Among the Living and the Dead: A Tale of Exile and Homecoming on the War Roads of Europe
"It's long been assumed of the region where my grandmother was born . . . that at some point each year the dead will come home," Inara Verzemnieks writes in this exquisite story of war, exile, and reconnection. Her grandmother's stories recalled one true home: the family farm left behind in Latvia, where, during WWII, her grandmother Livija and her grandmother's sister, Ausma, were separated. They would not see each other again for more than fifty years. Raised by her grandparents in Washington State, Inara grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited.



When Inara discovers the scarf Livija wore when she left home, in a box of her grandmother's belongings, this tangible remnant of the past points the way back to the remote village where her family broke apart. There it is said the suspend their exile once a year for a pilgrimage through forests and fields to the homes they left behind. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together Livija's survival through years as a refugee. Weaving these two parts of the family story together in spellbinding, lyrical prose, she gives us a profound and cathartic account of loss, survival, resilience, and love.
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Among the Living and the Dead: A Tale of Exile and Homecoming on the War Roads of Europe
"It's long been assumed of the region where my grandmother was born . . . that at some point each year the dead will come home," Inara Verzemnieks writes in this exquisite story of war, exile, and reconnection. Her grandmother's stories recalled one true home: the family farm left behind in Latvia, where, during WWII, her grandmother Livija and her grandmother's sister, Ausma, were separated. They would not see each other again for more than fifty years. Raised by her grandparents in Washington State, Inara grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited.



When Inara discovers the scarf Livija wore when she left home, in a box of her grandmother's belongings, this tangible remnant of the past points the way back to the remote village where her family broke apart. There it is said the suspend their exile once a year for a pilgrimage through forests and fields to the homes they left behind. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together Livija's survival through years as a refugee. Weaving these two parts of the family story together in spellbinding, lyrical prose, she gives us a profound and cathartic account of loss, survival, resilience, and love.
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Among the Living and the Dead: A Tale of Exile and Homecoming on the War Roads of Europe

Among the Living and the Dead: A Tale of Exile and Homecoming on the War Roads of Europe

by Inara Verzemnieks

Narrated by Whitney Dykhouse

Unabridged — 8 hours, 29 minutes

Among the Living and the Dead: A Tale of Exile and Homecoming on the War Roads of Europe

Among the Living and the Dead: A Tale of Exile and Homecoming on the War Roads of Europe

by Inara Verzemnieks

Narrated by Whitney Dykhouse

Unabridged — 8 hours, 29 minutes

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Overview

"It's long been assumed of the region where my grandmother was born . . . that at some point each year the dead will come home," Inara Verzemnieks writes in this exquisite story of war, exile, and reconnection. Her grandmother's stories recalled one true home: the family farm left behind in Latvia, where, during WWII, her grandmother Livija and her grandmother's sister, Ausma, were separated. They would not see each other again for more than fifty years. Raised by her grandparents in Washington State, Inara grew up among expatriates, scattering smuggled Latvian sand over the coffins of the dead, singing folk songs about a land she had never visited.



When Inara discovers the scarf Livija wore when she left home, in a box of her grandmother's belongings, this tangible remnant of the past points the way back to the remote village where her family broke apart. There it is said the suspend their exile once a year for a pilgrimage through forests and fields to the homes they left behind. Coming to know Ausma and the trauma of her exile to Siberia under Stalin, Inara pieces together Livija's survival through years as a refugee. Weaving these two parts of the family story together in spellbinding, lyrical prose, she gives us a profound and cathartic account of loss, survival, resilience, and love.

Editorial Reviews

The New York Times Book Review - David Bezmozgis

…thoughtful and eloquent…Describing the feeling of arriving in Latvia, Verzemnieks says it was like her "DNA is singing"…Yet there's also the darker side of this singing DNA. The song of my DNA can make me deaf to the song of your DNA. Concepts of nation, land and blood helped create an independent Latvia, but, distorted by nativism and fascism, they also contributed to its undoing. Verzemnieks is too intelligent and humane a writer to fall into the nationalist trap, and her inquiry into the past confronts the uncomfortable aspects of Latvians' participation in the war…Verzemnieks is solid on her history. Even more, she offers a model for how to navigate it. When she reaches the limit of what she can know, she doesn't confuse it with the limit of what can be known. She also grasps that no final resolution is possible. The hurt that has been inflicted can never be completely healed. At best, one reaches a measure of understanding—including drawing the significant distinction between the hurt one inherits and the hurt one sustains—which, ideally, should stop you from inflicting this hurt on others.

