Table of Contents
CONTENTS
A Note On the Text 9
PREFACE 15
PART I
CONCERNING GENERAL IDEAS IMPORTANT TO THE
COMPREHENSION OF DÜRER’S LIFE AND ART
I. THE IDEA OF PROPORTION 18
II THE INFLUENCE OF RELIGION ON THE CREATIVE
IMPULSE 35
PART II
DÜRER’S LIFE IN RELATION TO THE TIMES IN WHICH HE
LIVED
I. DÜRER’S ORIGIN, YOUTH, AND EDUCATION 69
II. THE WORLD IN WHICH HE LIVED 83
III. DÜRER AT VENICE 93
IV. HIS PATRONS AND FRIENDS 108
V. DÜRER, LUTHER, AND THE HUMANISTS 138
VI. DÜRER’S JOURNEY TO THE NETHERLANDS 148
VII. DÜRER’S LAST YEARS 170
PART III
DÜRER AS A CREATOR
I. DÜRER’S PICTURES 208
II. DÜRER’S PORTRAITS 222
III. DÜRER’S DRAWINGS 233
IV. DÜRER’S METAL ENGRAVINGS 248
V. DÜRER’S WOODCUTS 261
VI. DÜRER’S INFLUENCES AND VERSES 269
PART IV
DÜRER’S IDEAS
I. THE IDEA OF A CANON OF PROPORTION FOR THE
HUMAN FIGURE 275
II. THE IMPORTANCE OF DOCILITY 296
III. THE LOST TRADITION 308
IV. BEAUTY 312
V. NATURE 317
VI. THE CHOICE OF AN ARTIST 320
VII. TECHNICAL PRECEPTS 326
VIII. IN CONCLUSION 330