American Copper

by Shann Ray Narrated by Richard Poe

Overview

As Evelynne Lowry, the daughter of a copper baron, comes of age in early 20th century Montana, the lives of horses dovetail with the lives of people and her own quest for womanhood becomes inextricably intertwined with the future of two men who face nearly insurmountable losses-a lonely bull rider named Zion from the Montana highline, and a Cheyenne team roper named William Black Kettle, the descendant of peace chiefs. An epic that runs from the Sand Creek Massacre of 1864 to the ore and industry of the 1930s, American Copper is a novel not only about America's hidden desire for regeneration through violence but about the ultimate cost of forgiveness and the demands of atonement. It also explores the genocidal colonization of the Cheyenne, the rise of big copper, and the unrelenting ascent of dominant culture. Evelynne's story is a poignant elegy to horses, cowboys both native and euro-american, the stubbornness of racism, and the entanglements of modern humanity during the first half of the twentieth century. Set against the wide plains and soaring mountainscapes of Montana, this is the American West re-envisioned, imbued with unconditional violence, but also sweet, sweet love.

Editorial Reviews

Publishers Weekly

09/28/2015
Ray’s elegiac debut novel, set in 1923, follows poet Evelynne Lowry as she tries to shrug off the influence of her brutal, possessive copper baron father, Josef Lowry, by accompanying her brother, Tomas, a veteran of World War I, to a job working on the railroad in northern Montana. But when an accident forces her to return to her father’s home in Butte, Evelynne’s solitary existence is challenged by two different men. William Black Kettle, whose great-great-grandfather was a Cheyenne peace chief killed at the Sand Creek Massacre, is a rodeo roper whose grace and long black hair attract Evelynne. Suitor number two, Zion, is a giant of a man hired to break in her new horse. Zion’s quiet strength is intoxicating to Evelynne, but he quits her, while William returns to the rodeo circuit and begins a correspondence with Evelynne, who risks her father’s wrath in order to be with him. Ray has written a novel about Montana in the first three decades of the 20th century, caught between old and new ways. The story is melodramatic, with Josef resembling a villain out of a silent movie, and the characters frustratingly drift in and out of the story, which ends on an anticlimactic note many readers may find unsatisfying. Agent: Emily Forland, Brandt & Hochman Literary. (Nov.)

From the Publisher

“The train . . . is the defining symbol of industry and expansionism, and the sentences in Shann Ray’s debut novel, American Copper, race across the page like the hammering of spikes, the clatter of ties, the banshee wail of the steam engines that signal the violent seizure of the West . . . You might expect this saga—which chronicles the white and Cheyenne experience—to clock in at a doorstopping 5,000 pages, but Ray balances his scenes with lyrical summary so that time expands swiftly. This stylistic move—along with the wild landscape and wilder characters—makes American Copper read like the offspring of Jim Harrison’s Legends of the Fall.” --Esquire

The prose is elegant, precise and observant, as when Zion notes there are "only two races of men... decent and unprincipled." -Kirkus starred review

“Beautifully told . . . Ray's poetic sensibility shows in his careful prose; its spare style may recall Jim Harrison's Legends of the Fall, while the range of history covered is similar to that of Shannon Burke's Into the Savage Country. A Western epic with appeal for literary readers, this seems likely to become a classic Montana read.” —Library Journal

“Brings to mind Cormac McCarthy and Annie Proulx . . . lyrical, prophetic, brutal yet ultimately hopeful.” — Dave Eggers

“Tough, poetic, and beautiful.” -- Sherman Alexie

"In American Copper, Shann Ray harnesses his formidable sensibilities as both poet and short-form fiction writer to create a balance between the intimate and the epic. Contrasting Montana’s early-day rodeo riders with the rise of a dictatorial copper baron, the entire state becomes not only a backdrop but a mirror for complicated clashes of race and class, family and tribe, gender and society. Ray’s range of characterizations reminds us that despite its mythic tropes, the West has been a place of mind-boggling identities and all-too-human tragedies for a very long time. I was reminded as much of the tribal folklore of James Willard Schultz as the fearless genre-bending of Dorothy M. Johnson, and the pitch-perfect naturalism of James Welch. No small feat." – Malcolm Brooks

