Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century
This survey asks a seemingly simple question: Is there an affinity between the emergence of modern art and various Avant-Garde movements such as Russian Suprematism and Polish or Hungarian Constructivism around about the turn of the last century and the process of Jewish assimilation in the Habsburg empire and Russian tsardom respectively? What about the possible connection between «Hebraism», Jewish Messianism, Talmudic philosophy, and Kabbalistic speculations and the most radical, Utopian Avant-Garde movements of the region? Was Russian Cubo-Futurism, Suprematism, Productivism, Polish and Hungarian Constructivism actually fostered by ideas and practices articulated in Eastern Jewry? And what was the impact of Anti-Semitism on how the artists related to stylistic purity and their own cultural identity in the region already prior to the emergence of Avant-Gardism? And how did the supposed biblical ban on «graven images» influence the approach of the Jewish artists?
1120134200
Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century
This survey asks a seemingly simple question: Is there an affinity between the emergence of modern art and various Avant-Garde movements such as Russian Suprematism and Polish or Hungarian Constructivism around about the turn of the last century and the process of Jewish assimilation in the Habsburg empire and Russian tsardom respectively? What about the possible connection between «Hebraism», Jewish Messianism, Talmudic philosophy, and Kabbalistic speculations and the most radical, Utopian Avant-Garde movements of the region? Was Russian Cubo-Futurism, Suprematism, Productivism, Polish and Hungarian Constructivism actually fostered by ideas and practices articulated in Eastern Jewry? And what was the impact of Anti-Semitism on how the artists related to stylistic purity and their own cultural identity in the region already prior to the emergence of Avant-Gardism? And how did the supposed biblical ban on «graven images» influence the approach of the Jewish artists?
162.9 In Stock
Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century

Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century

by Tom Sandqvist
Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century

Ahasuerus at the Easel: Jewish Art and Jewish Artists in Central and Eastern European Modernism at the Turn of the Last Century

by Tom Sandqvist

Hardcover

$162.90 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

This survey asks a seemingly simple question: Is there an affinity between the emergence of modern art and various Avant-Garde movements such as Russian Suprematism and Polish or Hungarian Constructivism around about the turn of the last century and the process of Jewish assimilation in the Habsburg empire and Russian tsardom respectively? What about the possible connection between «Hebraism», Jewish Messianism, Talmudic philosophy, and Kabbalistic speculations and the most radical, Utopian Avant-Garde movements of the region? Was Russian Cubo-Futurism, Suprematism, Productivism, Polish and Hungarian Constructivism actually fostered by ideas and practices articulated in Eastern Jewry? And what was the impact of Anti-Semitism on how the artists related to stylistic purity and their own cultural identity in the region already prior to the emergence of Avant-Gardism? And how did the supposed biblical ban on «graven images» influence the approach of the Jewish artists?

Product Details

ISBN-13: 9783631651636
Publisher: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Publication date: 05/26/2014
Pages: 542
Product dimensions: 5.83(w) x 8.27(h) x 0.06(d)

About the Author

Tom Sandqvist is Professor and Docent in Theory of Art and Art History based in Stockholm. Ahasuerus at the Easel continues the discussion in the author’s previous book The Sacred Cause (Peter Lang 2013) on Central and Eastern European Modernism.

Table of Contents

Contents: Jewish art – Central and Eastern European Modernism – Art and Hebraism – Avant-Garde art at the turn of the century – Jewish philosophy.
From the B&N Reads Blog

Customer Reviews