All the Days and Nights: The Collected Stories

by William Maxwell

Overview

From the American Book Award-winning author of Ancestors and Time Will Darken comes a masterful collection of stories, spanning more than 50 years—a tour of a world that engages readers entirely, and whose characters command the deepest loyalty and tenderness.

Product Details

ISBN-13:	9780679761020
Publisher:	Knopf Doubleday Publishing Group
Publication date:	10/31/1995
Series:	Vintage International
Pages:	432
Product dimensions:	5.30(w) x 8.00(h) x 0.90(d)

About the Author

William Maxwell was born in 1908 in Lincoln, Illinois. He studied at the University of Illinois at Urbana-Champaign, and after earning a master's at Harvard, returned there to teach freshman composition before turning to writing. He published six novels, three collections of short fiction, an autobiographical memoir, a collection of literary essays and reviews, and a book for children. For 40 years, he was a fiction editor at The New Yorker. From 1969 to 1972 he was president of the National Institute of Arts and Letters. He received the Brandeis Creative Arts Award Medal and, for So Long, See You Tomorrow, the American Book Award and the Howells Medal of the American Academy of Arts and Letters. He died in 2000.

What People are Saying About This

Reynolds Price

Like their peers in the work of Tolstoy, Chekhov, Porter, and Welty, William Maxwell's stories slowly lure the reader into iron-clad but transparent rooms...

Editorial Reviews

For over six decades, Maxwell has scrupulously eschewed literary postures for a crystalline elegance almost unparalleled in contemporary American fiction. A New Yorker editor for 40 years and American Book Award recipient for his 1980 novel, So Long, See You Tomorrow, Maxwell has selected 23 short stories and 21 "improvisations" that he deems worth saving. All the tales from Over by the River and Other Stories (1977) and from Billie Dyer and Other Stories (1992) are included, as are 16 of the 29 improvisations originally published as The Old Man at the Railroad Crossing and Other Tales (1966). Three strong uncollected stories-"A Game of Chess," "The Lily-White Boys" and "What He Was Like"-as well as six new improvisations complete the group. Maxwell has always braided his family history into his storyteller's art, and the first section here draws much from his experiences as a boy in Lincoln, Ill. (where he was born in 1908), from time spent in France and from contemporary life in New York. In these stories, people frequently suffer under the misapprehension that they understand those around them, or even themselves, and are recurrently made restless by indefinable dreams or fears. The keys to deliverance are, invariably for Maxwell, compassion and love. The improvisations, which make up the second section, are ``spontaneous inventions'' created for special occasions, such as his wife's birthday, commemorated in the fine title piece. Many begin with "Once upon a time" and become linear, sometimes enigmatic fables for adults, illuminating issues of commitment, betrayal, death, personal responsibility and human kindness. This volume is conclusive evidence that Maxwell stands at the pinnacle of American letters. (Jan.)

Publishers Weekly - Publisher's Weekly

In the preface to this collection of short fiction written over a period of 50 years, former New Yorker editor Maxwell (The Outermost Dreams: Essays and Reviews, LJ 4/15/89) tells of his youthful decision to go to sea to have something to write about, unaware that all the material he would ever need was right in front of him in the details of everyday life. A recurring theme in these wise, elegant stories is the difficulty of communication. In "A Game of Chess," two brothers trade backhanded compliments over dinner. In "The Value of Money," a grown-up son enjoys some quiet time with his father, knowing that every conceivable topic of conversation will lead to an argument. In "The Thistles in Sweden," a husband and wife find themselves able to say things to each other in French that they were incapable of saying in English. These deceptively simple and beautifully written stories resonate with meaning. Recommended for all fiction collections.-Edward B. St. John, Loyola Law Sch. Lib., Los Angelesmond

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