"Some books devour their readers; other books are written to be devoured. With an emotional heart as enormous as the Montana mountains, Shann Ray's American Copper is that rare book that does both. In one breath you'll marvel at Ray's poetic lyricism, with the next you'll grunt at his toughness. And in between you'll turn the pages impulsively. With American Copper, Ray announces himself as one of the finest writers working today." – Peter Geye

“American Copper is a spacious and stirring book that arcs itself across the dark skies of the West. Centered on Evelynne Lowry, privileged daughter of an insatiable copper king, the novel divines the deepest sources of American tragedy—the implacability of wealth, the heartlessness of colonialism, the rage of racial injustice. Shann Ray’s beautiful prose blends the lyrical yearning of James Welch with the historic sweep of Philipp Meyer to create an epic tale anchored in bitter loss and annealed by powerful love.” --Alyson Hagy

"This grave, unusual novel unfolds with a beautiful evenhandedness, balancing the outer world and the inner life, Cheyenne and white experiences of early 20th-century Montana. Ray’s feel for the heart and soul of Montana and its people—all its people—graces every page. - Andrea Barrett, author of Archangel and The Air We Breathe.

“An expansive and luminous tale of the American West told through crystalline prose. American Copper ushers Shann Ray into the company of Montana's finest writers. It's a read as compelling as Harrison's masterwork Legends of the Fall and Kittredge's Willow Field. Heartbreaking and heart pounding and not to be missed.” -- Debra Magpie Earling

Library Journal

10/01/2015
Poet and short story writer Ray's (American Masculine) beautifully told first novel follows three intertwining lives in early 20th-century Montana. Spanning the years between the late 1800s and 1930s, his measured storytelling revolves around Evelynne Lowry, daughter of a controlling copper baron; Zion, a huge man who gentles horses and wrestles steers; and William Black Kettle, descendent of Cheyenne peace chiefs. In profiling these protagonists, the narrative traces Western expansionism and the scourge of racism inherent in that growth, but the book is about how people are connected to one another, to the past, and to the land on which they live. VERDICT Ray's poetic sensibility shows in his careful prose; its spare style may recall Jim Harrison's Legends of the Fall, while the range of history covered is similar to that of Shannon Burke's Into the Savage Country. A Western epic with appeal for literary readers, this seems likely to become a classic Montana read.—Melanie Kindrachuk, Stratford P.L., Ont.

Kirkus Reviews

★ 2015-08-18
Poet and short story writer Ray debuts as a novelist with a gripping epic of the Montana frontier. Son of a poor immigrant Czech, Josef Lowry raged with a "hunger in him to break the world," but what he fractures is his children and all that's worthy within himself. Montana's copper brought riches and power to Lowry, who was known as the Baron. Tomás and Evelynne, his children, are property: guarded, directed, dominated. First meditating on the Sand Creek Massacre as emblematic of white-Cheyenne racial tension, the heart of the story begins when, home safe from World War I, Tomás dies in an accident. Evelynne turns recluse, Emily Dickinson-like, silent but for published poetry. Then two very different men come into her life. Zion is a sharecropper's son and rodeo rider with a heart-ripping history of hardship. William Black Kettle is a Catholic-educated Cheyenne straddling Native American and white cultures. The prose is elegant, precise, and observant, as when Zion notes there are "only two races of men...[d]ecent and unprincipled." Ray's story travels from the Tongue River in Cheyenne country to scabby little towns marring the vast prairie and then high up to the Continental Divide. With the Evelynne-Zion-William triangle of desire and despair, Ray casts an unsparing eye on the brutal racism of the American frontier and the dark hubris that made the settlement of the West both productive and destructive. Thematically, Ray fuses tragedy into rebirth, covering a timeline of nearly four decades in a narrative as natural, pure, and clear as water flowing from a snow-covered peak. Devotees of the genre will find Ray's lyric, often poetic saga to be equal to McCarthy's Border Trilogy and Harrison's Legends of the Fall.

Product Details

BN ID:	2940170837373
Publisher:	Recorded Books, LLC
Publication date:	01/01/2016
Edition description:	Unabridged

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