All the Animals Where I Live

by Philip C. Stead

Overview

The author used to live in the busy city where there were buses and trains, and people waiting for buses and trains.

Now he lives in the country and jubilantly takes us on a tour of his home, pointing out all the animals that share his space. There are stuffed bears and quilted chickens. His dog Wednesday watches cranes, frogs, and dragonflies live their lives. Coyotes and chipmunks come and go, and the world around where he lives is full of life, until winter comes, and there is nothing but snow.

Uniquely structured, All the Animals Where I Live is a picture book from Philip C. Stead, one of our most innovative author-illustrators, that is a meditation on life and moments big and small that shape our individual worlds.

Product Details

ISBN-13:	9781250307309
Publisher:	Roaring Brook Press
Publication date:	03/20/2018
Sold by:	Macmillan
Format:	eBook
Pages:	48
File size:	15 MB
Note:	This product may take a few minutes to download.
Age Range:	4 - 8 Years

About the Author

Philip C. Stead is the author of the 2011 Caldecott Medal winner, A Sick Day for Amos McGee, as well as Bear Has a Story to Tell, an E. B. White Honor book. Books that he has written and illustrated include Creamed Tuna Fish and Peas on Toast; Jonathan and the Big Blue Boat; A Home for Bird; Hello, My Name Is Ruby; Sebastian and the Balloon; Ideas Are All Around; and Samson in the Snow. Philip lives with his wife, illustrator Erin E. Stead, in Ann Arbor, Michigan.

Editorial Reviews

★ 12/18/2017
In the meditative manner of his Ideas Are All Around, Caldecott-winner Stead looks at the animals in his neighborhood, and at his own life. He recalls the only bear he’s ever met, a stuffed bear named Frederick (“My Grandma Jane gave me Frederick when I was three years old”). He remembers Grandma Jane’s house, which had a room that “always smelled like maple syrup.” He examines the creatures he sees, and the changing seasons (“Summer comes and goes. The wind knocks the apples to the ground”). Soon, there’s “nothing but snow. And the smell of maple syrup.” This quiet closing line evokes Grandma Jane’s love and the way it follows him into adulthood; if she were a hummingbird, he muses earlier in the book, “she would fly to where I live now.” Stead’s thoughts wander, and so do his drawings. His dog’s whiskers and mild gaze are captured with scribbly charcoal lines; blades of grass behind a cricket under the full moon are brushed in unerring ink strokes. It’s a journey with an artist who sees the eternal in the everyday. Ages 4–8. Agent: Emily van Beek, Folio Literary Management. (Mar.)

Publishers Weekly

"Stead’s thoughts wander, and so do his drawings. His dog’s whiskers and mild gaze are captured with scribbly charcoal lines; blades of grass behind a cricket under the full moon are brushed in unerring ink strokes. It’s a journey with an artist who sees the eternal in the everyday."—Publisher's Weekly, starred review

"young artists and nature lovers will find much here to admire and any of the artist’s many fans would be happy to peruse these pages."—School Library Journal

From the Publisher

03/01/2018
K-Gr 3—Like Stead's Ideas Are All Around, which playfully explores the artist's interior life and creative processes, All the Animals Where I Live takes readers for an extended meander around his physical environs with his dog Wednesday. In recording his observations of the natural world, the once-city-dweller Stead introduces readers not only to an array of country critters, but also to his 90-year-old neighbor who shoos a brown bear way from her kitchen window, and regales readers with fond memories of his Grandma Jane, whom he likens to a hummingbird "flitting and buzzing and always busy." Wednesday, also once a city dog, clearly relishes the freedom of exploring off-leash throughout the seasons, greeting sandhill cranes, toads, coyotes, and dragonflies. Wild turkeys, turtles, chipmunks, deer and a snowy owl are among the seasonal visitors that the artist spies. The lovely mixed-media artwork includes oil ink monoprinting from found objects, and drawing with China marker, bamboo calligraphy brushes, and Sumi ink. The animals take center stage with minimally patterned backgrounds suggesting light-filled open fields and lush forests. VERDICT While the quiet, and at times nostalgic, tone of the narrative does not suggest broad child appeal, young artists and nature lovers will find much here to admire and any of the artist's many fans would be happy to peruse these pages.—Luann Toth, School Library Journal

School Library Journal

2018-02-04
A careful catalog of thoughts about living in the country.Author/illustrator Stead tells readers he used to live in the city but now lives in the country, and this picture book is a somewhat free-association observation of that life. Nostalgic reminiscences tell readers of his "Grandma Jane," who gave him Frederick, a stuffed bear he still has, knitted a blanket decorated with chickens, and, Stead says, would be a hummingbird if she had been an animal (a handy device for the illustrations). These thinly form the connective tissue of the rest of the narrative, as Stead shares his observations of the nature outside his door. Deer eat apples (his dog, Wednesday, chases them away), cranes rattle, an eagle drops a turtle, chipmunks live in a stump, and a coyote howls. The story's problem is not its construction—which is careful—and certainly any attention paid to the natural world is time well spent for young readers. But nostalgia is not something many picture-book readers generally engage in, nor is neutral observation, so it's difficult to see how effectively readers will connect. The illustrations are well-drawn and well-designed, but they are executed with a loose, sketchy technique and a thin, pale palette that, paired with the narrative's delicate style, dilute rather than strengthen the story's overall construction. More of an artist's sketchbook musings than a story for children. (Picture book. 5-9)

Kirkus Reviews