Against Racism: Unpublished Essays, Papers, Addresses, 1887-1961 / Edition 1

by W. E. B. Du Bois, Herbert Aptheker

Overview

"This masterfully edited collection of some of the essays, papers, and addresses of the leading social and political thinker of the African diaspora during the first half of the twentieth century is worth every exhilarating moment that one spends perusing it."-Journal of American History

Product Details

ISBN-13:	9780870236242
Publisher:	University of Massachusetts Press
Publication date:	02/19/1988
Series:	Correspondence of W.E.B. Du Bois
Edition description:	First Edition
Pages:	352
Product dimensions:	5.91(w) x 9.25(h) x 1.03(d)
Lexile:	1350L (what's this?)
Age Range:	18 Years

About the Author

W.E.B. Du Bois was a critic, editor, scholar, author, and civil rights leader. Herbert Aptheker was a colleague of Du Bois's and a historian of the Afro-American experience.

Editorial Reviews

"The essays collected in Against Racism span the period from [Du Bois's] school days at Fisk to his expatriation in Ghana. One expects to see changes, but the steadiness of vision reflected in these pieces is remarkable."--New York Times Book Review

"A brief sketch of this collection cannot do full justice to its importance to the field of Afro-American history: Against Racism is as critical in presenting the fabric of Du Bois's thought as The Souls of Black Folk or Dusk of Dawn. Henceforth all studies of Du Bois will be affected by these major insights presented in Against Racism."--Black Scholar

From the Publisher

A brief sketch of this collection cannot do full justice to its importance to the field of Afro-American history: Against Racism is as critical in presenting the fabric of Du Bois's thought as The Souls of Black Folk or Dusk of Dawn. Henceforth all studies of Du Bois will be affected by these major insights presented in Against Racism.

Black Scholar

The essays collected in Against Racism span the period from [Du Bois's] school days at Fisk to his expatriation in Ghana. One expects to see changes, but the steadiness of vision reflected in these pieces is remarkable.

New York Times Book Review