Ain't I a Woman: Black Women and Feminism

by bell hooks

Overview

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

Product Details

ISBN-13:	9781317588603
Publisher:	Taylor & Francis
Publication date:	12/17/2014
Sold by:	Barnes & Noble
Format:	eBook
Pages:	220
File size:	1 MB

About the Author

A cultural critic, an intellectual, and a feminist writer, bell hooks is best known for classic books including Feminist Theory, Bone Black, All About Love, Rock My Soul, Belonging, We Real Cool, Where We Stand, Teaching to Transgress, Teaching Community, Outlaw Culture, and Reel to Real. hooks is Distinguished Professor in Residence in Appalachian Studies at Berea College, and resides in her home state of Kentucky.

Table of Contents

Preface to the New Edition Introduction 1. Sexism and the Black Female Slave Experience 2. Continued Devaluation of Black Womanhood 3. The Imperialism of Patriarchy 4. Racism and Feminism: The Issue of Accountability 5. Black Women and Feminism

Editorial Reviews

Praise for the book:

"Ain’t I a Woman is one of the most interesting, lucid books dealing with the subject of Feminism. The book can be recommended wholeheartedly to anyone who is interested in black history, in women’s history, or in that much-overlooked connection between the two." —Maria K. Mootry Ikerionwu, Phylon (1983)

"…an absorbing delineation of the American black woman’s mark(s) of oppression at the hands of racist, misogynist, imperialist, capitalist patriarchy….Feminists must read this book…" —Cheryl Clarke, Off Our Backs (1982)

"Since the publication of Ain’t I A Woman in 1981, bell hooks has become one of the United States’ most acute cultural critics. Writing from a clearly stated position as an African American woman, hooks’s early work helped re-map feminist theory in the United States with her consistent analysis of the interrelationships of race, gender and class in contemporary cultural life." —Sally Keenan, Journal of American Studies (1995)

From the Publisher

Narrator Adenrele Ojo is a familiar, poetic voice for a heavy topic: Black women’s unique experiences with racism and sexism, and their role in standing with Black men and white women in the fight against these oppressions. This classic book doesn’t feel dated, though the buzzword “intersectionality” is never uttered. The audiobook is a primer on the study of Black women in America, and Ojo narrates sensitively, though with gravity, concepts and arguments that may be hard for some listeners to swallow. Haven’t the problems between Black women and white women, Black women and Black men been resolved yet? The difference between the time that bell hooks wrote and now is the reception to her thesis and the space for varied, nuanced arguments. M.P.P. © AudioFile 2019, Portland, Maine

APRIL 2019 - AudioFile

Narrator Adenrele Ojo is a familiar, poetic voice for a heavy topic: Black women’s unique experiences with racism and sexism, and their role in standing with Black men and white women in the fight against these oppressions. This classic book doesn’t feel dated, though the buzzword “intersectionality” is never uttered. The audiobook is a primer on the study of Black women in America, and Ojo narrates sensitively, though with gravity, concepts and arguments that may be hard for some listeners to swallow. Haven’t the problems between Black women and white women, Black women and Black men been resolved yet? The difference between the time that bell hooks wrote and now is the reception to her thesis and the space for varied, nuanced arguments. M.P.P. © AudioFile 2019, Portland, Maine

APRIL 2019 - AudioFile