Akin

by Emma Donoghue

Overview

This "soul stirring" novel by the New York Times bestselling author of Room (O Magazine) is one of the New York Post's best books of the year.


Noah Selvaggio is a retired chemistry professor and widower living on the Upper West Side, but born in the South of France. He is days away from his first visit back to Nice since he was a child, bringing with him a handful of puzzling photos he's discovered from his mother's wartime years. But he receives a call from social services: Noah is the closest available relative of an eleven-year-old great-nephew he's never met, who urgently needs someone to look after him. Out of a feeling of obligation, Noah agrees to take Michael along on his trip.


Much has changed in this famously charming seaside mecca, still haunted by memories of the Nazi occupation. The unlikely duo, suffering from jet lag and culture shock, bicker about everything from steak frites to screen time. But Noah gradually comes to appreciate the boy's truculent wit, and Michael's ease with tech and sharp eye help Noah unearth troubling details about their family's past. Both come to grasp the risks people in all eras have run for their loved ones, and find they are more akin than they knew.


Written with all the tenderness and psychological intensity that made Room an international bestseller, Akin is a funny, heart-wrenching tale of an old man and a boy, born two generations apart, who unpick their painful story and start to write a new one together.


"What begins as a larky story of unlikely male bonding turns into an off-center but far richer novel about the unheralded, imperfect heroism of two women." — New York Times

Product Details

ISBN-13:	9780316491969
Publisher:	Little, Brown and Company
Publication date:	07/07/2020
Pages:	352
Sales rank:	325,953
Product dimensions:	5.40(w) x 8.20(h) x 1.00(d)

About the Author

Born in Dublin in 1969, Emma Donoghue is an Irish emigrant twice over: she spent eight years in Cambridge doing a PhD in eighteenth-century literature before moving to London, Ontario, where she lives with her French partner and their two children. Her fascination with Nice developed over the two years her family have spent in that city.


She also migrates between genres, writing literary history, biography, stage and radio plays as well as fairy tales and short stories. She is best known for her novels, which range from the historical (Slammerkin, Life Mask, Landing, The Sealed Letter) to the contemporary (Stir-Fry, Hood, Landing). Her international bestseller Room was a New York Times Best Book of 2010 and was a finalist for the Man Booker, Commonwealth, and Orange Prizes. For more information, visit www.emmadonoghue.com.

Hometown:

London, England and Ontario, Canada

Date of Birth:

October 24, 1969

Place of Birth:

Dublin, Ireland

Education:

B.A. in English and French, University College Dublin, 1990; Ph.D. in English, University of Cambridge, 1998

Website:

http://www.emmadonoghue.com

Editorial Reviews

07/15/2019

Donoghue’s underwhelming latest features a troubled doppelgänger of the sweet naïf from her best-known novel, Room, a foul-mouthed 11-year-old named Michael, whose great-uncle Noah takes him to the French Riviera to save him from the foster care system after Michael’s father dies of an apparent overdose and his mother, who is in prison, is unable to care for him. In the present day, Noah, having discovered some photographs taken by his mother during the two years she spent in Vichy France, and wishing to discover their significance, travels to Nice with Michael in tow. Dialogue between the two predominates as they wander about the city, constantly squabbling along predictably generational lines, searching for clues about whether Noah’s mother was a Nazi collaborator or part of the Resistance. The reader is soon exasperated with Noah’s own collaboration with the author, who won’t let him solve the mystery without Michael’s age-appropriate technological savvy. This work seems like a pale redux of Room, with its depiction of the wonder of a sheltered boy supplanted by the cynicism of a damaged one, whose voice doesn’t always ring true. The gap between Michael’s view of the world and the reader’s feels less charged than it should be, though the book makes up for it to some degree with a very satisfying denouement. This is a minor work in Donoghue’s astounding oeuvre. (Sept.)

Publishers Weekly

"We are never too old, Donoghue reminds us, to emerge from our childish dusks. What begins as a larky story of unlikely male bonding turns into an off-center but far richer novel about the unheralded, imperfect heroism of two women — Michael's incarcerated mother and Noah's long deceased one — and the way we preserve the past and prepare for the future."—New York Times

"Soul stirring."—O Magazine

"Donoghue has done an excellent job of blending history with an unforgettable story of a young boy and an old man. This a book not to be missed."—The Missourian

"A subtle, entertaining portrait of the relationship—and friction—between age and youth."—The Economist

"Continuously charming."—Washington Post Book World

From the Publisher

Jason Culp’s near-perfect narration of the new literary drama from the author of ROOM matches its emotional intensity. Two lost souls from distant branches of the same family tree are thrown together. Culp uses an edgy tone to express the frustration of set-in-his-ways 79-year-old retired professor Noah Selvaggio as his planned trip to the French Riviera is upended when he reluctantly takes Michael, an abandoned 11-year-old great-nephew, on the journey. Culp shines as he expresses Michael’s frustration with Noah’s lack of tech savvy and Noah’s wish that Michael were less profane. Donoghue plucks heartstrings with just the right song, and Culp orchestrates the character studies like a maestro with a baton. R.O. Winner of AudioFile Earphones Award, 2019 Best Audiobook © AudioFile 2019, Portland, Maine

AUGUST 2019 - AudioFile

2019-06-17
Revisiting his birthplace in France, a retired university professor reckons with his past—and, unexpectedly, the future in the form of a great-nephew.

Noah hasn't seen Nice since his mother sent him to join his father in the U.S. when he was 4, during World War II. He plans to celebrate his 80th birthday there, and he certainly wasn't planning to take along 11-year-old Michael, illegitimate son of Noah's ne'er-do-well nephew, Victor. But Michael's mother is in jail on drug charges—probably taking the rap for Victor, who subsequently OD'd—and the grandmother who was taking care of the boy just died; there is literally no one else, says the desperate social worker who phones Noah as a last resort. With her characteristic storytelling brio, Donoghue (The Lotterys Plus One, 2017, etc.) sets up a fraught situation with multiple unresolved issues. Instead of a leisurely visit to Nice, possibly tracking down the locations of some enigmatic photographs his mother took during the war, Noah is stuck with a foulmouthed, sullen tween who rarely lifts his eyes from his battered phone. Granted, it's predictable that this mismatched pair will ultimately come to grudging mutual respect and even affection, but Donoghue keeps sentimentality to a minimum and deftly maintains a suspenseful plot. Michael's digital skills come in handy as Noah investigates the unpleasant possibility that his mother was a Nazi collaborator, and his (minimal) confidences reveal a history of poverty and loss that makes the boy's thorny character understandable. Noah, still holding internal conversations with his beloved wife, Joan, nine years after her death, knows something about loss, and he struggles to be patient. Donoghue's realistic portrait of Michael includes enough rudeness and defiance to make the pair's progress toward détente bumpy and believable. The story of Noah's mother turns out to be more complicated and even sadder than he had feared, leading to a beautiful meditation on how we preserve the past as we prepare for the future. Noah and Michael, humanly flawed and all the more likable for that, deserve their happy ending.

Not as ambitious or challenging as Donoghue in absolute top form (say, Room), but readable, well crafted, and absorbing.

Kirkus Reviews