This

Caryl Emerson Caryl Emerson

"Tolstoy did not wish to please; he wished to correct, instruct, inspire, persuade.  And as Marian Schwartz notes, he “wholly intended to bend language to his will.”  In her astonishing new translation, she takes seriously Tolstoy’s disgust with smooth Russian literary style, setting a new standard in English for accuracy to Tolstoyan repetition, sentence density and balance, stripped-down vocabulary and enhanced moral weight. A rough, powerful, unromantic Anna that wakes the reader up and rings true."—Caryl Emerson, Princeton University

Caryl Emerson

"Tolstoy did not wish to please; he wished to correct, instruct, inspire, persuade.  And as Marian Schwartz notes, he “wholly intended to bend language to his will.”  In her astonishing new translation, she takes seriously Tolstoy’s disgust with smooth Russian literary style, setting a new standard in English for accuracy to Tolstoyan repetition, sentence density and balance, stripped-down vocabulary and enhanced moral weight. A rough, powerful, unromantic Anna that wakes the reader up and rings true."—Caryl Emerson, Princeton University

Reading Group Guide

1. When Anna Karenina was published, critics accused Tolstoy of writing a novel with too many characters, too complex a story line, and too many details. Henry James called Tolstoy's works "baggy monsters." In response, Tolstoy wrote of Anna Karenina "I am very proud of its architecture-its vaults are joined so that one cannot even notice where the keystone is." What do you make of Tolstoy's use of detail? Does it make for a more "realistic" novel?

2. The first line of Anna Karenina, "Happy families are all alike; every unhappy family is unhappy in its own way, " can be interpreted a number of ways. What do you think Tolstoy means by this?

3. In your opinion, how well does Tolstoy, as a male writer, capture the perspectives of his female characters? Do you think Anna Karenina is the most appropriate title for the book? Is Tolstoy more critical of Anna for her adultery than he is of Oblonsky or of Vronsky?

4. What role does religion play in the novel? Compare Levin's spiritual state of mind at the beginning and the end of the novel. What parallels can you draw between Levin's search for happiness and Anna's descent into despair?

5. Why is it significant that Karenina lives in St. Petersburg, Oblonsky in Moscow, and Levin in the country? How are Moscow and St. Petersburg described by Tolstoy? What conclusions can you draw about the value assigned to place in the novel?

6. What are the different kinds of love that Anna, Vronsky, Levin, Kitty, Stiva, and Dolly seek? How do their desires change throughout the novel?

7. How do the ideals of love and marriage come into conflict inAnna Karenina? Using examples from the novel, what qualities do you think seem to make for a successful marriage? According to Tolstoy, is it more important to find love at all costs or to uphold the sanctity of marriage, even if it is a loveless one?

8. Ultimately, do you think Anna Karenina is a tragic novel or a hopeful one?

Editorial Reviews

Originally written in 1875, this is one of the most distinguished classic works of world literature. Several films, dramas, and ballets have been based on Tolstoi’s (as spelled in Spanish) intense, passionate love story. Ana, one of the most notable literary characters ever created, is married to a Russian minister but falls in love with Count Vronski, a rich and handsome young army officer. Against society’s norms, she abandons her husband and son, with dire results. In this excellent recording, the story is fully dramatized by a group of actors: Milagros del Valle is Ana, and FonoLibro’s Arquimedes Rivero is Vronski. Their voices are appropriate and devoid of regional accents. With background music and narration that shows the full emotional style of a radionovela (radio soap operas), this audio is an easy way to get to know this perennial classic. Recommended for bookstores and public libraries.—Dolores M. Koch, New York City

—Dolores M. Koch

Criticas

"The greatest novel ever written" is a superlative applied frequently to Leo Tolstoy's Anna Karenina, which first appeared in print in 1875. This world literature classic has inspired dozens of stage, movie, and ballet adaptation, the latest of which is the Universal Pictures September release film starring Keira Knightley and Jude Law. This official movie tie-in contains a fine translation by Louise Maude and Alymer Maude and the screenplay by Tom Stoppard. If you haven't read it yet; it's time.

"Oxford University Press recently added three of the most acclaimed czarist era novels to its Classics Hardback Collection: Leo Tolstoy's Anna Karenina and War and Peace and Fyodor Dostoyevsky's Crime and Punishment. Each is a new translation prefaced lucidly by an acclaimed scholar in the field. Both Tolstoy and Dostoyevsky, though in increasingly different yet overlapping ways, stirred profound debates on pressing philosophical and spiritual questions, essentially, how to live, especially in a world of accelerating change." - The Shepherd Express

From the Publisher

The translation is the most accurate Tolstoy we have in English. Marian Schwartz has been a major force in bringing Russian literature into English for many years, but this is her masterpiece.”—Michael Holquist, author of Dostoevsky and the Novel

Michael Holquist

If there is a Tolstoyan out there who is interested in reading a translation that is exquisitely mindful of the book’s complex texture, or someone who has meant to get to Karenina but hasn’t yet got around to this particular pleasure, Schwartz’s tribute to Tolstoy’s craft and sensitivity should be at the top of the list.”—Jim Kates, Arts Fuse

Arts Fuse - Jim Kates

Longlisted for the 2015 American Literary Translators Asssociation, National Translation Prize in Prose. 

National Translation Awards - NTA

Ask anyone who has read it, and it will be among his or her favorite novels, if not at the top of the list. The reasons are many. But at the core is Tolstoy’s genius at creating a universal world we are allowed to enter: of engaging people in a vivid but highly structured society who reflect the emotions, thoughts, motives, unconscious drives, conflicting actions, mistakes, happiness, and sadness that is as close as we will ever come in literature to the totality of the human comedy (marriage) and the human tragedy (death).”

The Atlantic

One of the greatest love stories in world literature.”

Vladimir Nabokov

A sexy and engrossing read, this book tells the tale of one of the most enthralling love affairs in the history of literature.”

Oprah.com

Considered one of the pinnacles of world literature.”

Merriam-Webster’s Encyclopedia of Literature

The book floats in some charmed section of the lake of literary opinion…. Instead of a barrage of metaphors describing things in terms of other things that they resemble, Lev Tolstoy seeks the precise word for the thing itself. Instead of the solipsistic modern mode of events being experienced from the point of view of a single character, Tolstoy slips in and out of the consciousness of dozens of characters, major and minor.”

Guardian (London)

"Tolstoy did not wish to please; he wished to correct, instruct, inspire, persuade. And as Marian Schwartz notes, he “wholly intended to bend language to his will.” In her astonishing new translation, she takes seriously Tolstoy’s disgust with smooth Russian literary style, setting a new standard in English for accuracy to Tolstoyan repetition, sentence density and balance, stripped-down vocabulary and enhanced moral weight. A rough, powerful, unromantic Anna that wakes the reader up and rings true."—Caryl Emerson, Princeton University

Caryl Emerson

Once again, the daunting elements of classic literature that might discourage a timid reader become irrelevant, thanks to a skilled narrator. ANNA KARENINA offers multiple plotlines, complex characterizations, sizable descriptions, and many, many Russian names. The active reading required by such a book is not exhausting in the audio format; in fact, Wanda McCaddon makes this literary cornerstone downright enjoyable. It’s not that she turns herself into every character or offers over-the-top drama. Instead, it is her consistency and sensitivity to the author’s tone that make this a wonderful listen. Her familiarity with the text and understanding of its nuances illuminate the work, making what might have seemed lofty, absolutely lively. L.B.F. © AudioFile 2012, Portland, Maine

DECEMBER 2012 - AudioFile