Section 25's debut LP isn't a patch on the finer moments of their more famous labelmates, but for those who thrill on some of post-punk's late-'70s/early-'80s trademarks, it should go down with great ease. Skeletal instrumentation is the rule: detached vocals, guitar used mainly as hollow accent, undead bass, and driving midtempo rhythms with loads of hi-hat.
Martin Hannett's production is fittingly heavy on the drums. Though the band was quickly accused of sounding much like the remainder of the
Factory stable, their closest neighbor in sound was
Public Image Ltd., most notably their second album. Any comparisons to
PiL were agreed with, but it was argued that some of these songs had been kicking around before
PiL committed their material to tape. Truth be told, only "Be Brave" and "Dirty Disco" (not to be confused with
PiL's "Death Disco") deeply resemble their brethren, with the latter sounding like a direct lift off
Metal Box. (Also notable is that
Larry Cassidy's bass isn't dubwise, unlike
Jah Wobble's -- it's duller.) Some of
Always Now is prone to lifeless meandering. On the likes of "C.P." and "Inside Out," the band appears to be on the verge of nodding off; "Melt Close" suffers from a little too much slacking, too. Played at 45 rpm, it would sound really great. Regardless of its flaws (they might not even seem like flaws to some), it's strong. As part of the
Factory reissue campaign through
Les Temps Modernes in the late '90s,
Always Now received a nifty facelift, including the
Ian Curtis-produced "Girls Don't Count" single, assorted compilation contributions, and thorough liner notes. ~ Andy Kellman
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