David Finkel

"An exquisite book for the ages as it unfolds from its first mysterious sentence into a masterpiece about war, survival, memory, and, most movingly of all, human need."

Lawrence Wechsler

"The astute reportorial sensitivity of a master Eastern European historian like Timothy Snyder, as filtered through the lyric sensibility of a García Márquez, and suffused in the aching nostalgia of a latter-day Proust."

Eva Hoffman

"Verzemnieks does not shirk from confronting the extremities of human behavior; but she also gives us the rich textures of a world in which poetic mythology coexists with sophisticated modernity, the dead mingle with the living, and the hardships of a traumatic past are countered by the strength of memory and of lasting attachments."

D. J. Waldie

"Poetic, melancholy, colored by the dark beauty of the northern landscape, this memoir of loss and recovery from the tragedies of the twentieth century will linger in your imagination, widen your historical perspective, and make you grateful that language has such power.”"

Minneapolis Star Tribune - Angela Ajayi

"[Verzemnieks] is a gracious writer, inviting the readers on her journey into the past…Armed with her wealth of knowledge in Latvian history and myths, and her masterful and lush observations, Verzemnieks remains an able guide, earning our undivided attention and admiration."

David Bezmozgis

"Thoughtful and eloquent. . . . Verzemnieks is solid on her history. Even more, she offers a model for how to navigate it. When she reaches the limit of what she can know, she doesn't confuse it with the limit of what can be known."

Christian Science Monitor - Rebekah Denn

"In her elegiac new book, [Verzemnieks] describes how she hoped the faraway travels would restore her grandmother "in the old stories" that still existed there…Ultimately, what she found was even broader: the meaning of home, the power of stories, and the different ways survivors and their memories move forward."

Robin Shulman

"This exquisitely written book shows how recovery can come generations later through rebuilding connections—to people, the natural world, the past."

Library Journal

★ 06/15/2017
Verzemnieks's impressive work examines the refugee history of her grandmother's family with sensitivity and compassion. During World War II, her grandmother Livija is married, her husband fighting as a Latvian conscript, with one young daughter and a son born just days before violence consumes the capital city of Riga. Livija flees with both children and becomes one of the many war refugees seeking safety in the European countryside. Ultimately reunited with her husband, Livija and their now three children spend years in a refugee camp before finally receiving sponsorship in Tacoma and emigrating to the United States. Through her visits to Latvia, the author develops and strengthens bonds with an extended family she clearly relishes. The trips don't erase the suffering and anguish of the past, but they do offer hope of reconciliation and forgiveness. VERDICT For readers looking for parallels between historic and current events. Though Syria isn't mentioned, this book could have been written about what's happening today, rather than more than 70 years ago. (Memoir, 4/11/17; ow.ly/liks30c0Myo)—Rachael Dreyer, Eberly Family Special Collections Lib., Pennsylvania State Univ.

Kirkus Reviews

★ 2017-04-30
The Latvian world of her grandmother draws the writer, an American, back to the old country to re-create a vanished life between farm and war.In her striking debut memoir, Verzemnieks (Creative Nonfiction/Univ. of Iowa), winner of a Pushcart Prize and a Rona Jaffe Writer's Award, refashions the early life of her deceased grandmother Livija, who was born and raised on a farm in Gulbene, in eastern Latvia. She left her hometown to work in Riga as a bookkeeper and was subsequently caught up in the Soviet invasion and takeover of her country in World War II. Livija then left her homeland and came to the United States, where she was reunited with her soldier husband, who had been demobilized from the Latvian Legion, which was actually fighting for Nazi Germany against Russia. Livija and her family settled into the Latvian community of the former mill town of Tacoma, Washington. There, they raised their granddaughter, the author, after her parents got divorced and underwent mysterious crises, leaving the child in their care. The author became keenly aware of all aspects of the life Livija left behind, so much so that years later, when she actually visited her grandmother's homestead and grew friendly with her great-aunt, she was able to re-create in great detail this vanished life. Verzemnieks beautifully evokes the sympathy between Livija and her young granddaughter and the subsequent acquaintance between the author, now grown and married herself, and her great-aunt, who reluctantly revealed painful episodes of her past, such as the day the Russians arrived at the end of the war, ransacked the farmhouse, and deported her sister to a labor camp in Siberia. With fluidity and nuance, the author smoothly incorporates Latvian history into her narrative as well as the quietly buried sins of the past, such as the Latvian men's forced conscription to fight on the German side. A highly polished memoir of enormous heart.

Product Details

BN ID: 2940159955166
Publisher: Tantor Audio
Publication date: 07/25/2023
Edition description: Unabridged
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