And Then, Boom!

And Then, Boom!

by Lisa Fipps

Narrated by Michael Crouch

Unabridged — 3 hours, 11 minutes

And Then, Boom!

And Then, Boom!

by Lisa Fipps

Narrated by Michael Crouch

Unabridged — 3 hours, 11 minutes

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Overview

Notes From Your Bookseller

Heartbreakingly realistic, packed with empathy and written in powerful verse, this is a vivid portrayal of poverty and the journey to turning surviving into thriving. Sure to resonate with readers of all ages, it packs a moving message and celebrates human connection.

A gripping new novel in verse by the author of the Printz Honor-winning Starfish, featuring a poverty-stricken boy who bravely rides out all the storms life keeps throwing at him

Joe Oak is used to living on unsteady ground. His mom can't be depended on as she never stays around long once she gets “the itch,” and now he and his beloved grandmother find themselves without a home. Fortunately, Joe has an outlet in his journals and drawings and takes comfort from the lessons of comic books-superheroes have a lot of “and then, boom” moments, where everything threatens to go bust but somehow they land on their feet. And that seems to happen a lot to Joe too, as in this crisis his friend Nick helps them find a home in his trailer park. But things fall apart again when Joe is suddenly left to fend for himself. He doesn't tell anyone he's on his own, as he fears foster care and has hope his mom will come back. But time is running out-bills are piling up, the electricity's been shut off, and the school year's about to end, meaning no more free meals. The struggle to feed himself gets intense, and Joe finds himself dumpster diving for meals. He's never felt so alone-until an emaciated little dog and her two tiny pups cross his path. And fate has even more in store for Joe, because an actual tornado is about to hit home-and just when it seems all is lost, his life turns in a direction that he never could have predicted.

Editorial Reviews

Publishers Weekly

★ 02/19/2024

Fipps (Starfish) depicts situations of abuse, financial precarity, houselessness, and hope through easy-to-read verse in this elucidating work. Eleven-year-old Joseph Oak loves superhero comics and his British-born Grandmum, whose “arms are like Captain America’s shield,/ protecting me,/ defending me.” In contrast, he views his mother as Thanos, “destroyer of worlds”; when she gets “The Itch” and leaves, consequences of her legal troubles result in Joe and Grandmum living in their car. Joe’s pragmatic voice explains, “I think I know a lot of things/ kids shouldn’t/ have/ to know” about how much his grandmother makes cleaning buildings and what their U.S. government–provided benefits cover (and don’t). Things look up when they find an affordable mobile home, but then Grandmum starts feeling sick. Writing from personal experience, as discussed in a foreword, Fipps employs resonant verse to portray Joe’s bleak reality as well as the bright spots he experiences due to the kindness of his best friends, who help him get food, and his teacher, who advocates for change in the school’s free meal system and opens a food and clothing pantry for students in need. Joe is depicted as white on the cover; other characters cue as racially diverse. Ages 10–up. Agent: Liza Fleissig, Liza Royce Agency. (May)

From the Publisher

How do you cope with the unexpected moments that change everything in your world? . . . The verse format, combined with Joe’s comic book and superhero metaphors, works exceptionally well at conveying honest emotion while maintaining a sense of humor and hope. Fipps doesn’t sugarcoat poverty, nor does she romanticize it or treat it as a moral failing; instead, she provides critical representation to the many schoolchildren who are living in poverty. Joe’s courage and individuality shine on every page. . . . A big, bold, engaging, and important story.” —Kirkus Reviews

* "Fipps (Starfish) depicts situations of abuse, financial precarity, houselessness, and hope through easy-to-read verse in this elucidating work. Eleven-year-old Joseph Oak loves superhero comics and his British-born Grandmum, whose ‘arms are like Captain America’s shield,/ protecting me,/ defending me.’ . . . Joe’s pragmatic voice explains, ‘I think I know a lot of things/ kids shouldn’t/ have/ to know’ about how much his grandmother makes cleaning buildings and what their U.S. government–provided benefits cover (and don’t). . . . Fipps employs resonant verse to portray Joe’s bleak reality as well as the bright spots he experiences due to the kindness of his best friends, who help him get food, and his teacher, who advocates for change in the school’s free meal system and opens a food and clothing pantry for students in need.” —Publishers Weekly, starred review

*
“As in her Starfish (2021), Fipps focuses on another young person on the fringe of their peer group, and the novel-in-verse narrative works beautifully here, invoking urgency and intimacy. Vivid descriptions of housing and food scarcity are intense and unforgettable, sure to spark empathy from any young reader. Though the story tackles heavy subjects, Joe is a wonderful companion, and there are also deep, dear relationships and an undercurrent of kindness that keeps hope afloat throughout. An exceptionally compassionate examination of existence on the edge.” —Booklist, starred review

