Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine:
* the applications of neumes
* contemporary staff notation
* sound orchestra and score files
* time-domain representations
* spectrograms.
Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music.
Taking pitch, duration, intensity, and timbre as the four basic elements of music, the authors discuss electroacoustic works and examine:
* the applications of neumes
* contemporary staff notation
* sound orchestra and score files
* time-domain representations
* spectrograms.
Taking into consideration both the positive aspects (preservation of the abstract) and negative aspects (creative limitation) of these analytical methods, the authors have created a useful resource for students of electroacoustic music.
Analytical Methods of Electroacoustic Music
312Analytical Methods of Electroacoustic Music
312Paperback(Reprint)
Product Details
ISBN-13: | 9781138990425 |
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Publisher: | Taylor & Francis |
Publication date: | 12/18/2015 |
Edition description: | Reprint |
Pages: | 312 |
Product dimensions: | 6.12(w) x 9.19(h) x (d) |