One of the few
blues guitarists to forge a unique style,
John Mooney continues to refine his
Delta blues/
New Orleans second-line approach on this excellent follow-up to 2000's
Gone to Hell comeback. Whether digging into the Delta on an acoustic version of
Willie Brown's
"Future Blues," or giving his funky slide a sizzling workout on the appropriately titled
"Feel Like Hollerin'," Mooney attacks these songs with an electric ferocity that nearly slashes the speakers. His sparse backing rhythm section, including longtime bassist
Jeff Sarli and especially percussionist
Alfred "Uganda" Roberts, provides a solid bedrock for
Mooney to blast off. Sticking predominantly with slide, which is his forte,
Mooney can be light and playful, as on the finger-popping
"Tell Me Who," or nearly demonic, like his cover of mentor
Son House's
"Son's Blues." When he howls "Lord have mercy on my wicked soul," he sounds like he means it and is not merely mouthing words sung countless times in the past. A respectable cover of
Mississippi Fred McDowell's chestnut
"You Got to Move" doesn't add much to either the original or even
the Stones' version, but a rollicking ride through
Professor Longhair's
"Hey Little Girl" is alone worth the price of the album, as
Mooney rips off lightning runs, slicing into the song with an incisive combination of lecherous, playful, and muscular riffs.
Mooney tips the balance of his style here to the
New Orleans licks that provide the album's most exhilarating moments. But between his acoustic
Delta roots, gruff yet expressive voice, and blistering guitar work, this is a perfect example of a confident bluesman who has established his direction and is working at the peak of his powers. ~ Hal Horowitz
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