“This verse novel’s conversational tone, linear timeline, and dialogue-heavy writing will ease readers nervous about poetry, and the first-person narration shows Joseph’s intelligence and joyful creativity. What Joseph goes through is horrible, but not completely without hope. Joseph is surrounded by a wonderful secondary cast, from his teacher who attempts to support kids living in poverty by changing unfair school systems to a neighbor who models generosity and healthy community building. . . . Fipps’ indictment of how society treats and ignores people who need help (‘It’s amazing / how long you can live / without anyone realizing / how you live’) paves the way for compassionate discussion about how cyclical poverty affects kids.” The Bulletin of the Center for Children’s Books

“Supporting characters, including Joe’s teacher, his friends Nick and Hakeem, and the mobile home park’s compassionate owner, are well drawn and vividly portrayed. As in Starfish, Fipps uses short lines, lots of white space, and an engaging first-person voice to carry the story. A fine example of how a novel in verse can be the perfect vehicle for getting inside the head of a character and creating empathy for what it’s like to be him.”The Horn Book

Kirkus Reviews

2024-02-17
How do you cope with the unexpected moments that change everything in your world?

Until what he calls “the Mess with Mom,” sixth grader Joseph Oak and his widowed English grandmother were doing okay. Between the house Grandmum owned, the money she made cleaning houses and offices, their food stamp benefits, and Joe’s free school meals, they were getting by. But about a year ago, when Joe’s mostly absent mother got arrested, Grandmum put the house up for bail money. (Joe knows nothing about his dad.) Then Mom fled, and “BOOM!”—they were living in their car: “I felt like we were goldfish in a fishbowl.” Grandmum and Joe find an old mobile home to rent, but then, “BOOM!”—Grandmum dies, and Joe’s left on his own. Fortunately, he has two best friends who always have his back: Nick, whose mother struggles with depression and who’s been in foster care, and Francophile Hakeem, who pays for Joe’s convenience store treats. The verse format, combined with Joe’s comic book and superhero metaphors, works exceptionally well at conveying honest emotion while maintaining a sense of humor and hope. Fipps doesn’t sugarcoat poverty, nor does she romanticize it or treat it as a moral failing; instead, she provides critical representation to the many schoolchildren who are living in poverty. Joe’s courage and individuality shine on every page. Most main characters read white; Hakeem is cued African American.

A big, bold, engaging, and important story. (Verse novel. 9-13)

Product Details

BN ID: 2940160501444
Publisher: Penguin Random House
Publication date: 05/07/2024
Edition description: Unabridged
Age Range: 10 - 13 Years

Read an Excerpt

JUST LIKE SUPERMAN

My name’s Joseph Oak, and since an oak tree grows from an acorn nut,
Grandmum calls me a little nut,
and if Mom’s around to hear it, she adds,
I’m allergic to nuts.

It isn’t nice of Mom to say that,
but she’s not known for saying
—or doing—
nice things.

But I never thought she’d do what she did.

I never thought a lot of things.
Like I’d be on the news and the whole wide world would end up finding out about the moment I flew.

Just like Superman.

ORIGIN STORY

I’m not a superhero.
Straight up not.
I mean, yeah, sure,
I flew like Superman.

Once.

But
I don’t have any special powers—unless you count my ability to be invisible,
and to survive.

I do have one thing in common with superhero's.
I have an origin story.
So does Grandmum, who’s from England,
Mom, who gets The Itch,
my best friends, Hakeem and Nick,
Uncle Frankie, who’s not really my uncle,
and my sixth-­grade teacher, Mrs. Swan.
Each of us has an origin story,
the story of how we became who we are.

This is my story,
and when you read it,
I want you to remember something.

When Superman summons every ounce of his strength to survive something others can’t even imagine,
he’s the same person he was when he crumpled to his knees,
left helpless by Kryptonite.

He’s the same person he was when he was Clark Kent,
just living day by day,
invisible to the world.
Superman’s the sum of all his moments.

And so am I.

WHY THE WORLD NEEDS COMIC BOOKS

In comic books,
superhero's use their powers to help others,
defeat villains,
and save themselves.
Good triumphs over evil,
giving you hope,
something to believe in.
Comic books remind you that even when horrible things happen,
it can all work out

in the end.

AND-THENS AND BOOMS!

Every story boils down to
and-­thens
and
BOOMS!

And-­thens

and
BOOMS!
are all about the moments when something happens that changes everything.

It could be bad.
And it could be good,
but it’s often not.

So always pay attention to
and-­thens
and
BOOMS!

SCRATCHING AN ITCH

I’m only allergic to one thing.
Poison ivy.
I learned that the hard way one day when my basketball rolled into the woods.
Leaves brushed across my face as
I parted them like curtains to find the ball.
When I woke up the next day,
I looked like . . . well. . .
Pretend you need to blow up a big balloon, and fill your cheeks full of air.
Bigger.
Bigger.
Bigger.
Now squint.
That’s what I looked like.

But worse than how I looked was how I felt.
An itch is the worst!
You can’t stop thinking about it,
and the more you try not to,
the more you do.
Plus you just have to scratch it,
but then an itch itches even more.

It’s almost impossible to live with an itch.

PREPARE FOR TAKEOFF

My grampy was a pilot,
and my grandmum says you can always tell when a pilot’s preparing for takeoff.
They start ticking boxes on a checklist.
And the list is always the same.

Tick. Tick. Tick.

Mom’s like a pilot when she gets The Itch.
That’s what I call it when she gets restless and wants to take off.
Her Itch Takeoff Checklist goes like this.
Stares out windows.
Sighs loudly a lot.
Swings like a pendulum from sad to mean and back again.

Tick. Tick. Tick.

Mom leaves for days.
Weeks.
Months.
You never know when she’ll take off or when she’ll come back.
But you know takeoff’s coming.

Tick. Tick. Tick.

MOM'S FIRST TAKEOFF

The first time I remember Mom taking off was on a sweaty, sticky summer day.
We lived in The Gingerbread House then,
the color of graham crackers with a fancy white trim.
It was old and didn’t have air-­conditioning.
Mom sighed as we sat on the porch swing,
hoping for a cool breeze.
She pumped her legs,
and the swing creak-­creaked as we rocked.
My legs stuck straight out,
too little to dangle down.
As soon as I spied yellow wings with black tiger stripes and a blue tail,
I jumped down to chase the eastern tiger swallowtail,
and Mom chased me.
All I wanted was to hold the butterfly,
but every time I got close to it,
it took off.

What on earth’s wrong with you?!

Who tries to trap a butterfly?!
Mom yelled,
picking me up,
carrying me back to the porch, and plopping me down onto the swing.
I flinched when the screen door banged as Mom went inside the house.
She came back out with her purse slung over one shoulder and her keys jingling, jangling.

Where you going? I go, too!

I yelled, scooting off the swing.

She didn’t even look at me.
She just went straight to her car and got in.
Slam!
Squeal!
Vroom!
Mom took off.

I hopped onto my Big Wheel and pedaled down the sidewalk,
trying to catch her,
but my little legs just couldn’t keep up.

MAKE ME CHOOSE

Mom wears a silk butterfly scarf all the time.
She says she’s a butterfly,
and butterflies are free.

You should be able to go

wherever you want
whenever you want.
Fly away.
Be free.

But Grandmum would say,
You’re not a butterfly, Carli.
You’re a mom.
You can’t be both.

Oh yeah?

Mom would answer.
Then make me choose and
watch what happens.

POP!

When I was little,
I had a jack-­in-­the-­box.
Music played as I turned the handle, and
I never knew exactly when it was coming, but
I knew the door would open with a loud
POP!
And the clown would be right there.

The longer I turned the handle,
the more nervous I got,
waiting for that pop.

That’s what it’s like after Mom gets The Itch and takes off.

I never know when she’ll pop back into my life.

The longer I wait for her,
the more nervous I get that she won’t ever return,
and yet the more I fear her coming home.

ONOMATOPOEIA

Comic books are full of onomatopoeia.

I can tell you a story about Mom and me using only onomatopoeia.

Grrr!
Slap!
Ouch!
Shhh!

Onomatopoeias are words that sound just like what’s actually happening.

OODLES OF DOODLES

I’m a doodler.
I have a notebook full of doodles.
Oodles of doodles.

I doodle the infinity symbol a lot.
It looks like the number eight on its side.
When you draw it, the line loops and connects.
So you end up not being able to tell where it all even started.
But once it starts,
it never ends.
It goes on forever because it keeps repeating itself.


Sometimes I don’t even realize what’s going on inside me till
I start doodling and whatever was in me is out of me and right there on paper.

I just doodled a circle that became a planet in a galaxy where grown-ups act like grown-ups and do what they’re supposed to do,
over and over again.

The world where I want to live.

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